Priscilla (2023)

After last year’s goofy “Elvis” failed to really bring us anything new about the actual man known as Elvis, it’s refreshing to see “Priscilla” come along a year later. Sofia Coppola’s biopic about Elvis’ iconic wife Priscilla is the absolute antithesis of a love story. It’s the anti-romance, and the unsensational depiction of Elvis and Priscilla and how their marriage and romance came out of a utilitarian circumstance more than a genuine love and passion. What may trouble fans of Elvis and Priscilla is that this is a movie that finally views Elvis in a new light. He was a man who was possessive, controlling, self-obsessed, and often times incredibly abusive.

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The Holdovers (2023)

The older I get the more and more I’ve grown to really appreciate Alexander Payne’s “Sideways.” His drama comedy about unfulfilled ambition, and arrested development is still a wonderful experience. “The Holdovers” is a character piece very much in the same vein, but while it might be a character piece it might also end up being one of the most unique Christmas movies ever made. Payne is wonderful at observing and dissecting such complex and unique characters, and with “The Holdovers,” he explores the lives, regrets, and frustrations of three immensely different people.

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Monica (2023)

Andrea Pallaoro’s “Monica” is a beautiful film. It’s a film filled with nuance and subtlety and takes the classic tale of someone returning to their old home and gives is a contemporary all too relevant twist. Trace Lysette is excellent as the titular Monica, a woman who is spending her every waking moment trying to survive and reach some sort of human connection that she craves. This stems from her past with her family, including her mother who disowned her at a young age prompting her to run away from home. For a movie so centered on what is a very important, and common obstacle for people of the LGBTQ community.

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Blind Willow, Sleeping Woman (Saules aveugles, femme endormie’) (2023)

Director Pierre Földes is not an artist prone to just giving us something that’s easily digestible and worthy of leaving us dangling. “Blind Willow, Sleeping Woman” is probably one of the most uncommercial movies of the year, and the fact that it’s fully animated also works in its favor. The animation style that is used along with the often intentional drabness of it all allows for an almost ethereal aesthetic; it’s one that feels so dream like. It’s almost like someone just ripped random imagery from someone’s subconscious and manifested it through some pretty good rotoscoping and 3D animation.

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In the Realm of the Senses (Ai no korîda) (1976) [LA&M Film Fetish Forum]

Banned in many countries thanks to its immensely explicit depictions of sex and sexual acts, Nagisa Ōshima’s “In the Realm of the Senses” is an immense movie, and one that straddles the line between erotica and thriller. Although “In the Realm of the Senses” revels in the eroticism of sexuality and sex, it also delves deep in to the darkness of sexual obsession, control, and the appetite for sex (all of the sex scenes are un-simulated) that can consume our lives. I’ve never actually seen director and writer Nagisa Ōshima’s film before, so viewing it now was quite the surprise. The director fancies themselves in exploring the acts of sex along with the behavior between its core characters that result in lust that inevitably becomes deadly.

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Director Spotlight: Your Friends & Neighbors/Possession/The Shape of Things/Nurse Betty (DVD)

Neil Labute is one of my favorite directors, he’s a man who specializes in making movies about the ugliness of humanity, and he never really aspires to pull punches. Before being sadly well known for his god awful “The Wicker Man” remake, Labute delivered on some unique arthouse cinema, all of which garnered some big star power. They acted as the cushioning for the inevitable upsetting story that Labute would unfold for us. I guarantee you at least one of these movies in this “Director Spotlight” DVD from Mill Creek Entertainment will make you want to punch something out of sheer anger.

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Shortbus (2006) [LA&M Film Fetish Forum]

Director John Cameron Mitchell’s “Shortbus” is a movie I’d only ever heard about since its 2006 release but never actually sat down to watch. Nothing really prepared me for what he had to offer in terms of not only commenting on sexuality but on sex in general. “Shortbus” is unabashedly shocking in its presentation, offering up a movie about a group of New Yorkers, all of whom are seeking human connection. Some of them think that sex will grant them that connection, while some of them are just seeking emotional connection that may or may not allow them that desire with sex and various sexual acts.

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