All in the Family: The Complete Series (DVD)

Based on the British sitcom “Til Death Us Do Part,” Norman Lear’s American sitcom “All in the Family” has managed to live on for decades as one of the most volatile and controversial American television series of all time. Even decades after its premiered, “All in the Family” continues to live on as a series that examined many themes about the world that are still relevant, and still widely examined by the greatest minds. In its nine season run, “All in the Family” explored themes of homosexuality, capital punishment, abortion, religion, the Vietnam war, feminism, civil rights, rape, racial stereotypes, sexual dynamics, homophobia, terrorism, gun control, and so much more.

“All in the Family” did so with a fearlessness that signaled a series that was willing to tackle such issues with a sincerity that made it very popular, while also making audiences laugh non-stop. With relatable down to Earth characters, “All in the Family” went to live on television for nine seasons, and conceived five spin offs of varying success. Norman Lear examined the themes deemed incredibly taboo in the seventies with a comedic dynamic that used its characters to become the catalysts for such arguments and dissections of what was troubling the world in the seventies, and what’s going to continue troubling the world.

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Cult

The premise of “Cult” feels like a new age serial version of John Carpenter’s “In the Mouth of Madness.” Wherein the former title examined the rabid fandom of literary fans with author Sutter Cane who was an amalgamation of HP Lovecraft and Stephen King, the new “Cult” examines the sheer lunacy that can arise from the fandom of television shows. The series so far isn’t an indictment on the dangers of fandom, but it does explore how passionate fans can be, and how they can often breed a cult-like following that’ll do anything to honor the spirit of their favorite series.

What’s interesting is that much of the pilot of “Cult” is constructed like the aforementioned Carpenter horror film, where the episode is so absolutely meta and self-contained, that we can never be sure what is reality, nor can we be certain what is a clue for our audience, or what is merely a red herring. What we think is the prologue of the show is something else entirely, the dialogue is often cryptic in delivery, and there are many subtle subliminal clues peppered throughout the episode that could lead the fictional and actual audience to decode the mystery of “Cult.”

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Continuum: Our Thoughts So Far

Syfy’s newest Canadian import garners some of my favorite aspects of fiction. There’s a Utopian future. And Rachel Nichols. There’s time travel. And Rachel Nichols. There’s futuristic villains and clandestine organizations. And Rachel Nichols. And of course, there are plays on time travel paradoxes that “Continuum” has a lot of fun playing with. And there’s Rachel Nichols. One element of the initial storyline revolving around season one of “Continuum” is the inevitability of time and fates and what happens when time travel is used. Could going back in time and tinkering with the fates of others alter the timeline? Or is there an already preset path that can not be stopped no matter how much you attempt to destroy it? If our mind predetermines our actions, wouldn’t that be applied to time travel? If heroine Keira never traveled back in time to thwart the efforts of Liber8, would she have ended up in her life? And what effect does two existing Keira’s in the universe ultimately have?

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Our Top Five Jim Henson Characters

When I was a kid, Jim Henson was my absolute hero. He invented so many of my childhood characters, he pioneered some of my favorite television shows of all time, did so many great voices for various incredible characters, and voiced my favorite character all time, Kermit the Frog. So when he passed away it was a somber and heartbreaking occasion for me. I remember sitting through the memorial song played on television where the muppets are contemplating Henson’s death and I couldn’t even sit through it. Mid-way I literally got up and left putting the television on mute, barely able to come to terms with Henson’s passing. It felt like my grandfather, who spent so many years telling me great stories and inventing this magical world was gone. It was yet another artist going away forever.

The muppets and Sesame Street were never the same again. Sure they can pretend they rebounded, but when Jim died, everything else did, and universe for these characters was just completely pointless and oozing consumerism. Characters were no longer there to tell stories, they were just there to sell merchandise. One of the many reasons why i utterly despised and continue to despise Elmo. Seriously, I loathe that character more than Mickey an the entire cast of “Family Guy” combined. Since his death and my introduction to his work, Henson has been one of the major influences on my life inspiring my love for impressions and voices, and for creating my own characters, and I had to pay homage to the man, the legend, Jim Henson.
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Our Top Ten Favorite "The Simpsons" Stars

Before the days of pandering for audiences with Britney Spears and Backstreet Boys, “The Simpsons” had a knack for casting humongous and iconic stars for their series to come on and play important roles. And then later on they’d lampoon them. There was Michael Jackson, and Jack Lemmon, and Jon Lovitz, as well as most of the Beatles. And while it never became the main lure for audiences, it was a treat to see who’d pop up in the next episode to play a role in the Simpsons’ lives. Here are ten of our favorite guest stars on “The Simpsons.”

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TCM Presents AFI's Master Class – The Art of Collaboration: Robert Zemeckis and Don Burgess

Turner Classic Movies, the best cinema based channel on US cable television, has so far remained one of the go to channels for rare and wonderful classic films that cineastes can explore, and while they have yet to really sully their reputation in exchange for original programming, they are being wise to include original shows that explore film in the spirit of the channel. Celebrating his newest live action film “Flight,” director Rober Zemeckis and frequent collaborator cinematographer Don Burgess sit down to discuss their filmmaking careers and the techniques used through some of their films that they found most notable and entertaining. The discussion never quite touches on Zemeckis’ motion capture animated films, and there isn’t so much explanation as to why he chose motion capture as a medium upon which to tell stories.

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The "Holliston" Christmas Special

It’s free on Hulu and I don’t know a single person who has FEARNet. Just in case you were wondering why I watched this Christmas special in spite of the fact I’m not a humongous fan of the horror sitcom “Holliston.”

Now that that’s out of the way, in spite of my reservations with the series, “The Holliston Christmas Special” is a very solid and often entertaining affair. Granted, the humor is still somewhat hit or miss, but the hour long special that’s set during Christmas avoids all the pitfalls of the holiday special and works on its own track. Corrie and Laura are still really damn good looking, so much so it’s distracting, and they stop by Adam and Joe’s house to ring in the holidays with them. In spite of Adam’s refusal to celebrate since he’s Jewish, the girls inflict Christmas cheer on them with a Chinese dinner. When the lights go out all over Holliston the group has to huddle together to wait out the outage, and the cold.

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