Chris Sparling’s “Balance” reminded me a lot of one of my favorite revenge films “In the Bedroom.” That’s a film many have written off as a blatant grab for Oscar attention, but I consider it one of the best revenge films ever made. Possibly one of the most original as well. “Balance” is in the same vein of the aforementioned title, yet it’s also almost as good as “In the Bedroom,” too. Sparling’s truly good short film explores the sheer wrath of loving parents on anyone that inflicts pain on their children.
He also explores the utter cruelty we’re capable of when attempting to protect our loved ones, and what can drive a parent to violent acts. I was certain I’d get something different from “Balance.” Maybe, from the description, this was about euthanasia, or perhaps a horror film, but “Balance” is a horror film, yet not so much a horror film. It’s more about the horrors of revenge, and what small deeds can do to cause immense pain. “Balance” is a tight, and wonderfully acted thriller about parents who decide to “balance” life after coming home from visiting their son in the hospital. The true hook is what Sparling’s excels at.
As the parents discuss their attempts to “balance” the field, you’ll be sitting in anticipation wondering what they’re planning in honor of their son. And when we learn of the plot, as well as the purpose to which unfolds before us, you’ll be forced to think what your stance on the events that occur, would be. If put into this situation with the child you adore, what would you do? Would revenge be an option? “Balance” sports some excellent acting, as well as a morbid climax that sticks with you long after you’ve finished. Revenge is not always black and white, and Sparling presents the concept of vengeance in provoking shades of gray that the audience will talk of when the film has finished. Tight direction, great acting, and an interesting premise make this a worthy short thriller. Here I thought I had this pegged.