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Lowlife Love (2015) [Fantasia International Film Festival 2016]

lowlifeloveA lowlife, 39 year old film, director uses his position to sleep with young actresses under promise of making them stars.  While doing this, he’s trying to get his next film produced and cast.  Around him: His best friend makes porn films to gather money for a filming budget; a young film writer wants to get his script produced; a young actress falls in love with the film writer, et al. Everyone seems to be out for their own careers and selves, not caring about others.

Lowlife Love is written and directed by Eiji Uchida and is a study of people doing everything they need to get to their ends, to get fame for themselves, no matter the cost to others and themselves.  Uchida crafts a study of what drives people, some people, to go to ends some never would to get what they want.  His style is a bit in your face, showing events and how they affect everyone involved but never truly getting to the bottom of the reasons and the feelings behind it all.

To bring this to the screen, Uchida has a cast of 30 or so, most of them giving decent performances.  Unfortunately, most of the characters feel a bit thin and one dimensional at times, with a very few standouts.  Thankfully, one actress shows nuance and layers in her performance, Maya Okano as Minami shows the best arc, the best performance.  She shows great talent and becomes the best part of the film.  Her performance shows naïveté at first and then a form of regret as she has lost her innocence throughout the events of the film.

The cinematography by Kenji Noguchi follows the tone of the film, framing the scenes in ways to enhance their feeling of despair and of need for fame.  The film feels almost dirty some times, claustrophobic at others times, all through the look the images’ framing give it.  He adapts his style to what the scene needs, showing versatility.  However, the film’s story not being exactly great, this is a bit lost in the shuffle.

Lowlife Love is an attempt at making a dark dramedy about what goes on behind the scenes of some films but it makes it sound like it’s what goes on behind all films.  The story could have been great but its execution, starting with the story’s writing, is not on point.  A lot of it feels as though the filmmaker is trying hard but not hitting his mark, the characters feel exaggerated, and this all leads to a less than fascinating film.  Unless one is really into director Eiji Uchida’s films, it may not be worth watching.

Fantasia International Film Festival runs from July 14th until August 3rd, 2016.

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Slash (2016) [Fantasia International Film Festival 2016]

slashA teen discovers slash fan fic and writes some about characters from his favorite series Vanguard.  After an older girl reads some of it and he gets in trouble in school for its graphic nature, she pushes him to post it online for all to see and to get feedback.  This gets him noticed by one of the moderators of the forum and he’s encouraged to go read an excerpt at a Comic-Con type convention. Writer/director Clay Liford adapts from his own 2012 short of the same name, changing the lead’s obsession from Harry Potter to a fake series called Vanguard.

Here he builds a coming of age story where the two leads, Neil and Julia, are at different points in their teenage evolution and in their sexual awakening.  Both characters feel real and have natural interactions with each other and with the adults and teens around them. The characters and situations are believable, especially for someone (like this reviewer) who has encountered many a fan fic writer and read a few horrendous and other decent bits of it.  Setting the film partially at a comic-con works here as it puts the two nerds in what feels like their natural environment, where they fit in better than in their school or home settings.

Both leads here are talented and natural at their parts.  Michael Johnston plays up Neil’s awkwardness, creating a very human 15 year old nerd with dreams, aspirations, worries.  His character is never a caricature of emerging teen writers and never a send up of nerds as is often seen in these types of movies.

Playing opposite Michael Johnston is Hannah Marks as Julia, the less sheltered and more experienced fan fic writing 16 year old who shows him the ropes in terms of getting out there and finding himself.  Marks plays her character full force, never skimping on any emotions, yet never exaggerating or hamming it up.  The viewers feel with her, go through her emotional roller coaster with her.  The supporting cast, including a great Michael Ian Black leaving his sarcastic persona behind, does a great job and let Michael Johnston and Hannah Marks shine, not over shadowing them while also turning in good performance.

The film’s cinematography by Ellie Ann Fenton makes it look a bit like it belongs on current MTV or on a big screen at a convention, which is not a bad thing as this style lends itself to the subject matter at hand.  The way the scenes are shot, their settings also add to this.  The film looks good and is well framed, making it easy to concentrate on the two leads.

