Riddle me this: Do you love movies about child molestation, child rape, animal cruelty, drug abuse, pedophilia, homophobia, alcohol abuse, and bulimia all of which is played for wacky comedy, sight gags, and relentless running gags? Well then strap in for “I Love You, Beth Cooper” a movie that actually turns a character with an eating disorder in to a pun where the camera man zooms in to her stick thin waist as if to draw some form of giggles from a crippling potentially deadly psychological disorder. I couldn’t believe the editor tried to use this as something of a joke and treat it with such a tongue in cheek manner. Do you think I’m being a kill joy? Well then you probably haven’t seen this mean spirited utterly cruel romance comedy that is probably one of the creepiest teen misadventures I’ve ever seen.
Tag Archives: Road Trip
Sex Drive (2008)
That’s the thing I love about teen sex comedies, the sheer fantasy element where in the main character’s environment is filled with busty, skinny, hot girls in every single place imaginable. I mean they practically live in the Amazon for Christ sake. This is a world where even the frumpy best friend who secretly likes our protagonist is very good looking in spite of the makeup artists best efforts to make them look very plain and unattractive (it doesn’t work, Amanda Crews is mind blowing). You never see seventy year olds or obese women walking the halls of the mall our hero Ian works in, so naturally “Sex Drive” was a fun little comedy to sit through, because it honestly doesn’t try to be anything more than a high energy time waster.
Harold & Kumar Escape from Guantanamo Bay (2008)
The original “Harold and Kumar” became one of my favorite comedies of all time after an attempt at giving it a fair chance while on cable television one night. Since then it’s been a constant favorite, and on a replay whenever boredom strikes. Even though it was a prime example of product placement, the stoner classic is utterly hilarious and serves as a testament to the talents of John Cho and Kal Penn. “Guantamo Bay,” though, inadvertently serves as an argument against sequels to any and all films. If some director had attempted to mimic the success of “Harold and Kumar” with less comedic punch, and much more forced social overtones, “Guantanamo Bay” would be pointed at, almost immediately. Because frankly, the only thing offensive about this sequel is that every race joke is horribly unfunny, while so blatantly setting up part three, that it’s almost insulting.
Superbad (2007)
More of the same buddy comedies running rampant in theaters, “Superbad” is less a comedy about teens trying to get some, and more a story about coming of age and realizing that with age means shedding childish things and sadly having to part with some of your best friends who will likely disconnect from you once life comes into play. Rogen’s comedy is very much in the tradition of great films like “American Graffiti,” and “Dazed and Confused,” in which we follow one night in the lives of three soon to be college freshmen enjoying antics and hilarity in their town as they prepare to part ways. “Superbad” is hysterical, but it’s also touching in its own ways, accurately depicting friendship at such a young age.
29 Reasons to Run (2006)
I’m sick of road trip flicks, I’m sick of coming of age flicks, and with all due respect to our indie audience, I’m sick of movies about relationships with narration. “29 Reasons to Run,” however, completely made me re-think that thought process. I shouldn’t write off the road trip flick just yet. That would be unfair. Weeks’ and O’ Steen’s ambitious film raises the argument for the road trip flick and restores hope that there’s still a lot more to be done with the sub-genre. In some moments it can resemble an ABC drama, but I don’t hold that against it. “29 Reasons to Run” is about two men facing a dead end in their life, and decide they have to travel the road, which may be great for a novel “Sideways”?
The World's Fastest Indian (2005)
Every now and then, every so often, you just have to watch a film that makes you smile and makes you happy. “The World’s Fastest Indian” is the surefire antidote for depression or cynicism. Anderson’s film, in the spirit of coming of age stories like “Harry and Tonto” and “The Straight Story”, evolves from a story of friendship, then of a small town, then of an old man refusing to lay down and die, to a road flick, and then to an underdog sports film. And it’s just such a treat to watch everything unfold with Burt Munro played with such genuine charm by Hopkins.
Harold & Kumar Go to White Castle (2004)
I rarely, and I mean rarely ever give modern comedies glowing reviews, because most of the time, comedies really suck, they suck like Paris Hilton on prom night, and then I saw “Harold & Kumar”. I’ll admit, I expected this to be really bad, I was dreading watching this, and I just expected it to be as bad as “Dude, Where’s My Car?”, but when I was finished with this movie, I didn’t hate it. As a matter of fact, I loved it. You may not know it by the trailers but this is a rather intelligent comedy, and as much as it tries not to be, it’s an original comedy. Harold and Kumar are a lot like Beavis and Butthead, except smart, like Cheech and Chong sans the hippy lingo, and our two spotlight characters are stoners who happen to be rather intelligent educated people who really just smoke pot to relax after the pressures of life take hold.