Author Anne Rice has been accused of feminizing the vampire creature for a very long time. While Bram Stoker was one of the first authors to take a fear creature of its period and turn it in to an individual with feeling and romantic urges, Anne Rice gets the brunt of the blame for taking a horrifying creature and transforming it in to a romance novel element. I can safely say I’ve never read a single Rice novel, but I am always surprised when I find that “Interview with the Vampire” is an entertaining film. It’s probably the most erotic mainstream film of all time. It’s a glorified Jean Rollin vampire film that places sexual emphasis on blood sucking and vampirism that Jess Franco or Jean Rollin would have offered fans in the early seventies.
Category Archives: Movie Reviews
Vampire on Bikini Beach (1988)
Michael Headley: Dude this will be our big break!
Todd Kaufman: How do you figure?
Michael: Everyone loves vampire movies right now, so we could make our own!
Todd: Genius, dude!
Michael: But while the audience is watching the horror movie, we can perform some songs during the movie.
Todd: Geniuser, dude!
Michael: I mean they have to watch us perform, what else are they going to do? Press the forward button?
Dark Shadows (2012)
Were people actually clamoring for a big screen adaptation of a soapy daytime horror melodrama from the fifties that only hardcore horror fans know? Did we really have to have a big screen adaptation of a Gothic soap opera? It’s no wonder director Tim Burton approaches the adaptation of “Dark Shadows” with a tongue in cheek often derisive attitude. The show is obscure among the broader audiences, and even when he fine tunes the film with goofy humor and testicle jokes, it’s still so niche that not even hardcore Burton apologists will enjoy what he has to offer. Like most recent Burton productions, “Dark Shadow” is gaudy, busy, and feels like Burton going through the motions without an inch of heart injected in to the narrative.
Stephen King’s It (1990)
Stephen King creates the ultimate boogeyman and he is neither man nor monster, despite the visage of a clown called Pennywise. “Stephen King’s It” is filled with the usual King doldrums of a small town with hidden demons, and at least one character that wants to be an author. That said director Tommy Lee Wallace’s adaptation is a great horror film, and a perfectly good bit of nostalgia. “It” gets a lot of flack for deviating from the original novel, but considering it is a television movie, director Wallace does a bang up job. “It” for being only TV movie packs a ton of iconic horror moments, as well as an Oscar caliber performance by Tim Curry.
Salem’s Lot (1979)
“Salem’s Lot” presents a very humanistic approach toward vampire folklore. Ben Mears, filled with desperation and literally nothing left to lose in the face of a fantastic situation, finds himself in a local morgue prepared to face down one of the unholy walking dead by taping together two tongue depressors and scotch tape, supplying a makeshift crucifix. This little device ultimately aids him in the battle with a horrific vampire who slowly rises from her sheet in all her terrifying glory. It about sums up the whole of “Salem’s Lot,” a film wrapped around despair and tension where a small town’s unrest and inner turmoil of infidelity and abuse is brought to the surface when faced with a hidden menace in the shadows, in the form of a vampire striking down town residents one by one.
Child’s Play (1988)
You would think a horror movie about a killer doll would age after so many years. And you’d be correct. “Child’s Play” while not the worst movie ever made, certainly has lost much of its impact since its initial release. It’s not a horrifying movie by any means, but it’s not the worst of the killer doll sub-genre I’ve ever seen. Chucky may not be the Zuni Fetish Doll from “Trilogy of Terror” but he’s a charming horror character you love to hate.
Silver Bullet (1985)
What Stephen King’s adaptation of “Cycle of the Werewolf” has going for it, beyond everything else, is heart. In many ways, “Silver Bullet” is a multi-faceted horror film that can appeal to fans of family dramas and murder mysteries. “Silver Bullet” is a tension soaked eighties horror film that demonstrates rich characterization and complex feelings with a villain who isn’t completely black and white when all is said and done. Even the worst afflictions can rot anyone who means well enough, and “Silver Bullet” shines a light on two characters with afflictions they can not battle who have potential to rot from the inside out. One individual has embraced the darkness, and the other insists on seeing the bright side of everything, even in the face of pain, misery, and pure evil staring him right in the face.