Slash is a well-crafted film about teen experiences and sexual awakening for the teen nerd, mainly viewed through the eyes of a fifteen year old boy.  His experiences and feelings are relatable, making even the uncomfortable moments work.  The film is touching in parts and a bit cringe-worthy in others, which are both good things here.  The film is entertaining and a glimpse into two slash fan fic writers’ lives.

Fantasia International Film Festival runs from July 14th until August 3rd, 2016.

You Have to See This! Bikini Academy (1996)

Odds are you probably saw “Bikini Academy” in the heyday of late night cable television. It was once a proud institution. Otherwise known as “Babe Watch: Forbidden Parody,” the adult comedy likens itself as a “Baywatch” spoof. In reality there isn’t anything that spoofs or satirizes “Baywatch” save for the fact that most of the movie is set in the beach. In fact almost every shot is filmed during the middle of a sunny day smack dab in the middle of a beach. Not that I’m complaining, mind you.

Lucki and her friend Ty-Dy work day to day in a bikini shop and aspire to compete for a job as their local beach’s lifeguards. Training with an uptight drill instructor and hunky trained lifeguard Brock, the two pursue the opportunity in hopes that it can open up their aspirations for modeling and acting. Meanwhile rival Bodacia seeks the job in hopes of improving her modeling career, and will do whatever she can to win, including rigging the contest. That doesn’t sit well with Lucki who has a genuine affection for him, despite his indifference toward her.

And there are boobs. Lots of boobs.

I can think of worse things than watching Kelli Hoffman or Tane McClure for ninety minutes. With small budgets and some pretty crummy actors, Rick Sloane has been able to pull of a pretty great film career with some entertaining schlock. Everything from the silly “Vice Academy” series to the craptastic “Hobgoblins” has managed to achieve some bit of cult fame down the road; especially the latter. Seriously, go watch the “Mystery Science Theater 3000” episode of “Hobgoblins.” It’s one of the funniest two hours of television ever made. That said, “Bikini Academy” is not a spoof or satire, it’s just a really silly C grade sex comedy set on a beach.

I think Rick Sloane probably assumed this kind of beach sex romp would fare well in 1996, which is too bad since movies of this ilk became painfully out of style by 1990. I think in 1986, this might have been just a slight cult classic, rather than simply a cheap sex comedy that you wouldn’t miss, either way. Mind you, “Bikini Academy” is a rare movie from Rick Sloane that is softcore schlock and embraces that fact, but it’s not an experience you have to have. There’s no real up and comer like Johnny Depp in “Private Resort.” It’s just a very raunchy comedy that pulls off some occasional giggles and splashes almost every scene with curvy women in small bikinis.

It doesn’t really try to be anything else but a cheapy schlock, putting gorgeous women in the film front and center, while they compete with one another for a position as a local lifeguard. Sloane’s movie is so thin in concept that he apparently runs out of story after the first forty five minutes and begins staging softcore sex scenes set to library music. You know the kind of scenes I talk about if you ever watched Cinemax After Dark. Yes, it was probably good fodder for late night cable syndication, but it becomes obvious writer-director Sloane is padding the run time as much as he can to fit a ninety minute running time.

bikiniacademy-2 “Bikini Academy” revels in its low budget to deliver some of the goofiest comedy and action ever put to film. The characters have to go through a series of “Revenge of the Nerds” like trials and performances that will make them eligible for a big position as a lifeguard and a highly coveted job that will grant them some opportunities. This is especially fortunate for villainous Bodacia, who is hell bent on winning the contest to improve her modeling career. She takes every measure to win, including bedding a judge or two. Along the way the potential lifeguards also have to help the occasional swimmer, including one woman who very nearly gets dragged in to the water by what is obviously a rubber giant squid.

