Elf (2003)

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What ultimately turns “Elf” from an okay movie to a good movie, is Will Ferrell. Will Ferrell gives such a good performance here and is both laugh out loud funny and endearing presenting such a conviction with his role and commits to this character giving a wide eyed exuberance throughout the entirety of the film, even when facing adversity and hardship. What “Elf” essentially has going for it in the long run is its sense of innocence approaching family and Buddy approaching the real world. The film, while a story about an man who thinks he’s an elf discovering the real world, it’s also about losing ones innocence and grasp on their inner-child.

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Garfield: The Movie (2004)

I’m a Garfield fan. Yes sir, I love that orange fat cat. The comic books were pure innocent humor for adults and kids, and the animated series is classic, so I was expecting a lot of fun with the live action movie despite my surprise. In its own unusual way, “Garfield: The Movie” can be fun; it’s a guilty pleasure and has a lot of the usual innocent fun and Garfield is Garfield here. From the lasagna addiction, the laziness, his teddy bear Pooky, and his snide attitude and smug persona that makes him the fat cat I knew. And voicing him really well is the always talented Bill Murray, who sounds like he’s having a lot of fun doing Garfield. He’s a great successor to Lorenzo Music, who was the definitive voice of Garfield.

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A Cinderella Story (2004)

a-cinderella-storyWhile it calls itself a variation of “Cinderella”, it’s really just yet another of the million versions of “Pretty in Pink”, because If I don’t recall Cinderella wasn’t as dumb as a brick, and Prince Charming wasn’t old enough to be her uncle. But when you get down to it and cut through all the bullshit, this is another of Duff’s tepid vehicles with the score comprised totally of her “music”, along with a main character that deifies her as someone she isn’t. I don’t understand what her appeal is except to assume that she’s getting roles for being blonde, white, and pretty.

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Home on the Range (2004)

Home-on-the-Range“Home on the Range” is a sign post, it’s a sign post up ahead the reads the basic end of Disney. What once was a company that gave us “The Lion King” and “Bambi” now gives us crap like “Lilo and Stitch”, their direct to video sequels of their classic films, and–this. I wanted to like “Home on the Range”, I really did, I was expecting at best an entertaining animated film that was a guilty pleasure, and even that doesn’t pull off my expectations at all. I was so disappointed after liking the pictures of the animated characters that I saw, but, man, this is a lame movie. The animation is very reminiscent of masters such as Tex Avery, Chuck Jones, and Bob McKimson, the era where cartoons were actually good and funny, does anyone remember that?

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Spirited Away (Sen to Chihiro no kamikakushi) (2001)

spiritedaway“Spirited Away” has had the unfortunate distinction of being compared to “Alice in Wonderland”, and while they bear similarities in themes, characters, and oddities, but Miyazaki’s animated tale is highly superior. Miyazaki takes us into an incredible land of creatures, landscapes and spooky villains, along the injecting truly heartfelt emotions, and thematic undertones. Miyazaki’s animation and storytelling bear an aspect sorely missing in American animated films, which heart, and true sincerity. Chihiro and her parents are on the way to their new home, and while driving they stumble upon a weird tunnel. Curious, they enter the tunnel and end up in a magical field and begin journeying into a village. But when Chihiro discovers her parents have been turned into pigs, she finds that there may be no going back where came from.

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New York Minute (2004)

2004_new_york_minuteWhy anyone would still find the Olsen Twins even remotely appealing is still beyond me, unless you find spoiled, rotten, rich girls appealing, then perhaps they’re for you. Luckily, “New York Minute” was a flop and I had a good laugh, but let’s face it, they laughed all the way to the bank. It’s clear judging by the movie that the Olsen’s have zero talent, and they prove just because you can buy yourself into a movie doesn’t mean you should be in one. Nonetheless, this is not a movie to be taken seriously even by someone as uptight about movies as me, but as harmless as this tries to be, you can’t also escape the fact this is a basic rip-off of “Ferris Bueller”, a much much better movie with an actual believable premise, where as this is basically driven on the vanity of the Olsen twins.

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The Incredibles (2004)

While comic book movies are shooting to audiences in theaters at an almost rapid fire pace, very rarely does the film medium examine the person behind the superhero, the true human and “The Incredibles” does that. Few films such as the underrated “Unbreakable”, “Spider-Man 2” and “The Hulk” have taken the time to examine the psyche and basic mundane aspects of being a superhero and living with the persona as a human too. As a comic book geek since childhood I always relish the chance to catch my superheroes on the big screen despite the fact that rarely is the transference ever satisfying, but few films create their own heroes and then work from the ground up, and instead of focusing on the superhero aspect and then the human, films such as Shyamalan’s “Unbreakable” and this, work on focusing on the humanity and then the hero which is more secondary.

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