Disclosure Day again proves Steven Spielberg’s film mastery as a weather reporter and a programmer race from a shadow agency to deliver truths to the world.
A furniture salesman and a psychologist find themselves trapped in a never-ending labyrinth of danger and discomfort. Backrooms, Kane Parsons’ 2026 film, works best when it focuses on the horror and oddity, but falters when it tries to give it a story.
Mrs. Brisby, a field mouse with a family in need, faces friend and foe alike in her quest to relocate her loved ones before an inevitable tragedy strikes.
Three boosters find themselves in the middle of an anti-capitalist sci-fi caper in Boots Riley’s hilarious, raucous, and over-the-top satire, I Love Boosters. Presented as the opening selection at the Seattle International Film Festival, it now enters wide release on May 22nd.
A bounty hunter and his young apprentice search for an Imperial warlord and become embroiled in Hutt schemes in Star Wars: The Mandalorian and Grogu, Jon Favreau’s very fun but flawed big-screen version of the hit Disney+ show.
On a day off from his duties, a dissaffected suburban dad connects with a skater kid who reminds him of his lost youth in Zach Weintraub’s Assets & Liabilities; presented as part of the Seattle International Film Festival 2026, along with the short film The Last Cinnamon Roll.
A woman has to deal with repercussions and changes after she exits a ten-year time loop in the powerfully understated and performed Again Again. Directed by writer/star Mia Moore & Heather Ballish, it has its world premiere at the 52nd Seattle International Film Festival.