The Boy, The Mole, The Fox, and the Horse (2022)

“Asking for help isn’t giving up. It’s refusing to give up.” 

Based on a best selling book by British author and illustrator Charles Mackesy, who co-wrote and co-directed the film version, “The Boy, The Mole, The Fox, and the Horse” is a beautiful short worthy of a young audience. It was released around the holidays in 2022, and while it does compliment the Christmas aesthetic, it works wonderfully as a genuine fable about empathy and innocence.

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An Ostrich Told Me the World Is Fake and I Think I Believe It (2022)

Director Lachlan Pendragon’s “An Ostrich…” is probably one of the more inventive shorts about creating, the idea of a higher being, and what happens when our creations take on a life of their own. “An Ostrich…” utilizes interesting filmmaking mediums and a collaboration of two art forms to unfold a very self aware and entertaining meta-satire.

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Ant-Man and the Wasp: Quantumania (2023)

Director Peyton Reed’s style and sensibility really matches up well with the third “Ant-Man” movie series, a franchise that’s been a lot about an underdog hero. In a world where he’s even second to Spider-Man, a fellow under dog superhero, it’s interesting to see how “Quantumania” depicts the idea of family and how dads can be all the heroes we need when all is said and done. Deep down, “Quantumania” is a movie about family, about the unconventional family unit and how it works in a world that they’re woefully unprepared for.

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Elvis (2022)

This is one of the reasons why I normally detest music bio pics, is that they always present a skewed version of the actual story behind so many of these musicians. “Elvis” is by no means one of the worst biopics I’ve seen, but it once again presents Elvis as someone who spent his life being exploited. “Elvis” depicts the titular rock musician as someone who was hopelessly a victim to his manager Colonel Parker who managed to find ways to control the musician and his life. At every turn the movie frames Colonel Parker as this slimy mastermind who turned Elvis in to his own circus sideshow for his entire life.

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Get In the Spirit for “Scream VI” with these Great NY Based Horror Films

Super Bowl Sunday saw the release of the newest trailer for the up and coming, highly anticipated sequel to the “Scream” series titled “Scream VI.” This new sequel takes the story out of Woodsboro and in to the streets of New York City. We follow sisters Tara and Sam Carpenter once again as they’re stalked by a meaner, more sadistic Ghost Face. In celebration of the New York bound sequel, I thought I’d list five great New York based horror films you can watch to prepare yourself for the highly anticipated sequel.

What are some of your favorite New York set horror films?

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Legion of Super-Heroes (2023) [Blu-ray/Digital]

It’s weird that after “Battle of the Super Sons” that DC and Warner would choose to adapt “Legion of Super Heroes” as their new feature. It feels like one of their least consequential animated movies in years. It doesn’t take place during the timeline of the Super Sons, and it rushes through the entire introduction of Supergirl. Plus, there seems to be a whole chunk of story missing as Superman seems to have a boom tube device that can warp in to the future to visit the Legion of Super Heroes. When did he get that? How exactly did he get that? Why did he assume Supergirl would have an easier time in the far future than she would in present Earth?

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Vera Ralston: Queen of Republic Pictures

During the 1940s and 1950s, Vera Ralston was the major female star at Republic Pictures. Often maligned by critics who claimed her stardom was due solely to her relationship with studio boss Herbert Yates (whom she married in 1952), Ralston’s film output was diverse and intriguing, with a colorful mix of productions co-starring major Hollywood talent.
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