BAD MOVIE MONDAY: DEVIL’S EXPRESS (1976)

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My first review of the year is for, appropriately enough, the very first movie that I saw in 2024. New Year’s Day happened to be on a Monday and that’s obviously when BAD MOVIE MONDAY is held. So me and my friends started the year off right. DEVIL’S EXPRESS is a 1976 Horror/Kung Fu/Blaxploitation movie starring the majestically named Warhawk Tanzania, along with Larry Fleischman, Wilfredo Roldan. Stephen DeFazio, Elsie Roman, Moses Lyllia, and Brother Theodore! It was directed by Barry Rosen, and written by Rosen, Nikki Patton, and Pascual Vaquer.

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A Thousand and One (2023)

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In as much as it is a film about a mother and her son, “A Thousand and One” is also a movie about the rising tide of gentrification in New York City. This adds a layer of absolute tension between Inez and her son Terry because as they’ve hidden out for years within their city, now it’s grown and pushed them out so much that they’ve officially run out of places to set up their lives in. So much of the movies around New York in the modern age have been about the looming specter of gentrification and we witness it in real time, the idea of the old New York becomes more and more just a relic of a bygone era.

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OSS 117 Box Set from Music Box Films (2023) 

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The OSS 117 films have been around for a very long time. Originally a sort of French response to James Bond and his 007, OSS 117 films seemed to disappear for a while and then, in 2006, Jean Dujardin stepped in the suit and made it his own. His films as the famed spy started with OSS 117: Cairo, Nest of Spies (2006), followed by OSS 117: Lost in Rio (2009), and OSS 117: From Africa with Love (2021). The box set released by Music Box Films recently contains the first two films only, something that was a bit of a letdown. However, it is a solid release of these films.  

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Dress Code (2022)

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I had a lot of respect for Joseph Pupello’s desire to deliver a gangster picture that’s less about gangsters and more about our personal lives. It’s rough around the edges, and the screenplay by Peter Panagos isn’t entirely cohesive, but they do manage to concoct an interesting storyline for a central character who is being pulled in all kinds of obligations. The one big goal in his a life involving mobsters, and assassinations, and a pregnant wife is to live as the person he really wants to be, and that makes his struggle pretty turbulent.

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The Allnighter (2022)

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I’ll admit, I didn’t think I would like Aimee Graham’s arthouse drama, mainly because the premise is kind of bizarre. It begins as this kind of weird night out with two random people, then devolves in to a car theft and odd detours, and then transforms in to this pretty hypnotizing drama about two kindred spirits. Despite the narrative that feels like it goes literally everywhere, “The Allnighter” is thankfully not hindered by this one caveat. Truth be told, “The Allnighter” is altogether pretty stellar, and it’s a film that kept me hooked right through the very end.

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Ralph Breaks the Internet (2018)

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After the okay “Wreck it Ralph,” the follow up to the highly promoted video game version of “Toy Story” delivers a follow up that is—just as fine, I guess. “Wreck it Ralph” still hasn’t quite built up an interesting universe or interesting protagonists, even if they manage a better job satirizing video game icons. Truth be told I’d rather have a spin off movie about the video game verse and how it operates. Instead we’re given Vanellope von Schweetz and Wreck-It Ralph in a pair of awkward central plots that drive a movie that’s running on fumes from the starting gate.

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