And in case you doubt director Sloane, you can make out the fake wobbling squid under the water as our stunt actress tries to desperately break free from its tentacles. It’s such an inexplicable scene tacked on for absolutely no rationale that you’ll giggle for a bit and then scratch your head baffled. The laughs don’t stop there. As villain Bodacia looks for a cause to bring to the competition to compete for the job of lifeguard, she conveniently finds a single marlin on the beach covered in oil, and decides to use it as an issue to fight for. Forget how nothing else on the beach is covered in oil, but the fish is so obviously a prop that it’s stiff as a board.

bikiniacademy-3Who knew fish get rigor mortis? Or maybe Tane McClure is just that hot. Rick Sloane must know what everyone watching this movie does, because Kelli Hoffman is not only the hottest woman in the movie, but she manages to steal every single scene she’s shares with the cast. Despite only having a small supporting role, and popping up every now and then, every time she does, it’s a treat for the eyes. The real attraction though is Steven Todd Lange as love interest Brock. His performance here is so stilted and rigged, it feels like director Sloane pulled him out of his office during lunch to read some lines and pretend to be invested in his role.

Rick Sloane relies on a steady formula of repeating the same beats again and again: there’s some kind of cat fight between Tane McClure and heroine Raelynn Saalman, someone makes a few sex jokes and double entendres, there’s a few peeks of women in tight bikinis and Kelli Hoffman looks for any excuse to stroll by on screen. In the end, it all feels like Rick Sloane was still stuck in the mid-eighties, and what comes up is a fairly solid diversion that drips gratuitous schlock at every turn. There’s big breasts, big squids, and a running gag centered on corn, for some reason. It’s a classic Rick Sloane oddity.

Mother’s Day (2016) [Blu-Ray/Digital]

Sadly, ever since “Love Actually” became a standard of the holiday, Hollywood has enlisted hokey melodrama director Garry Marshall to give us a new holiday based ensemble piece of garbage almost every year. “Mother’s Day” is the latest insidious melodrama about a group of very rich, very healthy Caucasian people bickering about how hard their lives are. One character played by Jennifer Aniston, even decides to throw a humongous party for her sons, just because. Man, can you imagine what would happen if these people ever stepped out of their bubbles? “Mother’s Day” is about mother’s day, the mother of all holidays, everyone seems to be obsessed with mother’s day, and they talk about mother’s day because, mothers!

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The Lure (2015) [Fantasia International Film Festival 2016]

lureSirens attracted by a musician playing on the beach seduce him and his band into taking them in.  With them, they become part of the entertainment at a night club while openly being sirens.  When one of the girls falls for an earthly boy, she wants to trade her tail for legs, no matter the cost.

Written by Robert Bolestro, The Lure follows two siren sisters, Golden and Silver, as they navigate life on dry land.  The story he builds here is interesting and entertaining with lead characters that attract attention and keep it.  The story takes some unexpected turns and some less so, but all of them are fun to watch (even the ones less fun for the characters).  The ending (no worries, no spoilers) is touching without being schmaltzy.  Directing this modern fairytale is Agnieszka Smoczynska who takes the script and turns it into a kind of film version of a Bjork video.  She creates a colorfully loud film in some scenes and a subdued one (color-wise) in others.

The way she shoots a domestic fight or an operation is fantastic and something this reviewer has not seen many times before (and I have seen thousands of films).  Many scenes are shot in unexpected and original ways, making the film very unique.  Adding to these directorial choices is the cinematography by Jakub Kijowski complementing the story and framing every image perfectly.  The way this film is shot brings out its peculiar, exciting scenes and contrasts them excellently with the darker ones.

Playing the sirens are Marta Mazureka as Silver (Srebrna) and Michalina Olszanska as Gold (Zwota), both giving great performances.  Mazurek shows her soft side, playing the more innocent siren who falls for a human.  The way she develops her character is sweet and makes the viewers care about her like a little sister.  Olszanska plays the other sister, more bold and mean almost.  She brings out the killer side of sirens with gleeful abandon making her performance mesmerizing.  One of the support characters stands out form the rest due to the actress’ performance, Wokalistka Krysia, the mom-type character who takes the girls in.

This performance by Kinga Preis is fantastic and layered.  She shows the character’s vulnerability and her caring side, than switches to the performer side when her character hits the stage and commands attention, almost stealing scenes from the girls at times.  A few of her performance pieces were reminiscent of LuLu.

