Exposure (2023)


At the moment I’m not too sure if Kris Cummins’s “Exposure” is an ARG, the start of a series, or a proof of concept, but what it is is one hell of a scary horror film. A lot of the best horror is rooted in reality and “Exposure” is one of the most realistic modern horror tales ever conceived. The idea that someone is using a digital baby monitor to terrorize or torment kids is something that happens far too often and director Cummins takes full advantage of that.

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Every Bugs Bunny Ever: My Bunny Lies Over the Sea (1948)

My Bunny Lies Over the Sea (1948)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ken Harris
Music by Carl W. Stalling

The only thing more annoying than recycling the same gags is essentially recycling the same old villains. That is especially when they were so good in the previous shorts. And I don’t mean just featuring dogs over and over, as they’re a common predator, so it makes considerable sense. But more in the unnecessary recycling of one of Bugs’ banner villains is what kind of grinds my gears. “My Bunny Lies Over the Sea” is a pretty good Bugs Bunny short, and one that has a good time lampooning the Scottish culture. But once we meet his nemesis, it becomes apparent that the writers are basically just giving it the bare minimum.

So, Bugs meets a red haired, short, angry man with a hot temper, a funny accent, and who is prone to lashing out at Bugs quite often. You might think I’m discussing Yosemite Sam, but no. I’m talking about Angus MacRory.

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Bad Movie Monday: Dreamland (2019)

Since this is a review of the Canadian movie Dreamland (Not to be confused with the Margo Robbie starring movie of the same name that came out the same year) let me start by telling you a story about another movie that was also directed by Bruce McDonald and written by Tony Burgess. Pontypool. I kind of ignored Pontypool when it came out, only watching it on streaming much later, after which it suddenly became one of my favourite horror movies of all time. It certainly taught me never to rely on my initial gut reaction that’s for sure, but then again my gut was never too trustworthy in the first place. You’re talking to a guy that loudly and obnoxiously proclaimed that the Suspiria remake would be sure to suck “Especially with that Fifty Shades of Grey chick as Suzy Bannion!” Eeesh… am still wiping the egg off my face for that one. Shame unto me. Many apologies to Dakota Johnson. I should have had more faith. Anyway, Pontypool is a masterclass in simplicity. One location, four actors, and a lead with such a deep and smooth and sonorous voice that it nearly crackles with electricity when he speaks. It was perfection. Then, eleven years later the sorta-sequel Dreamland appeared out of nowhere while the world was hip deep in the COVID epidemic. So it got a less than stellar box office and the critics savaged it. Let’s see if I can’t undo some of that damage.

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Sting (2024)

Opens Wide in North American Theaters on April 12th.

 I’m glad that monster movies seem to be making more and more of a comeback in the last few years, and among them are director Kiah Roache-Turner’s “Sting.” Roache-Turner is an individual that’s delivered on very gritty, grindhouse flavored zombie films over the years (Any other “Wyrmwood” fans in the house?), and “Sting” is a big departure from what he typically offers the horror crowd. That’s a great thing because he proves that he can do more simplistic, stripped down and classic movie fare. “Sting” has a different aesthetic, one that’s darker, and more human based and relies a lot on the human characters to deliver on spooks and gruesome gore.

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