After her mother disappears, a young girl joins a group of street kids trying to survive in a world of violence, drugs, and gangs. Through stories and fairytales, they keep each other going.
Category Archives: Movie Reviews
Snowflake (Schneeflöckchen ) (2017) [Ithaca Fantastik Film Festival 2017]
Tan and Javid are outlaws looking for the people responsible for their parents’ death. As their search gets weird, they realize they are part of a script written by a dentist in his spare time.
Batman vs. Two Face (2017) [Blu-Ray/DVD/Digital]
I was not at all a fan of the original “Batman” animated movie, as I felt it was somewhat unfocused. Thankfully “Batman vs. Two Face” not only gets the idea more about the Batman series, but uses Two Face quite cleverly. As most fans know, the original Adam West Batman show wanted Clint Eastwood to play Two Face, but deemed the character too disturbing for viewers. Producers for this animated movie go back to re-cast Two Face for their show, but bring aboard another television icon to play the villain, William Shatner. Shatner is perfect for the role of the duplicitous deviant ne’er dowell known as Two Face, and what makes the pot even sweeter is that he’s turned in to an allegory for homosexuality.
I Love You, Daddy (2017)
If anything of value emerged from the career-killing isolation imposed on Louis C.K., it is the good fortune of saving audiences from having to pay to witness his horrendous feature “I Love You Daddy,” which was yanked out of circulation by its distributor as news of the non-funnyman’s sexual peccadilloes came to light.
Mr. Fish: Cartooning from the Deep End (2017) [Doc NYC 2017]
The life of cartoonist Mr. Fish has seen through his eyes and those of his loved ones, co-workers, and a few other people.
From director Pablo Bryant, this documentary mixes interviews with a lot of visual material, giving a good idea of who Mr. Fish is, how he thinks, and how he creates. The film covers his life from childhood until now and shows not only how he works but also his home life which has an influence on his work and vice versa. This is done in a way that gives a good, unobstructed view of things and lets the viewer make their own mind as to if Mr. Fish is doing things right or not. Of course, the film does come at the subject from a specific angle and has its own agenda, but that does not keep it from having an openness about its subject.
The Philadelphia Story (1940): Criterion Collection [Blu-Ray]
George Cukor’s “The Philadelphia Story” isn’t just a masterful romance comedy, but it’s also an important piece of filmmaking that marked important turning points in the lives of its stars. In particular there was Katharine Hepburn who, believe it or not, was considered “Box Office Poison” by critics after a series of cinematic flops. Once “The Philadelphia Story” proved her brilliance as an actress, her career only went up. “The Philadelphia Story” is one of the least cloying romance comedies I’ve ever seen, as it’s one wrapped up in genuine human emotion and spite that tends to be shockingly entertaining. The fact that the film is models itself after the hit play never hinders the production, allowing “The Philadelphia Story” to feel very lively and energetic.
Daguerrotype (Le secret de la chamber noire) (2017)
In a French mansion, a photographer is obsessed with reproducing long lost photos taken with the daguerreotype technique of yore. When he hires a young assistant for his project, things get complicated.
Written by Kiyoshi Kurosawa, Catherine Paille, and Eléonore Mahmoudian and directed by Kurosawa, Daguerrotype is a very slow burn of a film that feels more like a drama than anything else. This being said, there are a few elements that will be surprising if the viewer goes into it completely blind and thus will not be spoiled here. Having the genre pre-established as anything other than drama will lead into guessing a few of these. Given the director and his resume, this aspect can be easily guessed. Here he works in a manner where the characters are given plenty of time to develop themselves and their arcs while the story builds around them. The writing and directing of the film feel like a proper mix of French and Japanese cinema in a way that is hard to explain but works wonderfully well here.