I love how Steven Spielberg continues to skirt expectations from his core fanbase by providing them with films that are mature and often times thought provoking. Where in “Lincoln” could have been another hollow biography about one of the greatest presidents of the United States, he transforms it in to an intellectual exercise and exploration in to the most important event in American history. “Lincoln” is a beat by beat relaying of the events before and during the passing of the Emancipation Proclamation and how the passing would come to affect everyone within the inner circle of Abraham Lincoln. “Lincoln” is mostly a look in to the seething fear of the American status quo whom spent most of their time worrying how freeing the slaves would affect their own luxuries and lot in life. The irony of the conflict is that most of the men featured were against the bill passed because they worried the African Americans would soon become an equal voice in America thus turning the white man in to a minority.
Tag Archives: Biography
I Am Bruce Lee (2011) [Blu-Ray]
At this point you could have a library of Bruce Lee’s work, and a library about films discussing Bruce Lee. Documentaries and films about Lee have become pretty much a sub-genre on to itself, with every decade releasing at least three new films about Bruce Lee and his legacy. I expect an Oscar level film about Bruce Lee any time soon, now. “I Am Bruce Lee” won’t shed new insight on Lee as a fighter or actor, nor will it really provide audiences with something new or enlightening about knowing Bruce Lee.
Hitchcock (2012)
Director Sacha Gervasi’s treatment of the life of Hitchcock is very much in the tone of Tim Burton’s “Ed Wood.” I gather there will be numerous comparisons and parallels drawn, as this new look at Hitchcock’s career is very much like Burton’s own tribute to Ed Wood. There’s the breaking of the fourth wall, the satirical look at filmmaking, the focus on the madman behind the director, the glimpses at studio politics, and ultimately the way women affected these two famous directors. This time around Alfred Hitchcock is worn by Anthony Hopkins who doesn’t quite convince as the rotund director, but has a ball as the perpetually repressed and lovelorn creative genius who expressed his inner most desires and fears through his own creative work. For Hitchcock aficionados, “Hitchcock” doesn’t quite inform you of facts about the man’s life that you haven’t already seen or read before.
Katy Perry: Part of Me (2012)
At the end of the day, Katy Perry’s awfully immediate documentary about her life on the road is as hard hitting and candid as your normal fluff piece on an entertainment TV show. “Part of Me” is really supposed to be a film for the Katy Perry fan club where she strives, enjoys life, and reveals her hardships from a struggling Christian singer to a fairly so so pop star. It’s all fluff and should really be called “Katy Perry is Amazing” when all is said and done. Continue reading
Tales from the Crypt: From Comic Books to Television (2004)
The one downfall about “From Comic Books to Television” is that realistically a documentary about EC Comics should be longer than an hour. I mean this is EC Comics, one of the biggest influences for many horror icons, and it deserves more than fifty six minutes for audiences. EC Comics is a powerful force in horror and continues to spawn horror fans to this day. That said, “From Comic Books to Television” is a nice and entertaining look at the legendary run of EC Comics. Beginning life as Educational Comics and eventually transforming in to Entertaining Comics, “From Comic Books to Television” explores the creative explosion of EC Comics, and how it managed to change the comic book medium for better or for worse.
J. Edgar (2012) [Blu-ray/DVD]
For a film directed by someone as beloved and accomplished as Clint Eastwood, it’s hard to fathom that such a film would come off so amateur and tedious to sit through. Leonardo DiCaprio goes whole hog for Oscar territory delivering one of the worst performances of 2011 mimicking the drawl of J. Edgar Hoover but often times sounding like a man overplaying his role in a local community theater production in New Hampshire or something. “J. Edgar” has no style to it, nor does it possess an iota of compelling tidbits about Hoover’s life and career. Mostly it places gaudy cinematography above all else and aims to merely gloss over much of what J. Edgar had accomplished or fumbled in to.
Superheroes (2011)
Director Mike Barnett’s chronicling of real life superheroes wants to ultimately have it both ways. It’s at times very exploitative and mocks its subjects relentlessly with tricky editing and bloopers that depict the subjects as lunatics in costumes, and by the second half Barnett tries to depict his clan of costumed lunatics in to something of a do gooder bunch with well meaning intentions that will undoubtedly get them killed one day. You can do nothing but feel pity for these people who have taken to creating ridiculous costumes and using Power Rangers as their inspiration for patrolling streets and risking being murdered rather than take up admirable trades like EMT services, law, and so much more that they can contribute society.