On this episode of “The Online Movie Show,” the spotlight is on Arjun Yadav, a bright young producer who is making a name for himself in the indie film world.
On this episode of “The Online Movie Show,” the spotlight is on Arjun Yadav, a bright young producer who is making a name for himself in the indie film world.
I saw Osamu Tezuka’s “Metropolis” back in 2002, and I vividly remember not being a fan at all. Maybe it was because I was more ignorant toward anime, then, but either way disliked it and openly avoided it for years. It was until recently I had to sit down to re-watch it. I don’t know what I was expecting then, but today I can safely describe it as merely an okay anime film.
BOOTLEG FILES 792: “Half Baked Alaska” (1965 animated short in the Chilly Willy series).
LAST SEEN: On B98.tv.
AMERICAN HOME VIDEO: Included in an anthology of Walter Lantz cartoons that is now out of print.
REASON FOR BOOTLEG STATUS: No one is rushing to get it into home entertainment release.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It was briefly available, and hopefully it will come back.
Among the cartoon characters from the Golden Age of animated short subjects, Chilly Willy occupies a strange niche. This Walter Lantz-created penguin was cute and mischievous, but the character’s films were rarely laugh-out-out hilarious and Chilly Willy never truly occupied the iconic status of other creations of that era. Most people would point to the Oscar-nominated, Tex Avery-directed 1955 short “The Legend of Rockabye Point” as being a peak in the Chilly Willy series, although most of the humor in that short does not come from the penguin himself.
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“Back Rooms” was born from the digital age, among the 4Chan and Creepypasta realms. It’s a pocket within our world that is completely cut off from the rest of what we could rationally consider reality. It is a series of endless rooms and hallways that stretch for a nigh infinite space, all of which are typically a noxious yellow, completely void of any life, and filled with the annoying, deafening hum of florescent lights. I’m only vaguely familiar with the meme of the Back Rooms, but it’s been widely circulated and explored much in the vein of other digital legends like the Slenderman and Sirenhead.
It’s disappointing that this is where we’ve arrived with the DC Warner animated movies. We went from stellar to “Its fine, I guess.” That’s exactly what “Apokolips War,” the sequel (?) to “Justice League Dark” is. It’s fine. It’s okay. It has all the ingredients to be a damn good epic, but instead chooses gruesome pointless violence, over heart and substance. I’m not one to complain about violence in more mature aimed films, but “Apokolips War” often watches like it’s compensating for the lack of any real substance or entertainment value by splashing the screen with ridiculous violence and gore.
World War II American soldiers are sent into the German forest to retrieve important items from a crashed plane. There, they meet with something otherworldly and must face more than the enemy they expected.
As a bit of warning, I never played the “Injustice” video game series, nor have I ever read any of the comic books or spin offs. I’m vaguely aware of what the general premise is of “Injustice,” but that’s as far as it goes for me. Considering I was excited about it being adapted in to an animated movie, when the dust settled, I’m very disappointed by what we’re ultimately offered. What is it about DC and Warner unwilling to make a movie that’s longer than eighty minutes? It can’t possibly be for the child audience, as “Injustice” is as gory an Elseworlds tale that I’ve ever seen.