Director Michael Legge’s “Monochromia” is proof positive that sometimes a small budget doesn’t automatically have to hinder a production. Sometimes, it can add to the charm. While “Monochromia” is considerably low budget, it embraces its limited scenery and special effects in favor of a stripped down and very entertaining science fiction comedy about a world gone mad thanks to the inability to see in color.
After scientists test a chemical weapon that accidentally spreads across the world, civilization is stripped of its ability to see in color. Now the world has adapted to looking in black and white, living in environments that offer no variety. A scientist, however, is committed to reverting the effect and wants distribute the formula to the world allowing humans to see in color. A mysterious crime boss, however, wants the formula for himself and sends two utterly inept hit men to retrieve the formula. “Monochromia” is often silly and utterly bizarre, but works because it doesn’t try too hard.
It can be goofy, but director Legge knows how to display restraint to where the humor is utterly over the top, but never unwatchable. Gags are introduced that normally would fail with other films, and the performances from the entire cast save what could have been a grueling experience. Director Legge works around the limited budget, providing twists to cliches, and craftily editing action sequences that offer some hearty laughter. In one instance, thief Alvin (Michael Legge) breaks in to a house using a spray can that can magically open a door, and there’s the hilarious running gag of Alvin and his girlfriend Nadine having a difficult time kissing without smacking in to one another.
You also have to love the moment when Alvin attempts to frisk Paige, resulting in a hilarious struggle with the aggressively ticklish woman. Even if you don’t find “Monochromia” funny, you’ll have to admit that it’s just never boring. It’s filled with absurd humor that’s funny just because, and Legge really masters that formula well. Who knows why the big crime sting ends at a poetry reading, or why bubble wrap is outlawed. I also never figured out why character Squeamy (Phil Hall is a definite scene stealer) is addicted to popping bubble wrap, but I just didn’t care. I was having too much fun laughing the whole way through.
