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Saving Mr. Wu (2015) [New York Asian Film Festival 2016]

SavingMrWuIn 2004, actor Ruofu Wu was kidnapped and held for ransom in China.  With his blessing (he has a prominent part in the film), director Ding Sheng adapted his story into film for Saving Mr. Wu. The cinematic version of the events follows Mr. Wu as he is kidnapped by Zhang Hua and three accomplices as he comes out of a karaoke bar.  The kidnappers pretend to be cops to get him to cooperate but it becomes clear very quickly that they are taking him to pocket a ransom.

The actual police catch Zhang Hua while he’s gone to retrieve the ransom.  As the police interrogate him, Mr. Wu attempts to use his skills to survive and help the other kidnapping victim survive as long as possible and not lose hope. Director Ding Sheng co-wrote the film with Alex Jia.  Their script is an adaptation and fictionalization of the real kidnapping case most likely to make it more entertaining.

As with most adaptations if this kind, not all parties involved have the more exciting or exciting at all side of the story or even want to share it, so they add to fill in some gaps and spruce up some parts to make it more captivating.  The characters are based on real people but also have been tweaked to make them all interesting.

The cast of Saving Mr. Wu is composed of the original Mr. Wu, Ruofu Wu, who here has the part of one of the men charged with saving Mr. Wu, cop Cao Gang.  Wu does great work here and shows much interest in saving the movie version of himself.  As the character of Mr. Wu, Andy Lau gives a layered performance of a man who is scared, worried, wants to fight, tries to help is co-kidnapped.  His performance is one of the center pieces of the film, having the whole story revolve around him.  Lau’s acting is superb here.  The other very important performance is that of lead kidnapper Zhang Hua who spends a good part of the film gleefully being interrogated.

Qianyuan Wang plays this part to the fullest, not holding back and just going for it with the madness of the criminal he is representing.  His presence on screen is captivating.  His main interrogators are played by the aforementioned Ruofu Wu and Ye Liu as Xing Feng, an overworked father with a sick son he needs to get to.  The film rests on the strength of its cast mainly as the majority of the scenes are a lot of dialogue including the scenes between Mr. Wu and his kidnappers, Mr. Wu and the other kidnapping victim, the interrogation of Zhang Hua, et al.

There are a few actions scenes but they are not the main focus of the film, however they are very well done nonetheless.  The filmmakers gave these scenes plenty of attention, even hiring a car stunt coordinator, Bruce Law, who has close to 200 credits.  The car sequences here are great and slightly reminiscent of the low-shot car scenes in Luc Besson written films.  The other stunts are coordinated by Jun He and very well done as well.  The camera does not shy away from the action and shows the cars, the hits, the whole thing without constantly cutting away or over-editing.

Saving Mr. Wu is a tense crime thriller with a true story background that keeps the viewer interested and connected to the story with good characters and great performances.  The film is not build in a straight-forward manner, having its story skip forward and backwards in the timeline of the kidnapping which may require more attention but is absolutely worth it in the end.

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Alone (Hongmin) (2015) [New York Asian Film Festival 2016]

AloneHongminSumin is a photographer documenting the gentrification and changes of his neighborhood.  One day, as he’s taking more photos, he witnesses the murder of a woman.  The killers come after him and he wakes up naked on what looks to be a gazebo in his neighborhood.  Odd things happen; Sumin is rendered unconscious and wakes up in odd places over and over again. Alone, or Hongmin in its original language, was directed by Hong-min Park who co-wrote it with Hye-jin Cha.

The film is built in a way where the lead character of Sumin lives many events and those events may or may not be connected to each other.  The story built with these does bring up questions but answers few of them.  The film moves at a good pace, but with no established goal or point to it, it all feels a bit useless.  Why is Sumin going through this? Is he alive? Is he dead and this is his purgatory?  Was something lost in translation?  The proceedings are somewhat interesting but not captivating which makes the film feel long even with its pace moving things along nicely.

