Every Bugs Bunny Ever: Slick Hare (1947)

Slick Hare (1947)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Virgil Ross

“Slick Hare” is one of the best Bugs Bunny shorts ever made. It’s also one of my all time favorites. It’s hilarious, it’s clever, it’s sharply written, and if you’re a fan of classic Hollywood, you’ll adore all the cameos from famous Hollywood heavyweights of the time. Hell, one of the icons of Hollywood, Humphrey Bogart, plays a large role in the short and helps set off the chain of events that involves Elmer Fudd trying to snatch Bugs and make him in to dinner.

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Nowhere Stream (2023) [Slamdance 2024]

Director Luis Grane’s short experimental animated film is a genuinely unnerving albeit creative narrative that revels in its randomness. As with most of these kinds of shorts, “Nowhere Stream” is an existentialist computer animated nightmare that ponders on life on the internet as opposed to life in reality.

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The Bootleg Files: The Woo Song

BOOTLEG FILES 852: “The Woo Song” (2024 music video by Corey Rieman the Dilemma Band incorporating Walt Disney’s “Steamboat Willie”).

LAST SEEN:
On multiple social media and online video sites.

AMERICAN HOME VIDEO: Not yet.

REASON FOR BOOTLEG STATUS: The underlying “Steamboat Willie” footage has been the subject of complicated copyright actions.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Some day, perhaps.

On New Year’s Day, Mickey Mouse was the center of attention because the copyright for the 1928 animated short “Steamboat Willie” finally expired and the groundbreaking film that helped usher synchronized sound into the world of cartoons was suddenly denuded of copyright protection. Less than two weeks after “Steamboat Willie” officially became a public domain work, footage from the film was incorporated into a bouncy music video for “The Woo Song” from the rockers Corey Rieman and the Dilemma Band.
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Moana (2016)

I dare say that not only is “Moana” a better film than “Frozen” but the music is better. I know that’ll leave many aghast since “Let It Go” is a massive earworm (I personally prefer “Love is an Open Door”), but I think “Moana” is so much more well rounded and catchy. Everything from “How Far I’ll Go” and “You’re Welcome” don’t just contribute to Disney’s legacy of catchy traditional music, but they also do their job of establishing characters so much better. I loved “Frozen,” but I think “Moana” has a more cohesive pacing and interesting narrative.

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Every Bugs Bunny Ever: Easter Yeggs (1947)

Easter Yeggs (1947)
Directed by Robert McKimson
Written by Warren Foster
Music by Carl W. Stalling
Animation by Charles McKimson

The 500th animated short released from Warner Bros., “Easter Yeggs” is so much funnier than I remember it being, as I always typically found it kind of obnoxious in the past. Recently it’s earned a place in the tops list mainly for the fact that it’s so chaotic, and delights in delivering so many funny gags. To make things more interesting, “Easter Yeggs” has three villains, all of whom are scheming to make Bugs’ life difficult, and it amounts to a hilarious challenge for the character. One of the earliest holiday themed shorts from Bugs, it’s only a drop in the bucket of a long line of Warner animated shorts that took myths, legends, and fairytales and distorted them for the sake of comedy and or chaos.

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The Bob’s Burgers Movie (2022)

What “Bob’s Burgers” has always excelled at is making us laugh while also making us well up with emotions. Loren Bouchard has a real challenge ahead of him developing his short form comedy series in to a feature film, and despite some tumbles narratively, it’s a success. The series has a knack for making me laugh and cry and Bouchard delivers on both fronts. Only this series can feature a hilarious gag of Linda trying to sell burgers in a bikini in one beat, and then revealing the origin of Louise’s rabbit ears in the next beat. Suffice to say I never expected the writers would ever give us a reason as to why Louise is so devoted to her rabbit ears, but the explanation left me on the verge of tears.

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FIAF Announces the Seventh Edition of “Animation First”

The French Institute Alliance Française announces the program for the seventh annual Animation First, the only U.S. festival dedicated to showcasing the legacy and innovation of Francophone animation. FIAF is thrilled to celebrate the seventh edition of its popular festival, which expands this year from a three-day to a six-day festival due to increased popularity, running from Tuesday, January 23 through Sunday, January 28.

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