Allegedly Michael Miner’s “Deadly Weapon” was supposed to be a sequel to Charles Band’s notoriously awful cult riot “Laserblast.” But when Empire pictures fell, Band basically turned the sequel in to its own film. Really, “Deadly Weapon” feels so much like a remake of “Laser Blast,” and an unnecessary one at that. Like its predecessor it’s hilariously bad and filled with so much horrible editing and acting, it’s more funny than it is entertaining.
Tag Archives: Comedy
Why We Won't Miss "The Office US"
This year NBC networks released the news that with the parting of show writers Mindy Kaling (who is going on to head a soon to be cancelled FOX show), and B.J Novak were leaving one of the very few hit NBC sitcoms, the US adaptation of “The Office.” Due to their departures, the show’s stars desires to pursue other projects and their main star Steve Carrell moving on last year, NBC was heavily considering finally ending “The Office.” In its place would be a spin-off featuring the oddly popular supporting character Dwight in his own series. My response to that was: good riddance.
The Cabin in the Woods (2012)
We’ve all seen it so many times that I kind of get angry when a filmmaker sends me their latest horror opus and it’s comprised of the same premise. A bunch of teenagers have commandeered a cabin in the woods for the weekend, and decide that they want to get away for a few days of beer drinking and misdeeds of the sexual nature. While there they discover that the cabin houses a bunch of secrets that could be their undoing. And it’s all being manipulated by a secret government lab hidden underneath the cabin, manipulating every single moment of their weekend like a game of chess. Ah, but that’s not the whole story.
Haunted High (2012)
Zombie frogs, demonic exercise machines, ghostly sports jerseys, and evil toilets, they’re all here to be about as moronic as possible in one of the least scary movies I’ve ever seen. RL Stine in his days of “Goosebumps” drew more chills from me than “Haunted High” a film so laughably bad, it’s almost impossible to watch in one sitting. It basically has everything a bad horror film should have. Special effects so bad they seem to have been created in the mid-eighties, a villain so non-threatening he barely registers above a yawn in the spook meter, and did I mention genre favorite Charisma Carpenter gets top billing for a role that’s literally only thirty seconds in length?
C.H.U.D. II – Bud the Chud (1989)
When I was a kid I was frightened of pretty much any movie that featured the walking dead, and surely enough my fright was induced whenever I watched “CHUD II.” I can fondly remember re-watching this movie on the now defunct “Monsters HD” cable channel in America three years ago and gazing in disbelief at this absurd and unfunny zombie movie. I was horrified of this? Seriously? “CHUD II” is a travesty not just because it’s an unfunny horror comedy, and not just because it’s not an actual sequel to “CHUD” at all. But because it’s a pretty blatant rip-off of “Return of the Living Dead” with brain eating intelligent zombies taking center stage, and even featuring a zombie dog who rolls with the group of zombies throughout the film.
An American Werewolf in London (1981)
“An American Werewolf in London” is almost the perfect horror comedy and romance that never quite relies on either genre to move its story and deliver its horror. That’s pretty shocking considering John Landis was often a director known for comedies. Occasionally dark and almost always adult, Landis was once a man known for rich and iconic comedy films. “Animal House” and “The Kentucky Fried Movie.” Need I say more? With “An American Werewolf in London,” the stark comedy can often incite laughter, but it’s so dark it almost feels like awkward laughter most of the time. It’s just uncomfortable laughter because when there’s a laugh to be had, it’s at the expense of someone or something gruesome. When something is horrific it has a true sense of humanity behind it and there isn’t a cheap play for gross out sequences.
An American Werewolf in Paris (1997)
This movie proves without a doubt that just because you have a snazzy set of computers and artists, doesn’t mean you can replicate good old fashioned special effects. Sometimes the actual material and human actors can be much more effective than dapper computer animation that, even in 1997, looked like cut scenes from a Playstation video game. Of course it’s not like studios ever really learned their lesson after “An American Werewolf in Paris” landed with a thud in 1997. They just tried and tried until they succeeded. Supposedly in development for six years, “An American Werewolf in Paris” feels as if someone had the bright idea to remake the John Landis eighties classic “An American Werewolf in London,” backed out, and then kicked up production again once computer technology advanced. And then somewhere along the line a remake of a classic horror comedy became a stale and brutally underwhelming horror comedy that failed to amount to even an ounce of the charisma and brilliance that the first film did.