In a less predictable, commercial and more intelligent feature-film debut, pop-star Mandy Moore stars as Jamie Sullivan, the local preacher’s daughter and an impish reclusive bookworm who is constantly ostracized by her classmates. Shane West plays Landon Carter, the local ne’er do well (yes, I use that word, so I’m un-cool) who constantly gets into trouble with his friends. One night after nearly killing a friend, he is forced to star in the school play alongside Jamie. Soon, the two become friends and they fall deeply in love with one another despite the resistance of her father.
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Amelie (2001)
In this French comedy, we meet Amelie (Audrey Toutou), a reclusive beautiful young girl who relies on her imagination to take her into her own magical worlds. When she discovers an old tin case in her wall containing relics of the past belonging to someone, she decides to make herself a deal: she finds the owner, if they are happy with discovering the relics, she will do nothing but good deeds from now on, if they aren’t happy, she will return to her reclusive life. Well, the owner loves the relics, and now decides to take her screwy life filled with screwball characters and do good deeds for them. This movie garnered tons of Oscar nods when it appeared on the scene, so when it came on, I was more than anxious to check it out.
A Beautiful Mind (2001)
In the academy-award winning biography picture, John Nash played by Russell Crowe is a shy college student who is considered somewhat of a genius by his peers and a bit of a odd man. He soon gets recruited by a secret government agent (Ed Harris) to encode secret documents and codes for the rival government. He then meets Alicia (Jennifer Connelly) who falls in love with him. But soon, John begins to discover that things in his life aren’t as they seem. Finally, that academy decided to award Ron Howard with the best director Oscar at the awards and did he ever deserve it. What struck me the most about this movie is the incredible style in which Howard directs.
A.I. Artificial Intelligence (2001)
Spielberg comes back in directing this tribute to late director Stanley Kubrick. Originally, an idea of Kubrick’s, he died before he was able to make the film, so Spielberg got the idea to finish it and make it as more of an ode to the late director. It’s funny, the vision of both Kubrick and Spielberg’s can be seen throughout the entire film. From the flicker of a mere light to a vast landscape of a robot city, I found this to be an engaging movie with incredible lights and characters. The movie resembles the classic fairy tale “Pinocchio” almost identically, as throughout the entire two and a half hours of the movie, we experience David’s search for the “Blue Fairy”, a being that can turn him into a real boy.
Almost Famous (2000)
The movie starts off sometime in the sixties with Francis McDormand (Wonder Boys, Fargo) talking to a young William Miller (Patrick Fugit) our reluctant hero about characters from “To Kill a Mocking Bird”, The sister comes home with a record of “Simon & Garfunkel” which the mother bans in the house along with Eggs, Bacon, and meat. Eventually The sister leaves home to become a stewardess and tells William: “Look under your bed. It will set you free”. The Young William discovers a case of classic rock records Like “Zeppelin”, “Cream” and “The Who”. He then begins playing “The Who’s Tommy” and gets introduced into another world. We fast-forward into 1973, where young William becomes an amateur rock critic. He then is sent on an assignment with a not so famous band Named “Stillwater”, where he is introduced into a world of rock, women, and love.