At a large estate, a group of worshippers attend an ominous ceremony led by a cultist who they’ve watched on television for a long time. Honored to be there, most of the members are happy with the roles they are given. Onyx, on the other hand, isn’t so sure, but his role may be much more than the organizers could have ever expected.
It’s not often I see a horror movie with such a paper thin script that it blatantly pads the run time. And even when it pads the run time with filler, it still only amounts to a seventy two minute film. And it’s barely seventy two minutes when you don’t factor in the closing credits, and long opening credits. Filmed on a $150,000 budget, what I imagine happened was director/writer Steven M. Smith wanted to film a movie in the vein of “Saw.” He got a hold of a primo haunted house and decided to build his script around the house. That’s likely why the movie’s entire narrative begins and ends in this haunted house, and nothing ever feels organic.
After a girl goes missing, a police sergeant is sent to an island in Scottland when people do not cooperate in his search and seem more interested in their Pagan rituals than in assisting him in helping a missing child.
I admit that I’ve never actually read Norman Partridge’s Halloween horror novel, but I was always very interested in checking it out. Thankfully David Slade adapts it for the big screen and introduces the movie going audience to a small town that’s very heavily steeped in to such a horrifying nightmare of circumstances. Although the movie is thin in exposition and exploration of elements like character, and back story, “Dark Harvest” does manage to squeeze by thanks to its enthusiastic direction by David Slade, ace cinematography by Larry Smith, and excellent flourishes of gore and vicious violence.
It’s easy to forget that once upon a time “It” was the prime example of a master class in terror. In a world that’s largely forgotten TV movies, “It” broke all kinds of barriers when it came to primetime TV movies. TV movies were mostly safe melodramas and soft thrillers that were never really about staying power. “It” came along and showed the world that not only could they be an event, but they could be as immortal as theatrical films. You’d think a documentary about a legendary TV movie wouldn’t be prime for valuable film information, but “Pennywise: the Story of IT” disproved a lot of the cynicism I had going in to it.
Streaming on Amazon Prime Video.
If you’re an avid movie goer and movie lover, most of the time you can tell when a movie is going to stink five minute in to it. Sometimes it’s from the first moment, but sometimes it takes at least five minutes. When I trekked to Manhattan to see “House of the Dead” a week before Halloween, it hit like a gut punch within the opening credits that I was not going to see the next zombie movie masterpiece. Granted, this was 2003, and I hadn’t heard of Uwe Boll. Hell, I barely had any knowledge of what “House of the Dead” was as a whole. I just know that the ads for it on MTV looked pretty damn cool.
I was at a weird mind set in 2003. I’d just come out from open heart surgery in July, and I’d spent the entire summer suffering, especially after the historic black out that took out power from most of America for twenty four hours.
I could definitely picture re-watching Ryan McGonagle’s “Black Pumpkin” down the line. If anything it’s so bathed in Halloween ephemera that it’s a decent bit of background sounds for the respective Halloween geek. What holds it back though is that there seems to be so much behind the narrative that we’re not informed on, thus there feels like a big chunk of the intend narrative is either cut out or missing. That’s due to the fact that “Black Pumpkin” is technically a sequel to the 2016 movie “Bloody Bobby,” later-released in 2021 as “The Legend of Fall Creek.”
So, it’s a sequel—kind of. But not really…?