It’s rough around the edges here and there, but “The Fiancé” manages to be a unique idea that allows for some interesting moments of horror and drama altogether. I like how director Mark Allen Michaels turns transforming in to a monster in to something of a metaphor for how the relationship between our main characters is doomed to fail. Dallas Valdez plays Michael, a wealthy man who is on the verge of losing all of his money after criminal dealings with the Russian mafia. Convinced his beautiful wife Sara, as played by Carrie Keagan, will leave him, he invites her up to a cabin in the woods to propose to her. Meanwhile a Sasquatch is on the loose, murdering people and hunting down whoever gets in its way. We follow a documentary crew and a small group of hikers as they’re all injected in to the movie to transform the mythical beast in to a valid threat.
Tag Archives: Drama
Doctor Strange (2016)
I freely admit that I was skeptical until the very end that comic book fans would ever get a good or respectable movie about “Doctor Strange.” Some comics just don’t translate at all to the cinematic medium. Thankfully, director Scott Derrickson proves me wrong, providing a cinematic adaptation of “Doctor Strange” that’s very much its own superhero tale while also embedding itself as a part of the Marvel Cinematic Universe. The Marvel spirit is in full force here, but the movie does take the source material seriously while subtly injecting a sense of whimsy here and there. “Doctor Strange” comes during a good time where movie audiences like some magic with their adventures, and Doctor Strange is that kind of fantasy movie for comic book fans that they’ve always wanted.
Dr. Strange (1978) (DVD)
The 1978 TV movie “Dr. Strange” is one of the many failed pilots for a potential series based on a Marvel comic. This is yet another of the many seventies pilot movies that didn’t just misunderstand the source material, but didn’t have enough of a budget to realize the concept of its characters. Dr. Strange is a man who battles demons and monsters, and uses his will to use magic. “Dr. Strange” looks like a supernatural version of “Quincy M.E,” following a Dr. Stephen Strange as he focuses his efforts on troubled patients in his hospital while accidentally entering in to the magical arts. The movie even goes so far as setting up the entire series with the beautiful Jessica Walter as the series’ primary antagonist, but the storyline is a big hint at a sequel that would never come. It’s probably a good thing since the pilot movie is ninety minutes and we only get to see Dr. Strange in full garb in the final half hour.
The Handmaiden (Ah-ga-ssi) (2016)
Park chan-wook is no stranger to delivering some of the best character studies that also pack a sense of sexual perversity, and pain within its seams. “The Handmaiden” is one of his most epic in scope dramas that also manages to be one of the most erotic romances I’ve seen in a while. “The Handmaiden” is pure ambition that succeeds in delivering something of a labyrinthian narrative of crime, salvation, and romance that begins as a simplistic drama. It takes a brilliant artist like chan-wook to handle a film that morphs in to various themes and experience various tonal changes without it completely falling apart, but Park chan-wook handles it by making each new turn around the corner absolutely suspenseful.
The Monster (2016)
For “The Monster,” director Bryan Bertino who debuted with the excellent “The Strangers,” channels “Cujo,” exploring a family in disarray and what happens when they’re tested by a force of nature that’s unstoppable and deadly. “The Monster” is two parts a family drama and one part horror movie. The film’s monster serves as something of a metaphor for family dysfunction and the potential for character Lizzy to end up the victim of her rage-aholic father. Zoe Kazan and Ella Ballentine work beautifully together as a mom and daughter Kathy and Lizzy who spend more time arguing with one another than working for a goal. When Lizzy decides she wants to move with her father, Kathy begrudgingly takes her. After hitting a wolf on the road, they’re left stranded, and stuck in a rain storm. Sadly the wolf has managed to lure a monstrous beast from within the heart of the woods, leaving Kathy and Lizzy vulnerable and incapable of diving to safety.
Last Girl Standing (2015)
In writer/director Benjamin R. Moody’s film, the lead character is one hell of a fighter, but her trauma may be having the best of her as she sees signs of her attacker throughout her life and can’t quite let go. Camryn, the only survivor of a massacre in the woods is trying to live with PTSD and survivor’s guilt. As she is taken in by a new group of friends, the killer from her past may be haunting her. The lead character he creates here is a strong young woman but she does not have much of a back story outside of being the only survivor from a massacre during a camping trip to the woods. The other characters, her new friend and potential love interest Nick and his roommates have more set up than she does almost. They are presented and explained quickly but it gives them connections and personalities.
Black Sabbath (I tre volti della paura) (1963)
Boris Karloff is deliciously spooky as the narrator who unfolds a trio of stories in Mario Bava’s immortal “Black Sabbath*.” Each tale involves people whose demons come back to haunt them in one way or another. Mario Bava is excellent in depicting various shades of terror, devoting bold and stark palettes of colors to each segment that add to the EC Comics vibe that Bava inadvertently conveys. “The Drop of Water” is the best and arguably most iconic of segment in horror movie anthologies, involving the classic comeuppance of a grave robber. In the early 1900’s, nurse Chester is called to a large house once owned by an elderly woman who was also a medium. After the elderly woman dies while seemingly in a trance, Nurse Chester arrives to discover the gruesome visage of the woman and helps to dress up her corpse alongside her incredibly terrified house maid.