Ada (2019)

Now Available for Rent or Purchase.

Released in time for International Women’s Month, Steven Kammerer’s “Ada” is a wonderful and beautifully acted tale of one of the world’s unsung heroes. Kammerer uses his short format to tell the tale of Ada Lovelace, a well beyond her time genius who envisioned the plans for the first ever computer program in the 1840’s. Her notes were later discovered by Alan Turing used as inspiration for the very first computer.

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The First Omen (2024)

It’s been a very long time since we’ve seen a return to Richard Donner’s original supernatural series. The original “The Omen,” which was a response to the fame of “The Exorcist” has managed to live on as a horror gem in the ilk of “The Exorcist.” It’s ripe with storytelling potential and shockingly, “The First Omen” takes us back in to this world with near perfect success. If you had told me that “The First Omen” would be a weird, creepy, and memorable horror prequel a year ago, I’d have been as skeptical as ever. I doubted that “The Omen” really had anywhere left, especially after the painfully underrated “The Awakening” in 1991.

But Arkasha Stevenson’s debut is a brutally suspenseful unfolding of the origins of not just Damien, but the plot to conceive of the antichrist.

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Bloodshot (2020)

Dave Wilson’s movie feels like one of those comic book movies made in 2003 when studios made comic book movies but were embarrassed to admit it. So they’d make their movies without giving us what the fans wanted hence a “Punisher” movie without his signature skull shirt. With “Bloodshot” what we’re getting a movie based on the somewhat obscure nineties comic, but a lot of the changes are obviously made from Sony and Vin Diesel to side step the fact he’s in a comic book movie. He looks very little like Bloodshot, doesn’t often don his signature red chest spot, and isn’t even referred to as Bloodshot.

But he’s Bloodshot! Don’t worry, all five people that loved the Valiant comics universe*!

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Giantess Attack vs. Mecha-Fembot! (2022)

I would have loved to be a fly on the wall during the pitch meeting for “Giantess Attack vs. Mecha-Fembot!” I imagine that it involved hastily written cocktail napkins stapled together as a script, some cheap martinis, a randomizer that picked names of various porn stars out of some huge list Full Moon has stored in a database. For all intents and purposes, they manage to squeeze by barely on an hour long movie that really isn’t a movie. It’s a movie in the traditional sense, but the whole idea of giant women fighting is a framework for a lot of comedy skits.

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