I’m a Garfield fan. Yes sir, I love that orange fat cat. The comic books were pure innocent humor for adults and kids, and the animated series is classic, so I was expecting a lot of fun with the live action movie despite my surprise. In its own unusual way, “Garfield: The Movie” can be fun; it’s a guilty pleasure and has a lot of the usual innocent fun and Garfield is Garfield here. From the lasagna addiction, the laziness, his teddy bear Pooky, and his snide attitude and smug persona that makes him the fat cat I knew. And voicing him really well is the always talented Bill Murray, who sounds like he’s having a lot of fun doing Garfield. He’s a great successor to Lorenzo Music, who was the definitive voice of Garfield.
Tag Archives: Family
Jersey Girl (2004)
I’m not a fan of Kevin Smith’s movies. And with Ben Affleck, and Jennifer Lopez is featured on the first segment of the movie, not to mention the basic problems with the hype concerning this film, as I went into it, I have to say I was very surprised by what I saw in the end. Though Smith does goes more mainstream with a film that is allegedly based on his life with his kids (If my life was this corny, I’d have blown my brains out long ago), “Jersey Girl” doesn’t set precedent for originality, nor does it really win us over with its sickening sweetness that works against the story rather than for it.
A Cinderella Story (2004)
While it calls itself a variation of “Cinderella”, it’s really just yet another of the million versions of “Pretty in Pink”, because If I don’t recall Cinderella wasn’t as dumb as a brick, and Prince Charming wasn’t old enough to be her uncle. But when you get down to it and cut through all the bullshit, this is another of Duff’s tepid vehicles with the score comprised totally of her “music”, along with a main character that deifies her as someone she isn’t. I don’t understand what her appeal is except to assume that she’s getting roles for being blonde, white, and pretty.
Home on the Range (2004)
“Home on the Range” is a sign post, it’s a sign post up ahead the reads the basic end of Disney. What once was a company that gave us “The Lion King” and “Bambi” now gives us crap like “Lilo and Stitch”, their direct to video sequels of their classic films, and–this. I wanted to like “Home on the Range”, I really did, I was expecting at best an entertaining animated film that was a guilty pleasure, and even that doesn’t pull off my expectations at all. I was so disappointed after liking the pictures of the animated characters that I saw, but, man, this is a lame movie. The animation is very reminiscent of masters such as Tex Avery, Chuck Jones, and Bob McKimson, the era where cartoons were actually good and funny, does anyone remember that?
Pieces of April (2003)
This is not your conventional holiday film. It doesn’t exploit emotions for the sake of drawing tears from the audience, nor does it shove the whole holiday theme down our throats, this is an independent film with a holiday theme that tends to focus more on the actual character within the general theme of the holidays. What’s shown is an array of colorful and somewhat eccentric character dealt into an engrossing story of family and values. If you’re sick and tired of the usual holiday fare, check this out. It’s a great story about family and holidays. “Pieces of April” we learn is symbolic of the main character April’s attempts at making amends with her family. It’s alluded that she was a troubled girl so, not only does the story become a quest for April to finish her meal, but it becomes a quest to prove to her family that she’s reformed.
Spirited Away (Sen to Chihiro no kamikakushi) (2001)
“Spirited Away” has had the unfortunate distinction of being compared to “Alice in Wonderland”, and while they bear similarities in themes, characters, and oddities, but Miyazaki’s animated tale is highly superior. Miyazaki takes us into an incredible land of creatures, landscapes and spooky villains, along the injecting truly heartfelt emotions, and thematic undertones. Miyazaki’s animation and storytelling bear an aspect sorely missing in American animated films, which heart, and true sincerity. Chihiro and her parents are on the way to their new home, and while driving they stumble upon a weird tunnel. Curious, they enter the tunnel and end up in a magical field and begin journeying into a village. But when Chihiro discovers her parents have been turned into pigs, she finds that there may be no going back where came from.
The Incredibles (2004)
While comic book movies are shooting to audiences in theaters at an almost rapid fire pace, very rarely does the film medium examine the person behind the superhero, the true human and “The Incredibles” does that. Few films such as the underrated “Unbreakable”, “Spider-Man 2” and “The Hulk” have taken the time to examine the psyche and basic mundane aspects of being a superhero and living with the persona as a human too. As a comic book geek since childhood I always relish the chance to catch my superheroes on the big screen despite the fact that rarely is the transference ever satisfying, but few films create their own heroes and then work from the ground up, and instead of focusing on the superhero aspect and then the human, films such as Shyamalan’s “Unbreakable” and this, work on focusing on the humanity and then the hero which is more secondary.