Whenever someone purports to make the ultimate of anything, there’s a good chance that nine times out of ten, there will not be anything remotely resembling ultimate about the product. The makers behind “Never Sleep Again” thankfully live up to their promise that “Never Sleep Again” is “The Ultimate Nightmare Documentary” not only because it is undoubtedly one of the best horror movie documentaries ever made, but it surely is the definitive look in to the Nightmare series that is not just the chronicling of the evolution of a bonafide horror icon, but of a studio that began as an independent film studio and worked its way in to becoming a corporate juggernaut that in a sense worked against what filmmaking was originally all for in the first place.
Tag Archives: Horror
A Nightmare on Elm Street (1984)
“A Nightmare on Elm Street” remains Wes Craven’s master opus, a film that is his most creative and most visually appealing. There aren’t many horror films that dabble in the iconology and symbolism of dreams and end up being truly horrifying, but Wes Craven’s film continues to be something of a crowd pleaser to this day. While it hasn’t aged too well since its initial release (which is the case with all of Craven’s films, I’ve found), it remains one of the most influential films of all time considering its primary character is a dream demon who plays more of a supporting role than taking center stage.
Resident Evil (2002)
Back in 1996 when Capcom and Playstation released “Resident Evil,” the horror and gamer world were awash with buzz and raves of a game that while lacking in voice acting department (seriously if you’ve ever seen the filmed intros to the American game, you’ll laugh non-stop), was an all around horrifying and inventive survival horror game that begged to be made in to a movie. It featured all of the tropes of the classic horror genre from a large spooky mansion, a bunch of mercenaries called out to investigate strange goings on all of which lead them to clash with undead dogs, birds, ravenous monsters and–worst of all–hordes of flesh eating zombies.
Spine Tingler! The William Castle Story (2007)
Back in 2007, I reviewed “Spine Tingler!” for the Slamdance Film Festival, a yearly event that’s much more entertaining and fulfilling than its counterpart Sundance. “Spine Tingler!” is quite possibly one of the best horror documentaries and film documentaries of all time ranking with “The Kid Stays in the Picture” and “The Shark is Still Working” as the account of a Hollywood mogul and his attempts to make filmmaking so much more fun not only for the man behind the camera, but for the folks watching in the audience.
Blood Dolls (1999)
It burns us! It burns us! Ow… just ow! I am a humongous fan of “Puppet Master” and as someone who grew up with early nineties cable where they did nothing but play crappy C grade horror, I basically was spoon fed a diet of Troma, Full Moon, Monstervision, and anything with the title “Marilyn Chambers” as my midnight naughty entertainment and I just flat out enjoyed almost anything I could get my hands on that was bargain basement including “Puppet Master” which is admittedly silly and surreal, but still a lot of fun. Hell, I sat through “Prehysteria” three times!
Night of the Living Dead (1990)
Much like almost every horror fan out there, I’ve seen “Night of the Living Dead,” and had my cherry busted by it when I was five. Since being in the public domain, Romero’s movie has been open to many, many re-workings, one of which occurred in 1990 when his protégé Tom Savini got the wild idea to remake “Night of the Living Dead,” and you know what? It wasn’t bad. In fact his remake stands as one of the better remakes of a Romero film to date, and Savini enlists much of the same dread and horror and instills it with a bleak tone of greens and dark blues to invoke a film that’s quite gritty, bleak, and hopeless even in spite of changing a lot of character actions and increasing the tension. It also helps that he enlists the talents of special effects guru Gregory Nicotero to turn the walking dead in to shambling harbingers of death that I still have difficulty looking at to this day. The song is almost like what you’ve heard in the original.
Splice (2010) (Combo Pack)
Vincenzo Natali’s “Splice” was one of my favorites of 2010. It’s a surefire Frankenstein tale about two scientists on the precipice of creating not only a brand new species but a brand new gender. When they venture in to the depths of their scientific realm and work outside the confines of their regulated laboratory, they soon discover that they’ve created the ultimate being. Named Dren, she is a pure unadulterated force of nature, both of the emotional and the sexual. What begins as a science experiment gone awry soon turns in to a clear cut case of God Complex coming in to fruition as characters Clive and Elsa (ignore that clunky reference, and you’ll be fine) attempt to create a life, still stifled by their ability to do so in a relationship filled with ambition and mutual respect, but little to no intimacy.