American Splendor (2003)

“American Splendor” is the biographical film of cult underground critically acclaimed writer Harvey Pekar, a man whose become synonymous with underground comics. What “American Splendor” does is rare, rather than adhering the normal formulas of the biopic with dramatic tones, the obligatory villains and hardships, it’s approached rather with a realistic combination of comedy, drama, animation, and documentary style with interviews along with Pekar’s usual loving sense of self-loathing. “American Splendor” is a film rich with human overtones, and human characters that aren’t appealing to the eye, but are completely realistic.

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Sylvia (2003)

35341_ajWhile Paltrow does manage to give an inspired performance that shows effort, the problem with “Sylvia” is it romanticizes someone who was obviously stricken with a horrible mental disability. As always, poets and singers who manage to commit suicide are portrayed as people who have done something elegant, a deed such as suicide is portrayed here with such a fantastic and dreamy nature and never does it focus on the sheer extreme results such as misery. This manages to romanticize suicide and takes a woman who had obviously a mental illness and makes her seem as if suicide was a grand gesture to end her misery when in fact it was just sad.

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Monster (2003)

Monster“Monster” is the biographical film and story of Aileen Wuornos, deemed the first female serial killer of Florida murdering five men from 1989 to 1990 who picked her up while she was a prostitute, attempting to get money without sex. Traumatized after being brutally attacked and raped, she no longer wanted to continue having sex for money and began killing the men who picked her up to support her lesbian girlfriend Selby. “Monster” is more of a tragedy than an actual biographical picture starring Charlize Theron who is basically stunning here transforming into the infamous serial killer who was executed on 2002. Theron is the most convincing actress to play Aileen Wuornos ever and really dives into the role of Wuornos. Here we witness not the birth of a monster, but the evolution of a monster, a woman who was always an outcast, always disliked, always abused, and always brought down, so inevitably she’s transformed into a ruthless killer.

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Standing in the Shadows of Motown (2002)

standing-in-the-shadows-of-They were the bass guitars in “My Girl”, they were the pianos in “Cool Jerk” and “You’ve Really Got a hold on me”, and they were the drums in “Ain’t too Proud to Beg” and “Heatwave”, they were “The Funk Brothers”, the most under-appreciated band in music who had more number one hits than the Beatles, Elvis, and the Rolling Stones combined, the people who Marvin Gaye and Stevie Wonder loved to hang around and learn from as the modern artists featured in the documentary do. Not only does this pay tribute to the artists but it gives them a spotlight of glory that they were never given. The Funk Brothers were a group of men who were a mixture of talented jazz, soul, and club musicians whom were assembled by Motown founder Berry Gordy to play the music to his artists songs, and though some came from different cities and were of different races they became brothers nonetheless.

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Auto Focus (2002)

auto-focusBased on the book “The Murder of Bob Crane” by Robert Graysmith, the film “Autofocus” chronicles the life of Bob Crane who had an early career as a radio DJ with a hit show and then made his foray into television with the hit series “Hogan’s Heroes” one of the most successful television series of all time. It’s by the life on the road where he formed an addiction to sex often luring women to his mansion and engaging in orgies, threesomes, and much more until his death at age 49 where his skull was crushed by a tripod by an unknown assailant.

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The Kid Stays in the Picture (2002)

kid_stays_in_the_picture-2Based on the book, this great documentary, this tell the story of Robert Evans, the prolific producer of Paramount who green – lit such historic films as “Rosemary’s Baby”, “Love Story,” and “Godfather” just to name a few. This tells of how he became discovered by Norma Shearer who cast him in a supporting role in “Man of a thousand Faces”. Afterwards, he made his attempt at stardom but inevitably failed and gave up on his career. With director Darryl Zanuck as his inspiration, the man who never gave up on him, he became a self-employed movie producer and went on to become a rich man always at war with Paramount pictures over his decisions. Ultimately, this tells the story of a man who created Camelot and lost it to his ambitions.

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Piñero (2001)

PineroThis is possibly the most grueling movie I’ve ever had to endure because it’s simply dull; I thought biographical movies were supposed to be interesting yet this isn’t. Benjamin Bratt plays Miguel Pinero in this documentary/biographical tale of the Puerto Rican poet who rose to fame with his poetry and inevitably fell from grace by a brutal drug addiction and liver disease and died at forty in the late eighties though revered by culture and poets everywhere. If Pinero was a much of a genius as this movie proclaims him to be then he gets the short end of the stick because this is simply a lot of nothing.

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