So this “Astroboy” may not be the most loyal and faithful adaptation to its source material, but that doesn’t automatically make it bad. Deep down it has an undertone of sadness and tragedy with some thoughts about afterlife and the meaning of life that we all ponder. Sure, the target audience for “Astroboy” won’t even understand or care about where writers Tim Harris and David Bowers take the story, but at least “Astroboy” seems to try to have something for everyone. I vaguely recall watching “Astroboy” as a kid but I loved the direction David Bowers took the animated movie where Astroboy becomes a hero who just refuses to adhere to the norms of the robot world, especially when pushed in to a corner. As a robot he’s expected to act like a clunky stupid machine, and when he finds that he garners an attachment and new sense of purpose with both man and machine, he decides that he just can’t harm anyone who isn’t posing a danger to the world.
Tag Archives: Romance
Firestarter 2: Rekindled (2002)
In the start of the first decade of the millennium, television networks across the country were mining once popular properties to transform in to television series. TNT sought out “Salem’s Lot” for a series and failed. NBC sought out “Carrie” for a new series and it never blossomed in to anything, and the Scifi Channel in America provided an unofficial sequel to Drew Barrymore’s film “Firestarter” which was basically a two and a half hour television mini-series that they presumed would become a television series. And it never progressed. Which is a shame, because while “Firestarter 2” is no masterpiece much like the first, it had potential to be cult fodder, what with storylines it props up, villains it introduces and the like. I fondly remember seeing “Rekindled” when it originally appeared on television and I found it to be fairly entertaining. Nine years later, it’s still rather entertaining.
Endhiran/The Robot (2010)
In its homeland it’s a blockbuster film and one that took years to develop to inevitably become “The Robot” or “Enhiran.” It’s garnered some rave reviews from Bollywood critics and has even scored something of a fanbase. But “The Robot” hasn’t caught on until a few years subsequent its initial release due to the internet’s capability of bringing to attention a movie very few have been aware of. Thanks to one person’s capturing of “Endhiran’s” most dazzling and over the top action sequence, this is a science fiction Bollywood film many have sought after its sensation as a web clip.
Two-Faced Woman (1941)
Following up “Ninotchka” is something of a task, especially since Ernest Lubitch’s cinematic masterpiece went on to immortality. For Melvyn Douglas and Greta Garbo, “The Two Faced Woman” is a disappointing follow-up but I’m shocked it was so poorly received by literally everyone during its initial release. “The Two-Faced Woman” is reportedly the film that ended Greta Garbo’s career when she quit show business after the poor reviews during the film’s run destroyed her enthusiasm for acting. As for George Cukor’s film itself, “The Two Faced Woman” is not the disaster I expected, but it’s certainly no masterpiece.
She's Crushed (2009)
Director Patrick Johnson’s horror thriller wants to be an amalgam of “Fatal Attraction” and Takashi Miike’s “Audition,” and while both ambitions are admirable, neither of those classics rise to the surface to add entertainment value to “She’s Crushed.” While Natalie Dickinson is infinitely sexier than Glenn Close, “She’s Crushed” is never quite sure what to do with itself nor is it clear which character we’re supposed to be following. At times we’re told the entire ordeal is Ray’s where he’s forced to deal with alcoholism and memories of his days serving in the military, all the while coping with a new neighbor who gets the idea Patrick may be in love with her after a torrid one night stand. Apparently Ray didn’t receive the all too important memo that women can get that impression.
Easy A (2010)
Hi there, this is me. Felix Vasquez. In the minority. Again. It’s a comfortable place, I’ve built an ass groove, and everything. Anyway. “Easy A” is one of the most smug movies of 2010, and when I mean smug, I mean every single inch of dialogue is so intent on being clever and some sort of bon mot, that there’s simply no humanity to the story. For a movie that purports to be a comedy, it is so focused on being funny, it fails to be remotely humorous, and every character spouts at least four or five one-liners in succession, moving along a story that is supposed to be as in vogue and hip as a normal MTV show. Continue reading
Going the Distance (2010) [DVD/Blu-Ray Combo]
Much like Drew Barrymore, “Going the Distance” is so intent on being cutesy and bubbly that it’s nauseating, and what contributes to Nanette Burstein’s romance comedy being utterly insufferable is its insistence on being two types of movies. It wants so hard to be thought of as a sleazy comedy with incessant and tedious improvisations from every single actor who gets more than a minute on-screen. It also wants to be a cutesy chick flick about a lovely geeky guy and an ambitious young girl who try to keep their romance sweltering over a long distance. And none of it works. Were it not for writer Geoff LaTulippe’s insistence on attempting to please both audiences and entertaining neither.

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