A sequel to the 2011 video release Skeleton Key 3, this new film is in no way shape or form related to the Kate Hudson starring film from 2005. This film follows a man dealing with the (blue) zombie apocalypse while saddled with a demon sidekick/bully and a ragtag team of helpers. John Johnson, the man credited as the brain behind this film and the star of the film looks to be specialized in the anything goes/what the fuck type of horror films by the looks of his IMDB page. As this particular film is not listed and this reviewer will not be watching it again to pull the credits, the little bits of credits available on Midnight Releasing’s website are all that will be used to identify the players here.
Tag Archives: Horror
An Interview with Pia Thrasher [WiHM 2017]
Havenhurst (2017)
It’s “Rosemary’s Baby” meets “The Toolbox Murders” in what I can easily describe as one of the glossier movies I’ve ever seen that look an awful lot like a cable TV movie of week. That’s neither a compliment nor an insult, as “Havenhurst” is comfortably in the middle ground of horror mysteries. It’s too shallow to be a morality tale, and too stern to be considered exploitation. A lot of the concept doesn’t entirely make much sense, especially when you consider how much work it would be to dispose of so many corpses and pull off the operation the owners of the apartment complex do without a lot of police interference and whatnot. Havenhurst is a Gothic apartment complex in the middle of New York that is painted a lot in the same shades Roman Polanski painted his domain in “Rosemary’s Baby.” Its smack dab in the middle of the city and sticks out like a sore thumb, but its underbelly is immense and incomprehensible.
Five Favorite Crazy Movie Sex Scenes
It’s Valentine’s Day, and it’s no problem if you choose not to celebrate this holiday. It’s not even really a holiday, its more an excuse to make single people feel bad, and couples feel guilty about not picking up a box of cheap candy or a lame card from the local pharmacy. What, me bitter? No! I’m not bitter at all. In honor of the holiday, here are five of some of my favorite crazy movie sex scenes of all time.
Let Me Know Some of Your Favorites in the Comments!
An Interview with Filmmaker Izzy Lee [WiHM 2017]
The Bornless Ones (2017)
No matter what you think of “The Evil Dead,” every indie filmmaker wants to have their own version of the Sam Raimi classic. At this point you could compile a sub-genre out of movies involving cabin in the woods demon movies. There was even an actual remake, foreign wannabes like the charming “Wither,” and yes, even a movie called “Cabin in the Woods.” Director Alexander Babaev really wants us to know that he was inspired by “The Evil Dead” and even works hard to convince us we’re watching a successor–sans the tree rape, of course. “The Evil Dead” still maintains its glossy appeal and inherent terror, while “The Bornless Ones” is merely a fine attempt with some admirable ambition behind it. The cabin in the woods this time preys on the weakness of the characters, exploiting their fears and insecurities, allowing them to possess them.
Fifteen Years Later, “Eight Legged Freaks” Deserves To Be Celebrated
Ellory Elkayem’s “Eight Legged Freaks” came out during a horrendous time. First it was a limited release, unleashed around the time another Spider oriented movie was breaking box office records, and it was released during a time where audiences were still bruised from 9/11 and weren’t too keen on welcoming horror comedies in to their lives quite yet. It’s a shame since “Eight Legged Freaks” is a pitch perfect horror comedy that celebrates everything from B movies, slasher movies, disaster movies, and the classic monster movies like “Them!” and “Mosquito.” Ellory Elkayem based a lot of “Eight Legged Freaks” on his short film “Larger Than Life,” which is very much in the spirit of what we see on the big screen. It is a black and white ode to the sixties monster movies with Elkayem conjuring up what’s so gross and icky about spiders. I originally saw “Larger than Life” on television in 2000 when it premiered on the short film television series “Exposure” on the Sci-Fi Channel here in America.


