Well if anything “Casper Meets Wendy” is much better than “A Spirited Beginning” despite offering no big surprises. Unless you consider that the only cast member that’s been in most “Casper” movies so far is Pauly Shore. In the former film he played a bad ghost, and here he plays a fortune telling magical mirror. As with most of these movies, there is a whole cast of D list celebrities, and the adaptation of Harvey Comics’ “Wendy The Good Little Witch” is an excuse to introduce future teen star Hilary Duff. To her credit Duff is adorable.
Tag Archives: Ghosts
Casper: A Spirited Beginning (1997)
I, for one, quite loved the big screen reboot of “Casper” with Christina Ricci. As a kid I loved its human elements and fun atmosphere. And then they kind of ruined it with a bunch of direct to video sequels and prequels that stunk. “A Spirited Beginning” is one of many that completely copies the formula of the original movie, with performances that are oh so much worse.
House on Haunted Hill (1999): Collector’s Edition [Blu-Ray]
William Castle’s “House on Haunted Hill” was a pretty great horror movie that inevitably became a pretty good remake in 1999. When Sam Raimi founded Dark Castle films, his love for William Castle was worn on his sleeve, right down to theatrics of the remake. “House on Haunted Hill” from 1999 does a good job of delivering something new and unique to the premise of the original film, putting twists in the premise, and offering some contemporary thrills that more than make up for the film’s massive short comings, overall. It’s a great Halloween treat; I can at least say that for it.
Ghost Stories (2017) [Blu-Ray]
I have to admit that “Ghost Stories” was something of a surprise this year, because I’m shocked so many people liked it, while I just didn’t. Surely, “Ghost Stories” is a beautifully directed film but it builds on a momentum that it can’t deliver. It seems to be leading up to one big bang, and in the end when that big bang finally arrives, it’s more like a trick gun with the flag that reads “Bam!” The message is also pretty heavy handed and feels tacked on. Jeremy Dyson and Andy Nyman’s “Ghost Stories” is a beautifully directed film with excellent cinematography, and brilliant sound design, it’s just all glimmer and no substance.
Malevolent (2018)
Netflix’s penchant for premiering “original” movies on their platform is typically hit or miss, and I’m glad that “Malevolent” for the most part is a hit. It’s kind of taken a well worn premise but adds a bit of heart to it, thanks to the very good performances, and atmosphere. “Malevolent” has a very subtle sense of terror behind it, and while it does rely on jump scares every now and then, what keeps the film consistently creepy are the quieter moments, the instances when we’re never quite sure what’s going to pop up behind a door. Director Olaf de Fleur has every chance to fall in to the trap of delivering shock after shock, but “Malevolent” ends up as so much more.
Our House (2018)
I’m always a sucker for a very good ghost movie, and “Our House” is not one of them. The problem with it is both narrative and tonal, where it’s much too melodramatic to invest in the horror elements, and too horror to appreciate it as a tale of a grieving family struggling to keep it together. What we’re left with is a pretty crummy, rather monotonous supernatural drama that we’ve seen a dozen times in the past. Anthony Scott Burns seems to be aiming for a genre entry in the vein of “We Are Still Here,” but it ends up feeling more like a tame sequel to “White Noise.”
Ghost Stories (2018)
“And it was going so good too.” That’s my initial reaction to the third act of “Ghost Stories” which feels like one gigantic cop out of a finale. You can reason that the creators wanted to introduce these esoteric ideas that come colliding, but I felt like “Ghost Stories” just ran out of ideas and just stopped trying. I’m also not a fan of the underlying message about how lack of belief is linked to being some kind of bitter individual with a horrible life. Either way I imagine the finale to “Ghost Stories” will be a very polarizing element in the horror movie world in 2018. I think some horror fans will defend its radical approach while others will lambast it for trying way too hard. I’m in the latter category. I didn’t buy its self important morality play.