What would happen if the guys from “Animal House” grew up into men with families and jobs but refused to grow up? Such is the rhetorical question posed to the audience in this charming frat house comedy intended for the young male audiences. Mitch Frank and Beanie are men who refuse to grow up and are terrified at the notion of moving forward in life and can’t deny the men they used to be despite the fact their wives try to change them into the men they used to be. Will Ferrell gives a hilarious yet subdued performance as Frank, once known as “Frank the Tank”; we never learn about their past exploits in college and whatnot, but somehow we get the sense of their past persona’s and it all comes out in the open as they open up a fake fraternity so Mitch can stay in his home due to new college campus laws.
Liam (2000)
In the reality of “Liam” brought to screen by director Stephen Frears, the peasants of the Irish village owe debts whether they like it or not; they even owe debts to the local Catholic Church which rules over them like a mafia syndicate. In the time of the story told, the Catholic Church ruled over everyone with hypocrisy and cruelty where parishes came around the neighborhood to collect dues while the wives reluctantly gave simply out of guilt. The children are taken to Sunday school simply for shock tactics where they’re taught that if they sin, they would burn in hell. It is terrifying to youngest child, seven year old Liam, who has an odd fascination with the female body after accidentally walking in on his mother (Claire Hackett) in the bathroom.
Underworld (2003)
In this horror action film directed by Len Wiseman, Kate Beckinsale plays Selene, a warrior and assassin for a vampire clan who is on the hunt for a young doctor named Michael Corvin who bears an unknown gift, but now the vampire clan is at war with a rival clan of Lycans (werewolves) who are intent in crossing the young man over to their side; but soon Selene and Michael begin falling in love as the war intensifies and must choose between their family or love. I remember when I went to the theaters to check this out; I had ten dollar bill in my hand and I had to choose between “Cabin Fever” or this. I inevitably made a decision that I would soon live to regret for all my days as I chose “Cabin Fever” hoping I’d come across a horror gem, I really wish I would have chosen this instead.
The Lord of the Rings: The Return of the King (2003)
It’s been a turbulent and bittersweet three years with the good vs. evil “Lord of the Rings” trilogy making its way into theaters and creating a phenomenal and historic legacy. Director Peter Jackson has so skillfully created a trilogy that has been flawlessly taken from the pages of the legendary JRR Tolkien books and put it on the big screen for all to glimpse at the magic of Middle Earth. “The Return of the King” manages to come out of the first two with much individuality but fits into the first two films tightly coming together as an incredible whole. As individual movies, these are jaw-dropping stunners, and as a whole they’re truly an accomplishment only Peter Jackson could have constructed.
Pumpkin (2002)
“Pumpkin” accomplishes what it so painstakingly sets out to do straight from the beginning and it does it so well, it inevitably clicked with me and became one of the worst movies ever made. “Pumpkin” is often a very malicious and close-minded film which tells the tale of a popularity queen and sorority sister Carolyn McDuffy who is helping her sorority house gain two new members for the trophy of best sorority. In doing so, they agree to take on a charity helping to train mentally disabled youngsters in training for the special Olympics. The people presented in the film are close-minded as the story is; they call their two new members minority members and they always refer to the only minority in the house with the word “Even” before her name.
Gangster No. 1 (2000)
In a film that’s an interesting hybrid of “Reservoir Dogs” and “Goodfellas”, we’re first given a glimpse into an aged and weathered mobster played by the immortal Malcolm McDowell (A Clockwork Orange) who gives the audience his origin of his rise to power. Played by Paul Bettany, he is a young McDowell who is recruited by the top gangster in the neighborhood Freddie Mays (David Thewlis) and takes on a job as one of his henchmen instantly adapting to his line of work. The young gangster is violent, determined and soon begins to eye Mays’ job despite the fact that Mays takes a special liking to him and takes him under his wing.
Catch Me If You Can (2002)
To those who have said in the past that Spielberg, my hero, has lost it as a filmmaker, here’s mud in your eye. With his two most recent films (the great “Minority Report” which received mixed reviews, and the sub-par “AI: Artificial Intelligence” which bombed at the box-office) that weren’t up to his quality Spielberg comes out swinging with this breezy and light dramedy based on the book about real life con man and bank robber Frank Abagnale Jr., a man who before he was 18 made his way forging checks from Pan Am airlines, worked as a pilot, worked as a doctor, and then a lawyer leaving the authorities one step behind him until he was caught. This isn’t a love child of Spielberg who usually takes a personal investment in his many films with his tailoring and presence in the background but the quality isn’t diminished. The quality is in fact plentiful and flourishes throughout the entire length of the film.