Streaming Sundays: ‘Interview With The Vampire’ Is One Of The Best Retellings Of A Classic Tale

AMC+ released their new television adaptation of Interview with the Vampire, and it is a worthy addition to Anne Rice’s Vampire Chronicles canon.

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The Bootleg Files: Hey, Nanny Nanny

BOOTLEG FILES 817: “Hey, Nanny Nanny” (1933 short starring Clark and McCullough).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Not likely.

Question: What is the funniest movie that you never saw? The answer could be “Hey, Nanny Nanny,” a 1933 short starring the comedy team of Bobby Clark and McCullough.
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BAD MOVIE MONDAY: TRUTH OR DARE? A CRITICAL MADNESS (1986)

TRUTH OR DARE? A CRITICAL MADNESS is a 1986 slasher film directed by Tim Ritter. Its first twenty minutes or so began as a segment in an anthology called “Twisted Illusion” released the year before. It is… not good. The plot holes are… huge. The acting is… a disaster. The direction… I can’t even tell you what the hell was going on there. What I’m trying to say is that this was very nearly the worst movie I have ever personally suggested for Bad Movie Monday, and I’ve suggested a lot of howlers. Which, of course, means it was the BEST movie I ever suggested. So prepare yourselves if you decide to ever watch this for yourselves. This was a hell of a ride.
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The Bootleg Files: All-Star Party for Lucille Ball

BOOTLEG FILES 816: “All-Star Party for Lucille Ball” (1984 television special with an extraordinary A-list line-up).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

When I was watching the 1984 television special “All-Star Party for Lucille Ball,” the same thought kept rotating through my mind: they don’t make them like this anymore. Not only is today’s televised entertainment so completely devoid of the level of star power that was gathered for this one-shot offering, but the feel-good quality and genuine sincerity that permeated the production offers a reminder that there was a time (not so long ago) when broadcast television was a genuinely friendly place to visit.
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