Every Bugs Bunny Ever: Bugs Bunny Rides Again (1948)

Bugs Bunny Rides Again (1948)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Gerry Chiniquy

This is the second, count ‘em, second short in a row where we get Yosemite Sam crossing our friendly neighborhood rabbit! There was a long period there where we didn’t see Sam at all and now he’s back after a failed stint as a pirate. Yosemite Sam is so hilarious because of his clear cut lack of self awareness. He is about as deadpan serious as it can get, and he’s so much funnier than a lot of the one and done Bugs Bunny villains. Heck, in his introduction to the short as the other cowboys shudder in fear announcing him, Sam appears at the Saloon doors and because he’s so short he walks under them, rather than smashes them open.

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Stopmotion (2024)

In Theaters Today before it makes its way to VOD on March 15th and then the Shudder Streaming Service on May 31st.

There’s a scene in Robert Morgan’s “Stopmotion” where protagonist Ella is discussing with her mother, another animator, how she’s handling her puppets. Her mother corrects her in a menacing tone that she is the actual puppet. When it comes to art, the artist tends to submit themselves to a certain kind of madness that becomes a part of the process of creation and death. Robert Morgan’s horror thriller is a brilliant look in to the creative process and the often maddening process that can come with being an artist. In particular, Morgan focuses on the grueling task of stop motion animation and writes a film that’s both a love letter and dire warning to any artist that gives themselves over to the art form.

It’s bound to inspire much analysis from its audience.

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Every Bugs Bunny Ever: Buccaneer Bunny (1948)

Buccaneer Bunny (1948)
Directed by Friz Freleng
Written by Michael Maltese
Music by Carl W. Stalling
Animation by Manuel Perez 

Yo, ho, ho, and a bottle of–Ma’s old fa-shioned ci-der! Ma’s old fa-shioned ci-der!

I have great sentimental value for “Buccaneer Bunny” as it’s one of the array of Bugs Bunny shorts that were often played during the Bugs and Daffy Show every Saturday morning when I was a kid. “Buccaneer Bunny” is edgy enough to still be hilarious but never crosses any lines. And we also get Yosemite Sam once again! That’s always a plus. Watching this short takes me back to when I was a child winding down from Saturday morning cartoons and greeting the early afternoon with the hour block on ABC Network. “Buccaneer Bunny” is still utterly hilarious and stands as one of the shorts from Bugs that hasn’t aged a bit.

Even with its stripped-down premise, the short is a masterclass in the excellent dynamic that Bugs and Yosemite Sam have together.

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Every Bugs Bunny Ever: Rabbit Punch (1948)

Rabbit Punch (1948)
Directed by Chuck Jones
Written by Ted Pierce
Music by Carl W. Stalling
Animation by Phil Monroe

The bad new is that Chuck Jones re-uses a lot of the material from “Baseball Bugs” for “Rabbit Punch.” The good news is that “Rabbit Punch” ends up being very funny and memorable just the same. If you watch this and “Baseball Bugs” back to back you’ll see the obvious cut and paste, but this short is helped by the hysterical animation which really helps punctuate the hilarious physical gags and sight gags. There are some subtle bits of comedy that I still chuckle over. The frame as Bugs is hit by The Champ’s brick fist is absolutely priceless, and the POV of The Champ getting hit with a boulder by Bugs’ slingshot is just genius.

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Every Bugs Bunny Ever: A Feather in His Hare (1948)

A Feather in His Hare (1948)
Directed by Chuck Jones
Written by Michael Maltese
Music by Carl W. Stalling
Animation by Ken Harris

We’re so late in the game and we’re still doling out these hideous racial stereotypes for these Looney Tunes shorts. “A Feather in his Hare” reminded me a lot of “All This and Rabbit Stew” except this short elicits a ton of hideous Native American stereotypes without ever actually building an interesting villain. By now we’ve had Elmer, Yosemite Sam, and many more foils, and we’re still being fed this kind of muck. And it’s not just that “A Feather in His Hare” is awfully racist, but it’s awfully unfunny as well. It’s just a lot of exploring how many Native American stereotypes can be squeezed in to eight minutes, and none of it ever amounts to even a mild chuckle.

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Even More Great Minority Movie Heroes

It’s Black History Month once again and in honor of the occasion I continue the series of “Great Minority Movie Heroes” which we have been running over and over for years, now. What better occasion than Black History Month than to continue listing movie heroes that are people of color? Be sure to check out the past editions of the series and let us know what some of your favorite minority movie heroes are.

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Turning Red (2022)

Will be in Limited Re-Release on February 9th; will be preceded by the Sparkshort Kitbull. Check Local Listings.

You gotta give it to Pixar, when they decide to do something new, they approach it head on and go all the way. Although subtlety was never their strong suit, here “Turning Red’s” one big noticeable element is that it’s about as subtle as a brick on the head. With Domee Shi directing, “Turning Red” is a decidedly very Asian flavored coming of age film that’s drawn in the style of anime and Manga.

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