I’ve constantly heard “Grizzly Man” in contrast with a train wreck. It’s miserable, but you just have to keep watching for some odd reason, and that’s a dead on summarizing of this film. It’s a train wreck, but a compelling one. Director Werner Herzog explores wildlife enthusiast Timothy Treadwell through much footage of his exploration of woods and commuting with his favorite animals, the bears. All of the clips are morbid reflections of a man content with his surroundings and desperately attempting to unify with nature. The film is morbid because it explores tapes from Treadwell leading up to his inevitable death (Tim’s friend even recalls when he discovered the mangled bodies, or what was left of them). He and his girlfriend were mauled to death and eaten by the same grizzlies he’d grown to love, and though Herzog doesn’t show the deaths, it’s still compelling to watch this man implode.
Tag Archives: Drama
Through the Fire (2006)
I’m no sports fan. I find no interest in sports, and I really don’t watch it, but “Through the Fire” is not about sports. You don’t have to like sports to know how damn good this is. It’s typical to say such a thing, but as a man who hasn’t seen a full basketball game in eleven years, it says something about the sheer quality and excellence of “Through the Fire”, that it was able to grab a hold of me and keep me glued to the screen. It’s not an insider documentary, it’s not a new look at sports, and it is not an exploitative peek at a man who ruined himself. It’s simply a down to Earth story about a young man who worked for his dreams and achieved them.
Kinsey (2004)
Alfred Charles Kinsey was a true pioneer of his time. Back then in the fifties conservatism and religion were all powerful and the mere mention of or exploration in to the world of sex was shocking and considered almost criminal. Kinsey gave the religious right a good scare and shook up the foundation of conservative America exposing it as anything but. He helped to bring down the mythological “American Values”, and “Nuclear family” by exposing us as human. Cleverly though, “Kinsey” is not approached with a dramatic angle, which is difficult when tackling a biographical account of a man whose father was disciplinary, and who challenged modern conventions.
Pom Poko (Heisei tanuki gassen ponpoko) (1994)
“Pom Poko” is an utterly original and incredibly odd animated film that’s really not just a fantasy fable, but more of a commentary on society. The raccoons here are more or less their own worst enemies and they can’t even realize it. Rather than focusing on preserving their land, keeping their family from over-populating, and remembering their priorities they’re more concerned with eating, sleeping, and once they grab a hold of a television, they’re more concerned with what’s on than with what’s going on.
Only Yesterday (Omohide Poroporo) (1991)
Based on the novel of the same name, “Only Yesterday” directed by Isao Takahata is considered a rare drama in the US only because it’s not really available on DVD yet. Thankfully, I was able to view it with subtitles, and uncut, but who knows what the hell Disney will do with it once they decide to release it on DVD. I gather for them, with conservative values, some scenes may not be deemed suitable in spite of the fact that Takahata’s adaptation so effortlessly and fearlessly tackles childhood trauma. What “Only Yesterday” really explores is cherishing life, and our lasting remnants of being a child.
Whisper of the Heart (Mimi wo sumaseba) (1995)
“Whisper of the Heart” is the one and only film ever directed by Yoshifumi Kondo, a director who master Hayao Miyazaki intended to reign as his protégé. Miyazaki was going to retire from film and let Kondo take over from where he left off, however, Kondo sadly died at the age of forty-seven, and this was his only piece of art that was left by him. Obviously, Miyazaki never retired, but Kondo’s film does show traces of Miyazaki’s imagination and it’s clear why Miyazaki intended him as his successor.
Brokeback Mountain (2005)
Want to know something utterly shocking? When I finished “Brokeback Mountain”–I wasn’t gay. I know, you’re gasping and holding your breath, but I’m being honest. When I finished this homosexual love story, I wasn’t gay. I’m a heterosexual of young age, with an untarnished record, and yet, when I finished the movie I didn’t find the gay lifestyle appealing to my own tastes, and I was still sexually aroused by good looking women. Yes, you misanthropic, religiously fanatical, homophobic morons, watching a movie with gay people about the gay lifestyle won’t turn you gay. Can you believe that? And if you do, then perhaps your sexuality is already in doubt, but to those open-minded few who watched the film in spite of the themes and or because of its themes, then congratulations, you’re proof that humans are still evolving.



