Alex & Emma (2003)

Posted on July 25, 2004 by Felix Vasquez

No matter how hard “Alex and Emma” tries, it’s still the same package but with new wrapping. It’s another recycled romantic comedy, with more recycled characters, but only with a different twist. Kate Hudson has a nasty habit of choosing horrible films of late, and Luke Wilson is no exception. In this vapid formulaic film, Luke Wilson plays Alex Sheldon, an author who released a book and is in debt with what looks like the Cuban mafia. Two Cuban thugs break into his apartment and threaten him, but then again they just could be thugs from another mafia. So, Alex has thirty days to write and publish a book and get them their money or else he goes bye-bye (death), so he hires a stenographer. Why not a ghost writer? Someone from the publisher to help? You figure he being an author he’d be able to type fast, but he instead hires a stenographer by posing as a law agency to which we meet Emma, a beautiful (despite how hard Hudson pretends to be plain), young and uptight stenographer who is convinced by Alex to write the book as he dictates it to her.

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Down with Love (2003)

Posted on July 25, 2004 by Felix Vasquez

“Down with Love” has the right intentions; it’s a throwback to the old Kim Novak and Rock Hudson romantic comedies from the sixties; the hip, groovy, fluffy as a marshmallow, and very colorful romantic comedies were sometimes very entertaining, and while “Down with Love” has all the ingredients of a satire, this is never sure whether it really is a satire or a spoof. A satire is an amusing jab at a topic, a spoof is making fun of a topic and unfortunately, “Down with Love” jumps from one genre to the other so constantly throughout the progression of the film that it makes your head spin. Barbara Novak is a brutal young go-getter, a tough ballsy female writer for a magazine, a female pioneer in a male dominated society who has written a book called “Down with Love” which breaks down and analyzes all the tricks men pull with women, but can’t get it published.

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Nicholas Nickleby (2002)

Posted on July 11, 2004 by Felix Vasquez

Nicholas Nickleby is an excellent unwilling hero of the story, who is given a large task of taking control of his family despite the fact of his young age and must become a man through some extraordinary situations. Charlie Hunnam whom I’ve seen in the underrated “Undeclared” and the muddled “Abandon” is great as Nicholas, the strong-willed, courageous, outspoken and humble hero who becomes a truly admirable savior to many of the characters. Hunnam whose ability I’ve doubted in his recent roles is great as Nickleby giving him a sense of power and courage and injecting a lot of likable traits in him. He’s a great character and a very memorable hero of the Dickens’ stories and for some reason his cruel uncle Ralph takes an instant disliking to him. He sees in him everything he’s not.

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Freaky Friday (2003)

Posted on July 11, 2004 by Felix Vasquez

The classic Disney film from 1976 is redone into this entertaining and funny remake starring the duo of Lindsay Lohan and Jamie Lee Curtis. Writers Heather Hach, and Leslie Dixon manage to take a creaky wheeled comedy and make it fresh, of course modernizing it, but also create a cast of genuinely likable characters that people will love. In this version Jamie Lee Curtis plays Tess Coleman, an uptight, strict, and anal mother who is very busy with her career. As well as her family and her upcoming marriage to her boyfriend Ryan (Mark Harmon), and her daughter Anna, who is a drama queen who is bullied in school, failing in class and is at war with her mother almost 24/7.

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This Is Not a Film (2003)

Posted on July 11, 2004 by Felix Vasquez

Nadia: The lines are stupid!
Michael Connor: No – they happened!
Nadia: Which makes them stupid twice.

“This is not a Film” is something completely different which I love. I’m always looking for movies different from the usual Hollywood dung piles of sequels, high budget actioners, and tired cliché romantic comedies, so “This is not a Film” was obviously something different and original, and I couldn’t have asked for a better entertaining time. This is obviously an odd movie with a weird premise that’s scattered all over the place. Michael (Michael Leydon Campbell) is a man whose girlfriend Grace left him, so, in an attempt to discover where she now lives, he is making a documentary about his search for her, and tries to plead his case to her hoping someone she knows will see it and tell her relying on the rule of Six degrees of separation. So, he asks his friend Nadia (Nadia Dajani), an actress for help in making the documentary and staging some sequences that dictate where his relationship went wrong.

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Sinbad: Legend of the Seven Seas (2003)

Posted on July 11, 2004 by Felix Vasquez

I’m from the generation of movie-goers who grew up on Harryhausen epics like “Sinbad” and “Jason and the Argonauts” and I also grew up on classic animation, Max Fleischer, Chuck Jones, Tex Avery, Robert McKimson, you name it. “Sinbad: Legend of the Seven Seas” is an epic with a great cast, and quite an enjoyable one with excellent hand-drawn animation that rivals anything I’ve seen before. It’s sleek, it’s stylish and hell, it’s damn entertaining. In yet another adaptation of the mythological tale, we meet Sinbad and his band of pirates who all specialize in something. Sinbad is a master thief and want the book of peace to sell, but on his way to take it he clashes with his old friend Proteus who wants the book as well but for more noble purposes. The two have at it, but the goddess of discord Eris captures Sinbad and makes him an offer: Take the book of peace and bring it to her and she’ll grant him paradise and luxury for his remaining years.

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The Medallion (2003)

Posted on July 11, 2004 by Felix Vasquez

Taking its cue from “Golden Child” and just about every other fantasy film, a young child, a “chosen one” is chosen to guard the medallion, cue candles, a temple, and guards who are supposed to protect a lethal weapon but are knocked out with a tap on the head, also, cue spooky British villain Snakehead who plans to steal the medallion for immortality, but first he reads from a book at the very start of the film introducing the concept of the medallion in a low spooky British voice: “Every so and so, a child from so and so, is chosen to do so and so, to protect the medallion!” The term “immortality” is hard to define in this film; if you take one half of the medallion you can’t be killed.

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