No, folks, don’t get your hopes up. This is not a review of a rediscovered lost film. Instead, it is an essay about a lost film and how it got lost.
No, folks, don’t get your hopes up. This is not a review of a rediscovered lost film. Instead, it is an essay about a lost film and how it got lost.
BOOTLEG FILES 914: “Time for Elizabeth” (1964 television production starring Groucho Marx).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: It fell through the proverbial cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.
In 1948, Broadway audiences were presented with “Time for Elizabeth,” a comedy co-authored by Oscar-winning writer Norman Krasna and Groucho Marx – yes, that Groucho Marx. The play was poorly received by critics and closed after eight performances. Oddly, Warner Bros. ignored the show’s commercial failure and paid the playwrights $500,000 for the screen rights – but the studio never got around to creating a screen version.
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Bugs’ Bonnets (1956)
Directed by Chuck Jones
Story by Tedd Pierce
Animation by Ken Harris, Abe Levitow, Ben Washam, Richard Thompson
Music by Milt Franklyn
The impact of clothing – specifically, headgear – on one’s personality is the focus of this Chuck Jones offering, which involves the contents of a truck carrying theatrical hats falling from the vehicle and on the unsuspecting noggins of Bugs Bunny and Elmer Fudd. With each new hat that lands on their head, Bugs and Elmer take on a variety of aggressive and passive personalities.
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Annie Malone is mostly unknown today, but during the first quarter of the 20th century she had a profound impact on the empowerment of African-American women. Malone was a business tycoon, style trend setter, educator, philanthropist and role model. A documentary film made in 1927 presented an in-depth celebration of her extraordinary career – but the film’s disappearance mirrors Malone’s absence from most historical texts.
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BOOTLEG FILES 913: “The Lambeth Walk” (1939 British feature starring Lupino Lane).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: It fell through the proverbial cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.
Comedies that thrust earthy working-class characters into snooty high society settings might be among the most predictable pieces of entertainment, but they often produce the best results. Chaplin plumbed this concept as a disguised convict mixing with the wealthy in his 1917 classic “The Adventurer,” George Bernard Shaw’s “Pygmalion” and its musical successor “My Fair Lady” uneasily turned a Cockney flower seller into a lady, Abbott and Costello were crass plumbers mistaken for well-heeled guests at a Long Island estate with “In Society,” and the Three Stooges often ran amok through the mansions of the hoity-toity, leaving the residue of pie fights along the way.
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Roman Legion-Hare (1955)
Directed by Friz Freleng
Story by Warren Foster
Animation by Virgil Ross, Art Davis, Gerry Chiniquy
Music by Milt Franklyn
It’s 54 AD in Rome and the crowd at the Coliseum is filing in to see the Detroit Lions – not the football team, of course, but the bungle-in-the-jungle bunch who devour any poor soul thrown into the path. Emperor Nero calls for a victim to be tossed to the lions, but the Coliseum is curiously bereft of victims to sacrifice. The captain of the guards (Yosemite Sam) is dispatched to locate a victim for Nero to sacrifice, but the only one around in Rome that afternoon is Bugs Bunny. Needless to say, Sam’s attempt to capture Bugs becomes an exercise in violent futility.
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Every time I try to watch “South Pacific,” I attempt to coax myself into believing that I will fall in love with the film before the closing credits. And after every viewing, I wind up sighing in disappointment.
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