After a friend’s frantic call, Krishnan returns to his childhood and teenage years’ village to find his friend and what happened to him. Through a series of flashbacks, their lives are shown through school age, teen years, early adulthood, etc. With a script written by P. Balachandran with collaborative writing by Ajithkumar and G. Sethunath and directed by Rajeev Ravi, the film weaves back and forth through time showing more and more of lead Krishnan’s live as well as his friends and love’s lives. The way the years are mixed together with different actors for only a section of them requires one to pay attention to film as only details such as more white hair show the time passing. Even with this, the film is fairly easy to follow until the search for Ganga really heats up and more characters are added.
Author Archives: Emilie Black
Miruthan (2016) [Ithaca Fantastik 2016]
In the small town of Ooty, India, a toxic spill transforms people into blood-thirsty, fast running, wire-stunt performing zombies. Director Shakti Soundar Rajan takes a fairly typical zombie story, mixes in an unrequited love story, a dash of political observation, a Bollywood musical number, wire-stunts, and a good sense of humor about the whole thing to create a zombie film that doesn’t feel like it’s just hitting the tropes and its marks mechanically, it’s fast paced and fun while adding a special touch to its subject. The idea of mixing Bollywood style film with zombies might not seem like an obvious choice but here it works of course, the humor being quite on point adds to this and to the enjoyment overall.
Fetish Factory (2017)
In a private burlesque parlor in Hollywood, performers and VIP clients face off with a zombie attack. Directed by Staci Layne Wilson from her own screenplay based on a story by Lony Ruhmann, Fetish Factory mixes burlesque dances and performers with end of the world and zombie tropes for a fun result. Staci Layne Wilson takes the zombies sub-genre that is all over the place lately and focuses it by bringing her personal touch to it and adding a varied group of beauties to fight them off. Granted, this in and of itself is nothing new (we’ve seen hotties and strippers fight zombies before) but her usage of actual burlesque performers and actresses adds to this in a way that changes from the usual boobs and blood route these films take.
Evil Games (Scherzo Diabolico) (2015)
A man who receives very little acknowledgement for his hard work decides to get things to change by kidnapping a young woman and holding her captive until he sees results to his plans. Unbeknownst to him, things are about to take an unexpected turn or two. Evil Games is written and directed by the mind behind 2016’s White Coffin, Adrian Garcia Bogliano. Here he builds another kidnapping story but with much different characters and reasoning. In Evil Games, the story is seen from the kidnapper’s side as he takes the time to build his story, his background, and his reason for doing this before getting to the kidnapping itself.
A First Edition with a Lot of Potential [Philadelphia Unnamed Film Festival 2016]
This year’s edition of Philadelphia Unnamed Film Festival was their first and from the online reactions to it, it should be back next year bigger and better.
As this is one of the festivals Cinema Crazed could not attend, I managed to snag some coverage anyway (yeah!).
Without further ado, here are the links to the 5 features I was lucky enough to be able to see.
Movies, Camp Fire Stories, Dance, and… Grease? [Horrible Imaginings Film Festival 2016]
This year’s edition of Horrible Imaginings Film Festival saw the festival grow from 3 days to 5 days and include more features, documentaries, shorts, live literature readings (as well as a dance showcase). The fest does not feature a gallery anymore, but it has been about more than films since its inception. This year’s highlights were some truly great short films and the campfire story readings with David Agranoff, Laura Lee Bahr, John Skipp, and Cody Goodfellow amongst others.
Last Girl Standing (2015)
In writer/director Benjamin R. Moody’s film, the lead character is one hell of a fighter, but her trauma may be having the best of her as she sees signs of her attacker throughout her life and can’t quite let go. Camryn, the only survivor of a massacre in the woods is trying to live with PTSD and survivor’s guilt. As she is taken in by a new group of friends, the killer from her past may be haunting her. The lead character he creates here is a strong young woman but she does not have much of a back story outside of being the only survivor from a massacre during a camping trip to the woods. The other characters, her new friend and potential love interest Nick and his roommates have more set up than she does almost. They are presented and explained quickly but it gives them connections and personalities.