I’ve seen “Motel Hell” almost five times in the last two years and goodness knows I’ve tried so hard to love it. At risk of getting my horror fan boy card revoked, I sincerely do not like “Motel Hell.” Kevin Connors’ horror comedy is a silly and often dull attempt to ape “Texas Chainsaw Massacre.” I’m one who has often found much of what unfolds in “Motel Hell” absolutely dull and monotonous with the attempts at absurdity kind of forced and tedious. It’s almost like “Eaten Alive” where there’s another effort to catch lightning in a bottle that just doesn’t quite hit its mark. And I’d still rather see Tobe Hooper’s “Eaten Alive” than ever really re-watch “Motel Hell” ever again.
Tag Archives: Cannibals
Cannibal Holocaust (1980) [3 Disc Blu-Ray/CD Combo]
What is it about Ruggero Deodato’s vicious masterpiece that continues to elude horror fans and film enthusiasts to this day? Surely, it’s a shocking film with immense gore, but “Cannibal Holocaust” is about so much more than splatter and bloodshed. It still holds a volatile resonance in a day and age where the world is obsessed with voyeurism. “Cannibal Holocaust” is still such an enormous master work from Ruggero Deodato whose own film has pretty much guaranteed to outlive its creator. As well, it’s inadvertently posed as the template for all of the found footage films currently storming the box office. It’s a film about the media exploiting and demoralizing a primitive culture for the purposes of entertainment. It’s a film about entitled young Americans intruding on a foreign soil to manipulate their civilization. It’s also movie about how humanity is often a destructive and vicious force of evil consuming one another for nefarious purposes without conscience.
Ravenous (1999) [Blu-Ray]
I’m one of the many fools that didn’t give “Ravenous” a chance when it premiered in 1999. In fact I openly avoided it for many years, convinced it was just a splatter film and nothing more. True, while it is a classic cannibal movie and survival film, “Ravenous” is so much more. It’s a layered and very unique satire on America’s consumption of the world, and how that becomes very much a practice for one general who is convinced that consuming his fellow man will give him power to conquer the world and also select who is fit to survive in his world.
We Are What We Are (2013) (DVD)
It’s probably a good thing that I didn’t see the original “We Are What We Are” before Jim Mickle’s remake. I typically find time to pick up the original article, but time didn’t allow the convenience, so Jim Mickle’s remake of the Mexican horror film is what I had to base my entire opinion on. And that’s something of an advantage, since on its own it’s a fairly mediocre but interesting tale about cannibalism of the body, and the eternal cannibalism of the family unit.
Zombies Un-Brained 12 Film Flesh Fest (DVD)
This October, zombie fans are able to scoop up the newest film compilation from Mill Creek Entertainment. With over sixteen hours of classic and not so classic zombie movies, this is for the horror fans looking for more with their bucks. The 1962 shocker “Carnival of Souls” is a classic spook fest, about a young woman who crashes in to a lake and survives to tell the tale. Trying to make sense of the incident, she finds herself being stalked by pale bug eyed zombies, all of whom are identical and desperate to take her. For reasons unknown (until the very end), she can’t escape their grasp.
The Road (2009)
I respect Cormac McCarthy for exploring the less stylish side of the apocalypse. While many modern fictional outlets have given a real sense of sensationalism to the end of the world, “The Road” is an often uncompromising, cruel, and disturbing look at the end of civilization. It’s a world full of cowards, a world where humans prey on one another out of desperation for food, and it’s a world where there’s literally no hope. The world is dying all around a man and his son, and the pair can do nothing but hold tighter together and spend every waking hour looking for food. Viggo Mortensen who plays the man known by his son as simply papa is a haggard shell with dirty nails, stained teeth, and a gradually fading health, while his son spends most of the story taking on the weight of the world. And yet, even when confronted with the worst of human cruelty, he can not find the worst in humanity. He wants to believe there’s still some good in the world.
The Day (2012)
For fans of post apocalyptic cinema who love their fiction with subtext and undertones of society and class warfare, you’d probably want to look elsewhere for your brain food. Goodness knows I loves my apocalyptic fiction, but “The Day” is purely apocalypse porn with an artsy gloss added to it for good measure. Director Doug Aarniokoski tries to conceal the fact that this movie is basically a clumsy and one-dimensional action film by lensing the entire film through a black and white filter that saps the color, and directing almost every shot with a hand held camera. Someone at Anchor Bay or WWE studios loves John Carpenter’s “Assault on Precinct 13” because 2012’s “The Day” is basically an end of the world version of it.