Also more than worth the price of the ticket is the special effects for the sirens’ tails.  They look as real as can be, with fishy scales and some glistening.  They are beautiful and grab the attention.  There is also some juicy, gooey gore in the aforementioned surgery scene that looks good.  Unfortunately, the IMDB page for The Lure has no special effects or visual effects credits.

The Lure is a comedy/drama/musical/horror and as the sirens are singers being taken in by a band the music is highly important.  The numbers and performances on screen with the band and then with the girls are fun, flamboyant at times, and highly entertaining.  The pop songs are catchy and do not overstay their welcome while the choreography by Kaya Kolodziejczyk and Jaroslaw Staniek adds some sexiness to the girls’ already alluring performances.

The Lure is a great film, like a long form music video that works, reminiscent of Bjork and Mylene Farmer with a true Polish spirit.  It offers a lot and is fun while remaining touching.  It must be noted that it is Polish cinema’s first musical.  The whole crowd at Fantasia ate it up and come out talking about what they had just seen.

Fantasia International Film Festival runs from July 14th to August 3rd, 2016.

Sharknado: The 4th Awakens (2016)

Sharknado4At this point you kind of have to accept the “Sharknado” movies will never be as good as the novels, so going in to “The 4th Awakens” means embracing it as a movie, and a media experience. It has a slew of appearances and cameos from notable internet personalities like Andre “The Black Nerd” Benjamin, to character actors like Gilbert Gottfried. Yes, even the Chippendales dancers appear to thrust against some sharks. “Sharknado” is a virtual side show of a genre offering that holds its tongue firmly in cheek, even when turning hero Fin in to a basic rip off of Ashley Williams from “Evil Dead.”

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The Laundryman (2015) [New York Asian Film Festival 2016]

thelaundrymanA hit man who works for a laundry company as a cover up grows a conscience.  He’s highly trained and excels at his job, however, for a while now, he is plagued by ghosts and he must find out what they want from him in order to restore some sort of peace to his life.  To do this, he enlists the help of a cute but possible clueless clairvoyant.  Through all of it, he finds out more about his victims, his boss, and himself.

The Laundryman is a hybrid horror/comedy/action film by director Chung Lee and written by Yu-Hsyun Chen and Chung Lee.  The tale built here fills the complex task of mixing multiple genres without going into parody or satire or become a send-off/homage to its genres.  Here the mix of the genres works very well and has the story evolves its elements just work.  However, the comedy levels are more present in the first third or so of the film and then occasionally throughout the rest of the film.  The comedy works because the viewer is not hit over the head with it.

That being said, some of the scenes are completely ridiculous in the best way possible.  The horror, mainly from the ghosts and not much blood outside of a few short scenes works here as well.  The ghosts here are not meant to scare but they work so well with the story.  The first fight sequence is fantastic, the way its written and shot make it really fun.  The rest of the fighting is also entertaining.  Getting all of these elements together creates a really fun whole.

The casting here feels rather perfect for the story and the style.  Hsiao-chuan (Joseph) Chang is an entertaining lead.  He has a charisma that helps carry the whole film.  His acting is just about perfect for the material.  It may not be the top performance seen at New York Asian Film Festival, but it’s still a damn good one.  Supporting him is Regina Wan as the clairvoyant and Sonia Sui as the boss, both opposites until the end.  Their performances show excellent talent as they both do extremely well.  The cast for the ghosts is fantastic too and they manage to keep a straight face through some truly ridiculous situations.

For a partially horror movie, the effects are not super prominent but what we’re given is well done.  The CGI is good and blends well in the scenes where it is present.  It’s not overly used which avoids it becoming an annoyance.  Outside of the effects, the film looks really good, it grabs the attention from the get go with its colorful representation of Taiwan and the life of a man who, by all accounts, could be living a very grim life.  Most of the film, besides the flashbacks, feels all so chipper.  In general, the film looks very good.

The Laundryman is a really fun, funny, and entertaining film.  It may be hard to find for a while being a festival title, however it’s absolutely worth checking out.  The story is good, the acting is on point, the fighting “punchy”, and the ending, all the way after the credits, will make you giggle.