“The Mother” is another one of those many profound films about reaching the peak of your life and suddenly having nothing to look forward to. The two characters we see at the beginning, May and Toots are a couple who basically are not really sure what to do with themselves. We’re not told, nor is it spelled out for us, but the first ten minutes we see them, it’s pretty clear. And it becomes sadly clear that life has pretty much moved on without them, especially their children who greet them with less than emotional sentiment when they pay them a visit which Toots is against. “The Mother” breaks free from the formula of what I mentioned, but is still in the tradition of great films like “Harry and Tonto.” It’s pretty clear they’ve lost their place in their own family, but when May’s husband suddenly dies from a very expected heart attack, suddenly she finds she all on her own.
What I really liked about this movie is it managed to take a clever satirical horror film with a twist and add some lore and depth to it. Whether or not “Ginger Snaps” needed to progress beyond the first movie is open for argument, but this film does manage to add some creative and some times engrossing lore to the whole “ginger snaps” story with a similar tale being told in the past century, and it kept me interested the whole way through until the dynamite conclusion. Two sisters traveling abroad the Canadian country side, Ginger and Bridgette, travel through the forest horseback and get lost. When Bridgette accidentally gets caught in a bear trap, Ginger goes to look for help but they’re discovered by a Native American hunter and taken to a local fortress where they’re taken in by a group of soldiers awaiting orders and supplies.