Five Films for Fantasia Film Fest 2020 I Am Excited For [Fantasia Fest 2020]

For yet another year and another summer, Cinema Crazed is honored to be covering the Fantasia International Film Festival, the new edition now running from August 20th to September 2nd will screen films and various cinematic features virtually with all attendees and press being able to access the vast library of films online, thanks to COVID concerns and the continuing pandemic.

The festival is famous for featuring some of the most acclaimed and highly anticipated genre films from around the world, and this year is featuring a great and vast array of films. It’s no small feat considering the festival had to switch formats and entire platforms practically overnight. Nevertheless, here are five films premiering this year that I just can’t wait to check out.

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The Hills Run Red (2009) [Blu-Ray]

Recently, Scream Factory put out a filled to the gills Blu-Ray of “The Hills Run Red” which felt like a “finally” on this film as it’s one that seems under-seen and under-appreciated. This slasher is one that came and seemingly went with the general public, but that slasher fans and many horror fans have been loving its release. It’s a brutal, meta slasher film that is a fun watch for fans of the genre and is a bit much for casual horror fans, which is exactly why it’s so great. The film itself is greatly entertaining and the kills are violent and bloody. It’s what a slasher fan wants and it’s what a horror fan in general wants. The story itself is strong enough to support the film without the blood, but there is more than that to this film. There is a lot here to unpack and it’s definitely a must see.

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1BR (2020)

Going in to “1BR,” its pretty clears that director David Marmor takes pages from Ira Levin’s psyche, reflecting many themes and ideas the author was known for. Director David Marmor builds a simplistic but absolutely harrowing thriller that confronts similar feminine themes. “1BR” feels so much like a movie torn out from 1979 and altered for modern times. That element works for the movie, as the lack of more modern constructs gives his thriller a very timeless displaced feeling. This sense of aesthetic contributes to the sheer claustrophobia and alienation that character Sarah experiences.

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