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Every Bugs Bunny Ever: The Fair-Haired Hare (1951)

The Fair-Haired Hare (1951)
Directed by Friz Freleng
Story by Warren Foster
Animation by Ken Champin, Virgil Ross, Arthur Davis, Manuel Perez, John Carey
Music by Carl Stalling

When Yosemite Sam builds a cabin on top of Bugs Bunny’s hole-in-the-ground domicile, Bugs vows to sue Sam for damages. A judge rules that Bugs and Sam must share the newly constructed residence, with the knowledge that full ownership goes to the survivor if one of them should pass away. Sam opts to speed Bugs’ demise, but his homicidal schemes inevitably backfire. Furious at being outsmarted, he opts to fill Bugs’ subterranean home with explosives, but Bugs redirects the devices to the crawl space between the cabin’s floor and the bare ground. Sam winds up blowing his home into the clouds while declaring, “Well, whaddya know, I’ve got a cabin in the sky!”
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Every Bugs Bunny Ever: Bunny Hugged (1951)

Bunny Hugged (1951)
Directed by Chuck Jones
Story by Michael Maltese
Animation by Phil Monroe, Ken Harris, Lloyd Vaughan, Ben Washam
Music by Carl Stalling

During the early 1950s, professional wrestling enjoyed a flurry of popularity thanks to television. The Termite Terrace gang took advantage of this new wave of attention by dusting off the 1948 boxing cartoon “Rabbit Punch” and reimagining the action in a wrestling ring – with the musclebound pugilist Battling McGook brought back under the name Crusher.
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Every Bugs Bunny Ever: Rabbit Every Monday (1951)

Rabbit Every Monday (1951)
Directed by Friz Freleng
Animation by Manuel Perez, Ken Champin. Virgil Ross, Art Davis
Music by Carl Stalling

“Rabbit Every Monday” casts Yosemite Sam in the hunter role usually occupied by Elmer Fudd, and Sam’s distinctive mix of bellicosity and idiocy expanded the possibilities for wildly original comedy.
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Every Bugs Bunny Ever: Hare We Go (1951)

Hare We Go (1951)
Directed by Robert McKimson
Story by Warren Foster
Animation by Phil DeLara, Charles McKimson, John Carey, Rod Scribner, J.C. Melendez
Music by Carl Stalling

One of the weaker entries in the Bugs Bunny series, Robert McKimson’s “Hare We Go” opens in the court of King Ferdinand and Queen Isabella, where Christopher Columbus is trying in vain to convince the monarchs that the world is round. “It’s-a round like-a my head,” the blonde Columbus declares in his Chico Marx-worthy Italian accent – to which the king bangs his noggin with a mallet, leaving it horizontal while declaring “It’s flat like you’re head!” in the Mexican accent that Mel Blanc used on Jack Benny’s show.
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Every Bugs Bunny Ever: Bushy Hare (1950)

Bushy Hare (1950)
Directed by Robert McKimson
Written by Warren Foster
Animation by Phil De Lara, J.C. Melendez, Charles McKimson, Rod Scribner
Music by Carl Stalling

On several occasions, the Warner Bros. animators placed Bugs Bunny up against one-shot foes designed to plumb humor from politically incorrect stereotypes. In “Bushy Hare,” the antagonist is supposed to be an Aboriginal Australian. However, the Termite Terrace gang obviously knew nothing about Aboriginal Australians and instead created an all-purpose (albeit light tan skinned) wild man in a red loincloth who sports bushy hair and a beard and throws a boomerang and a spear while screaming unintelligibly. No one in America seemed to mind or notice any problems until June 2001 when Cartoon Network pulled it from its “June Bugs” marathon along with other shorts featuring racial and ethnic stereotype characters.
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Tiny Toon Adventures (1990)

Tiny Toon Adventures (1990)

Back in the eighties and nineties, many companies sought out to “youthify” their most popular properties and, presumably for the same reason, Warner Bros. gave their Looney Tunes brand a fresh new series… which made no sense considering one of the best shows on the ABC Saturday Morning Line Up for years was The Bugs Bunny & Tweety Show. That said, rather than featuring just younger versions of the Looney Tunes the creators of Tiny Toon Adventures opted instead to present us with a line up of brand new, hip, “extreme” versions of the original characters.

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Bugs’ Nemesis Daffy: Daffy Duck’s Five Best Shorts

Yankee Doodle Daffy (1943)
One of my favorites as a child, this Daffy short was featured on a VHS compilation I watched often. This is, yet again, Daffy tormenting Porky Pig; Porky is a show business agent who goes on vacation and Daffy storms his house with his client Sleepy Lagoon, desperate to convince him to represent him. Despite Porky’s protests about not working, Daffy makes it painfully clear he’s not taking no for an answer. He soon begins chasing him around, stalking him, and even engaging him in a hilarious Carmen Miranda impression. With all the antics, the short ends on a high note with Sleepy fumbling his big solo for Porky. It’s a hilarious high note to end on. 
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