Art of Obsession (2017) [Blood In The Snow 2017]

A novelist has a hard time getting his muse back after a tragedy and his latest book’s failure. As he tries to write again, he finds a new muse through extreme measures.

Written by Ryan M. Andrews and Chris Cull with the former directing as well, the Art of Obsession takes something that could have been a small infatuation with a woman in danger, the need to save and turns it into an unhealthy obsession that is dangerous for all involved. The story is interesting and has interesting developments while some of them are a bit less so making the film uneven and with a few predictable plot points. The film does however do a very good job of showing a victim who won’t give up on herself, on her own salvation as an opposite to her captor who has given up on his good side almost completely for the appeal of the next hit, the next success, the next accolade. The dichotomy of these characters leads to an interesting watch as the viewer sees them evolve in each their own way, influenced by each other and each of their needs.

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Blood Child (2017) [Blood In The Snow 2017]

Following a miscarriage, a woman plays with forces she does not quite understand in her quest to have a child to love and care for.

Written and directed by Jennifer Phillips with story editor Emily Schooley, Blood Child is based on a true story, but how much of it is left here is not easily found with a quick Google search. Here the story is taken in a very supernatural way so the belief in whether or not it’s fully based on a true story will depend on the viewer’s level of belief in the supernatural. Nonetheless, the story is well written and takes the beliefs it plays with seriously while also adapting them to the screen. The characters feel like they are perhaps not developed at their best or the performances for them is what causes this lack of care for them from the viewer. The lead is interesting, but her husband comes off as unlikable, her best friend comes off bitchy, while the housekeeper comes off as a cliché complete with an accent that can only be fake (and if it is not, apologies to the actress).

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Mr. Fish: Cartooning from the Deep End (2017) [Doc NYC 2017]

The life of cartoonist Mr. Fish has seen through his eyes and those of his loved ones, co-workers, and a few other people.

From director Pablo Bryant, this documentary mixes interviews with a lot of visual material, giving a good idea of who Mr. Fish is, how he thinks, and how he creates. The film covers his life from childhood until now and shows not only how he works but also his home life which has an influence on his work and vice versa. This is done in a way that gives a good, unobstructed view of things and lets the viewer make their own mind as to if Mr. Fish is doing things right or not. Of course, the film does come at the subject from a specific angle and has its own agenda, but that does not keep it from having an openness about its subject.

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Daguerrotype (Le secret de la chamber noire) (2017)

In a French mansion, a photographer is obsessed with reproducing long lost photos taken with the daguerreotype technique of yore.  When he hires a young assistant for his project, things get complicated.

Written by Kiyoshi Kurosawa, Catherine Paille, and Eléonore Mahmoudian and directed by Kurosawa, Daguerrotype is a very slow burn of a film that feels more like a drama than anything else.  This being said, there are a few elements that will be surprising if the viewer goes into it completely blind and thus will not be spoiled here.  Having the genre pre-established as anything other than drama will lead into guessing a few of these.  Given the director and his resume, this aspect can be easily guessed.  Here he works in a manner where the characters are given plenty of time to develop themselves and their arcs while the story builds around them.  The writing and directing of the film feel like a proper mix of French and Japanese cinema in a way that is hard to explain but works wonderfully well here.

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