I’m a sucker for rebellious non-traditional older hot chicks. Star Asia Argento has appeal both as a heroine and as a tragic figure in this film, B. Monkey, a jewel thief who can get in anywhere, and she’s a fascinating character. She’s like a wildcat who domesticates herself because she declares that she doesn’t like the life of a criminal anymore, and she goes whole hog once she decides to go straight, but much like any situation, it’s hard to tame a wild animal. Argento manages to convey both the hardcore lust for life criminal, and the tragic vulnerable woman whose just anxious to find a way out of her previous life, and the story shows that no matter what, some people just can’t change themselves and their nature no matter how hard they try to. Asia presents the unbridled rage and laissez faire attitude needed for the character and she’s very believable… and did I mention hot?
Tag Archives: Romance
The Mother (2003)
“The Mother” is another one of those many profound films about reaching the peak of your life and suddenly having nothing to look forward to. The two characters we see at the beginning, May and Toots are a couple who basically are not really sure what to do with themselves. We’re not told, nor is it spelled out for us, but the first ten minutes we see them, it’s pretty clear. And it becomes sadly clear that life has pretty much moved on without them, especially their children who greet them with less than emotional sentiment when they pay them a visit which Toots is against. “The Mother” breaks free from the formula of what I mentioned, but is still in the tradition of great films like “Harry and Tonto.” It’s pretty clear they’ve lost their place in their own family, but when May’s husband suddenly dies from a very expected heart attack, suddenly she finds she all on her own.
A Cinderella Story (2004)
While it calls itself a variation of “Cinderella”, it’s really just yet another of the million versions of “Pretty in Pink”, because If I don’t recall Cinderella wasn’t as dumb as a brick, and Prince Charming wasn’t old enough to be her uncle. But when you get down to it and cut through all the bullshit, this is another of Duff’s tepid vehicles with the score comprised totally of her “music”, along with a main character that deifies her as someone she isn’t. I don’t understand what her appeal is except to assume that she’s getting roles for being blonde, white, and pretty.
In Good Company (2004)
“In Good Company” is a great comedy drama that is both a study of life, and relationships. Director Paul Weitz manages to create a bittersweet portrait of Dan Foreman, a salesman for magazine ads who basically has his life under control, but when a company conglomerate buys out Dan’s magazine, he finds himself extremely humbled and wounded when he discovers his boss is a man named Carter, who is more than twenty years his junior. Now he has to adjust against his own will and better judgment, but the film becomes more esoteric under Weitz’ direction in which the modern villain, the big corporation, only becomes a microcosm for the recurring and strong theme of change, and approaching change with immense uncertainty. Even as Dan’s wife is about to bear a child. That is the strong connection every character bears during the story, as Weitz succeeds in tackling what life is all about: doubt, and worry, even in the climax.
The Girl Next Door (2004)
I actually liked this movie. It won’t win awards, and I will not spend any money on it, but for a good time I suggest you check this out. If you’re a guy. Usually the casting of a hot girl to distract me never works, but here, looking at Elisha Cuthbert, I just couldn’t help but dismiss the flaws. And there were plenty of flaws. Elisha Cuthbert is really hot. She has this amazing face and unbelievable body, she’s just not human, and that was the saving grace for me with this movie. Watching her parade herself back and forth was amazing and she won me over completely. And then there’s Timothy Olyphant who plays sleazy porno director Kelly, who proves to be quite an obstacle and nemesis for Hirsch’s character. Olyphant is entertainingly over the top in this film, with all the usual clichés with spiky hair, a menacing grim, and sleaze galore.
Envy (2004)
Here’s my pitch for a product: A spray that causes really bad movies to vaporize into air. The first victim I’d choose for the spray would be “Envy”. This is a heaping helping pile of excrement. “Envy” is purely and utterly awful and I just don’t know where a plot with such potential, and a cast of great actors could have possibly taken a turn for the worst. Now, if I’m not mistaken, this is a comedy… isn’t it? Or at least it was supposed to be. Well there were Jack Black, Ben Stiller, and Amy Poehler, and yet I didn’t laugh once.
Eternal Sunshine of the Spotless Mind (2004)
If you could wipe a tragic event from your life completely from your memory, would you? If you could wipe clean a tragic, abusive, or damaging relationship with someone clean from your mind, would you? If you, I, anyone had the chance, would we? I know I would, but the tragic picture painted here by the talented Michel Gondry and Charlie Kaufman. While I just did not like the duo’s previous outing and my first introduction in to their abilities “Human Nature”, I did manage to find a lot to like in films like “Adaptation.,” and “Being John Malkovich.” Regardless, “Eternal Sunshine” might seem like a high concept confusing movie for the casual movie-goer who doesn’t want to think, but open your mind and watch this heartbreaking, often sad, and very surreal love story that will surely manage to play on many viewer’s vulnerabilities.