It is a shame that the film adaptation of John Berendt’s “Midnight in the Garden of Good and Evil” was not helmed by a director who thrives in the radically offbeat. In the hands of someone like David Lynch, Tim Burton or John Waters, the extraordinary wealth of eccentricity, depravity and old-fashioned freakiness would have flowered brilliantly.
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“The Life of David Gale” is yet another Hollywood film preaching for a cause. I wouldn’t have much of a problem with such a concept if this film orchestrated it the right way without such a ridiculous turn of events in the last segment of the film. “The Life of David Gale” portrays capital punishment abolitionists not only as melodramatic, but as despicable, self-righteous, under-handed, hypocritical, smug, and sleazy. Not only is it an unfair and inaccurate portrayal of people who are anti-capital punishment but it contradicts the theme supposedly revealing that it’s for capitol punishment and supporting people who feel this way when it’s completely contradictory.