The cast for this film is fairly small and everything revolves around Sumin who is played by Lee Ju-won.  His performance is good with some nuances but with nothing really standing out which makes his presence a bit monotone through the film.  However, it does feel like it may have been the point as his character seems to lead a bit of a humdrum life leasing to a less than exciting personality.

There is one scene with a major special effect and it’s quite good.  However, to not spot it, details will not be discussed.  The effect is, well, effective and well done.  The sound accompanying it is a bit cringe-inducing, in a good way.  A few other bloody bits are found here and there and they all look realistic as well, even when how they happen feels out of context for their scene.

As is the case with a lot of middle of the road films, neither great nor horrendous, Alone is hard to review without making it sound worse than it is.  Alone is not a bad film and it has some good ideas, it’s just that the execution comes off as rather bland and that despite all of its efforts, it fails at really captivating the attention of its viewer.  It may very well be a case of a film that is just not for everyone, so feel free to give it a try.

20 Past Films From Fantasia International Film Festival Worth Looking For

ichi-the-killerFantasia International Film Festival is having its 20th edition this July and I am proud to say I have only missed 4 of them, the first one, 2006, 2012, and 2014.  That being said, I’ve played catch up and seen some of the films from those years and can say without a doubt that Fantasia International Film Festival plays a fantastic selection of films from around the world, with a penchant for the odd, the weird,. And the often overlooked by mainstream movie goers.

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Bedeviled [Kim Bok-nam salinsageonui jeonmal] (2010)

bedevilledI’ve never seen such a soul sucking and soul crushing film as “Bedeviled” in my life. That’s not at all a negative remark about Jang Cheol-soo’s drama thriller. It’s just my warning that if you go in to “Bedeviled,” be prepared for a film with absolutely no silver lining or hopeful plot twist. Like “Martyrs,” it’s a trip down the darkside of humanity, but you know, unlike “Martyrs,” this is a great film from beginning to end. It’s not often that Asian revenge pictures are given a sensationalist tone, but Cheol-soo’s drama is gut wrenching and really offers a glimpse at a small chunk of the world where sadness is pretty much a way of life.

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Thanatos (2015) [Horrible Imaginings 2015]

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[Horrible Imaginings Film Festival San Diego 2015]

Thanatos is partially inspired by the personification of Death in ancient Greece. Hsin-Yen LU’s student film of the same name follows a young photographer who captures an image of Death as a young woman. He becomes captivated and enamored with her, his interest becoming obsession as he stages his own death multiple times to be able to see her again and again and to photograph her each time. He desperately wants to go with her but she cannot take him as it his time has not come yet.

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Big Match (2015) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

Director Choi Ho’s “Big Match” is probably one of my favorite action movies of the year. It’s a wonderful amalgam of action, comedy, and thrills acting on a fast pace with a multi layered story of a man running against the clock. Choi Ik-ho is a man kicked out of professional soccer for rough housing and enters in to MMA to get his aggression out. With the help of his big brother Young-ho, Choi Ik-ho has become one of the greatest fighters of modern times. He’s kept under tight supervision by his big brother, a retired MMA fighter. But when he suddenly disappears, Ik-ho is suspect number one. Young-ho is suspected of being murdered, and Ik-ho is arrested.

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Lesson of the Evil (Aku no kyôten) (2012)

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It’s so gratifying to see Takashi Miike returning to his chaotic roots that helped make him such a beloved auteur. While I’m sure his court room movie “Ace Attorney,” and the “Ninja Kids” actioner were fine outputs, “Lesson of the Evil” is a return to form for a man who proves he hasn’t lost a bit of his step. “Lesson of the Evil” isn’t just shocking, but it’s gory, disturbing, and features some of the most surreal supernatural elements I’ve seen in years. Miike comes back with a bang, and I had a difficult time turning away from “Lesson of the Evil,” even when it was tough to sit through.

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