Hey did you see “The Vampire Journals” from Full Moon? Yes? Well, prepare to watch it again, but in a ten minute nutshell version. On par with much of Full Moon’s corner cutting productions, “Decadent Evil” is mostly just nothing but filler, with clips to the days of Full Moon Entertainment when they were actually trying. “Decadent Evil” is barely eighty minutes in length, and counting the opening clip show, and credits, it’s only about an hour of actual movie. All of which is contrived and based heavily around the hope that you’ve seen and remember “The Vampire Journals” fondly.
Tag Archives: Horror
A Haunted House (2013)
It’s almost as if Marlon Wayans, the least funny Wayans brother (which isn’t saying much) decided he wanted to get out of the shadow of his big brothers and siblings, and just made his own comedy movie. Since the “Scary Movie” brand is now someone else’s property (since that series is so genius), we now have “A Haunted House” a movie so bereft or wit or actual comedy, that it’s embarrassing. But Wayans himself seems intent on going his own way and forming his own comedy niche. And he fails. Wayans only really works well under the guidance of someone who knows what they’re doing. Or (in the case of the “Scary Movies”) have some idea of what they want to accomplish in the arena of comedy.
Sharknado (2013)
Tara Reid. Killer Tornadoes. Man eating sharks. Sooner or later, someone was going to combine them to form the sweet piece of junk food cinema known as “Sharknado.” The Asylum almost seems proud of the title, flaunting it in film festivals and even presenting the title in big bold silver letters in the opening credits. With a title like that, you don’t even need to hear what it’s about. You just need to know that Ian Zeiring kicks ass. Who could resist this opportunity?
Monday Movie Pause: The Murders of Brandywine Theater Official Trailer
From Eddy Spaghetti Productions, A small town loser and puppeteer finally finds the courage he’s lacked all his life when his dummy, Moxxy, starts speaking up for him and, eventually, begins murdering those who always pushed him around. Starring Dian Bachar, Danielle Lozeau, and Diamond Dallas Page.
[youtube http://www.youtube.com/watch?v=vBZhKKK7tac]
Warm Bodies (2013)
In the universe of “Warm Bodies,” zombification is a metaphor for social inadequacy. Being a zombie makes it impossible for you to talk and socialize with anyone. The rare conversations a zombie does have, is nothing but grunts and a brief dismissal of the company kept. The really bad introverts are terribly animated skeletons with a thing for self-mutilation. This is kind of a PSA for social introverts but with monsters that you can call zombies. I guess they’re zombies. They’re undead, and they eat humans for sustenance. But I just have a hard time trying to figure out which audience “Warm Bodies” is trying to pander to, if anything. It’s definitely a movie for teenagers. The movie doesn’t so much make zombification a disease, as it is a deadly form of social anxiety.
Nazithon: Decadence and Destruction (2013)
It’s nazisploitation this time around, as one of the two new Grindhouse Collections from Full Moon now sets its sights on the infamous sub-sub-genre of Nazisploitaiton and its wicked devices. For folks that love the compilations from Full Moon that were rare for a long time until being given deluxe releases on DVD in 2012, Full Moon and Grindhouse Flix have now released a brand new compilation. And it’s about those swastika donning fiends we know as the Nazis.
The Last House on the Left (1972)
Director Wes Craven’s remake of “The Virgin Spring” often gets a lot of credit, not just for jump starting the grindhouse boom, but for being influential as a veritable violent film. Sadly, “Last House” is another of Wes Craven’s films that gets too much credit. While many will argue that “Last House” has to be considered for its time period, even in context, “Last House” is a piss poor horror film with terrible production qualities.