Last Friday’s feature on 10 great musical numbers from films that never quite achieved classic status but are too much fun was so well received that we’re serving up another 10 under-the radar numbers that deserve some extra attention.
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When it comes to the subject of movie musicals, it always seems like a handful of numbers from classic films are always presented as being the best of the genre. And, to be fair, they deserve that attention. Whether it involves Judy Garland pining to be “Over the Rainbow” or James Cagney giving a new meaning to patriotism with “Yankee Doodle Dandy” or Gene Kelly getting happily soaked while “Singin’ in the Rain,” everyone knows these numbers by heart.
Today, we’re going in the opposite direction with segments from 10 films that never quite achieved classic status but nonetheless feature larger than life musical sequences that are too much fun.
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Between 1961 and 1962, MGM released 13 Tom and Jerry cartoons produced at a Czechoslovakian animation studio under the guidance of expatriate Americans Gene Deitch and William N. Synder. It is safe to say that very few people adore these films – with their cheapjack animation, irritating sound effects and stupid scripts, these Tom and Jerry endeavors represent some of the shoddiest animation ever put forth by a Hollywood studio.
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The final Three Stooges short to receive a theatrical release – although it was not the final short to be produced at the Columbia Pictures studio – “Sappy Bull Fighters” is a rehash of the 1942 “What’s the Matador?”, with the silly trio playing entertainers who get hired to perform a comedy bullfight during a lull in a genuine bullfighting tournament.
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A truly peculiar Hollywood mystery involved Christopher Jones, who became an overnight sensation in the mid-1960s but abruptly walked away from show business after five years in the spotlight. Michael Gregg Michaud, the film historian who documented the life of another troubled Hollywood star in the excellent 2010 book “Sal Mineo: A Biography,” does a brilliant job in excavating the complex story of Jones’ turbulent life in his new work “Christopher Jones – Wild in the Streets – A Biography.”
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Notable as the final animated short produced and released by MGM, this 1967 film is adapted from Frank Tashlin’s 1947 children’s book about a bear who awakens from hibernation to find a construction site was erected around his cave while he was sleeping. A construction foreman accosts the bear and demands to know why he’s not working, but when the bear identifies himself the foreman insists he is only “a silly man who needs a shave and wears a fur coat.” The bear insists he is not an employee, so he taken by the foreman up the corporate chain of command – to the general manager, the third vice president, the second vice president, the first vice president and the president – who all inform the astonished ursine interloper that he is “a silly man who needs a shave and wears a fur coat.” The bear is then taken to a zoo where the occupants in a cage of bears affirms the executives’ insistence that the bear is not a bear.
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I don’t know about you, but I never liked Labor Day. It is my least favorite holiday, if only because during my childhood it meant the end of summer and the return to school. My favorite holiday is Christmas, so let me be the very first film writer in 2025 to do an article on Christmas movies!
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