This is the bash we were all waiting for: the king of the monsters from America meets the king of the monsters from Asia—by way of Toho. Really, King Kong is given something of an Asian treatment this time around, increased in size, and allowed much more of a loophole to face Godzilla for this giant monster bash. I saw the Universal International version where the producers take it upon themselves to over explain everything. In this version the head of a pharmaceuticals company wants to grab a rare berry that is found on a distant island. Said berry has narcotic properties but it non-addictive. Wanting to improve his ratings and invest in a potential product, he sends two executives to the island to find the berries and the mythical monster the villagers are said to placate with juice from the berries.
Tag Archives: King Kong
Dinosaurs vs. Apes: Hollywood Goes Ape! (1994)
Don Glut is a lover of the golden age of monster movies, and his 1994 documentary explores Hollywood’s fascination with apes. Though “King Kong” popularized the giant ape in film, the idea of giant apes have been around for quite a while and even showed up every so often in silent films. Even by 1994 standards, “Hollywood Goes Ape!” isn’t the most polished documentary, but it does offer a no frills exploration in to ape cinema of all kinds. There are looks at giant ape films like “King Kong” and “Konga,” and odd ball ape movies like “The Ape Man,” and “Superman vs. The Gorilla Gang.”
Son of Kong (1933)
If “King Kong” was the main feature, than “Son of Kong” is the less than stellar epilogue. After King Kong died in the middle of Manhattan, Carl Denham is suffering a large amount of scrutiny and possible jail time for what he brought on to New York. He now hides out in an apartment away from the press, all of whom are anxious to interview him and roast him about the part he played. “Son of Kong” is not the most action packed film. At barely seventy minutes in length, it’s mostly an adventure comedy about Carl Denham trying to save his reputation, and falling in love with a lonely female performer who follows him to Kong Island.
King Kong (1976)
I’m not against contemporizing “King Kong,” but director John Guillermin shows us how to take a very simple concept like “King Kong” and completely botch it from minute one. It’s not like “King Kong” has a complex story. It’s a fairly exciting adventure about a giant monster, the woman he loves, and New York being torn to shreds by this out of place animal. Apart from being utterly abysmal, “King Kong” is also way too long, with a premise retrofitted for the seventies that stretches the limits of suspension of disbelief. For a movie about a giant ape climbing the Twin Towers, it’s sad that the whole plot to get King Kong in to New York is the most far fetched element I had difficulty buying in to.
Honoring Ray Harryhausen (1920-2013) – Our Five Favorite Harryhausen Creations
I was fortunate enough to grow up around classic movie lovers, and since I was a child I was given a very hefty education in classic movies of all kinds. From Drama, to Science Fiction, I was able to understand the wonders of the classic films while also enjoying the modern cinema to boot. I loved the special effects spectacles, but I could also appreciate films like “Jason and the Argonauts” or “The Valley of Gwangi.” During my childhood, Ray Harryhausen’s works of art and amazing special effects astonished me. While they were low tech considering it was a new time for film, Harryhausen’s creations had a light and a life to them that computers and CGI animators could not duplicate. They had a spark within them, and within every motion, and I appreciated them with every film that Harryhausen left his signature on. Years later, I’m still a fanatic for Ray Harryhausen’s incredible work.
Our Favorite Big Bads!
What do we mean by our favorite big bads? Don’t be fooled, we’re not listing our all time favorite Kaijus, because we’re not big kaiju fans. What we are fans of are giant monsters, monsters that stomp, monsters that destroy, and monsters with a point and purpose. Since “Cloverfield” is going to be stomping into theaters January 18th with incredible anticipation and mystery, we thought ringing in the anticipated film with a list of our all time favorite giant monsters would be a kick.
So we sifted through our library of movies, we googled a lot of giant monsters and we went through some of our favorites. In the end, even though we liked Gamera, and Mothra, and Mechagodzilla, and even though we passed on some like Voltron, and the beast from The Relic, we couldn’t help but feel a giant affection for these monstrous furious baddies who took a small city and made it their bitch. Some of these are commentaries on nuclear war, some of these are commentary on space travel and disrupting our oceanic settings, and some of these are just plain old mean and angry beasts who take joy from eating helpless citizens and hapless police officers.
“Cloverfield” and a mysterious giant monster wreaks pure bloody havoc on New York City soon, and we thought that it was the right time to invite some contemporaries over in hopes that JJ Abrams’ monster ends up as horrifying as these fine individuals. Lock up your children, call the army, and ready your tanks, these baddies are on the prowl!
King Kong (2005)
Peter Jackson takes “King Kong” a timeless classic from 1933 and remakes it bigger, larger, and louder. And he’s very faithful to the original story (98 percent). Jackson goes back to the roots of the story, and what made it so damn good, and brings it to modern audiences. Though nothing can ever top the original film, and all of its novelty, Jackson’s remake is pretty damn good. What always intrigued me about the Kong story, is that Ann Darrow, whether she knew it or not, was the beginning of the end of King Kong. In the climax, as he falls from the Empire State Building, you have to wonder that perhaps he was better off being alone. As with all noir the female is always the end for the male.