Artist and Mother of Nonesuches, Tristan Risk:
Prolific Actress Jordan Hundley Interview [Women in Horror Month 2025]
The Bootleg Files: Sticks and Bones
BOOTLEG FILES 900: “Sticks and Bones” (1973 television film directed by Robert Downey Sr.).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: It is a complicated story.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.
This article represents the 900th entry in The Bootleg Files column celebrating films and television productions that can only be appreciated in either unauthorized presentations or in problematic public domain dupes. For those who are not familiar with this column’s history, it began on Film Threat in 2003 and appeared there on Fridays through 2015, when the site went offline. Although it was one of Film Threat’s most popular features, it was not invited back when Film Threat resumed publishing in 2017. Thankfully, Felix Vasquez Jr. – who was a colleague of mine on Film Threat – invited me to resume The Bootleg Files here on Cinema Crazed. And while the column has received some nasty comments – which is to be expected from any Internet publishing effort – it has received far more appreciative input from readers during these past 22 years. For those who turn up every Friday to read this column, I offer my deepest appreciation for your support and friendship.
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Owner of HorrorFuel Kelli Marchman McNeely Interview [Women in Horror Month 2025]
Horror Maven Hope Madden Interview [Women in Horror Month 2025]
Every Bugs Bunny Ever: Bully for Bugs (1953)
Bully for Bugs (1953)
Directed by Charles M. Jones
Story by Michael Maltese
Animation by Ben Washam, Lloyd Vaughan, Ken Harris
Music by Carl Stalling
According to Chuck Jones, “Bully for Bugs” came about because of an unexpected declaration made by producer Edward Selzer didn’t want any films related to bullfighting because he felt that bullfights aren’t funny. If Selzer was commenting on comedy films with a bullfighting theme, he was most correct – those films relied heavily on stock footage, trick editing, the obvious use of stunt doubles and connect-the-dots comedy with the funnymen supposedly being chased around a bullring.
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