Casper (1995)

Casper_1995For all of its flaws, 1995’s big screen adaptation of Casper the friendly ghost, actually manages to be a dark fantasy worth watching. Not only does it play all the right chords by casting in vogue and talented child star Christina Ricci as the heroine of the film, but it depicts a Casper the Friendly Ghost who isn’t a downer. While the animated shorts almost made you get in to a bathtub with a toaster in both hands, the feature film is life affirming and uplifting in its own ways. And to give Casper something of depth and plot friction, there’s the wise addition of three rude, crude, and disgusting specters who make everyone’s lives miserable.

The 1995 “Casper” wisely gives an identity to the ghosts that loved to scare while Casper refused to submit to his duties, and in the end, the feature film works very well. Much more than “Richie Rich” ever did. “Casper” is mainly a coming of age film that features Casper as a key to main character Kat to not only growing up but dealing with the concept of her mother’s death. Years after the death of her mother, she and her father James spend their days travelling and trying to uncover the secrets of the paranormal and the after life. Though James passes it off as research to his daughter, secretly he hopes to uncover the secret to connecting with his wife one more time and speak to her.

The duo decide to live at Whipstaff Manor in Maine where the mansion has been abandoned by its descendents thanks to its rabid hauntings, in spite of the fact that there is rumored to be a treasure hidden within the bowels of the house. While there James attempts to uncover the psychiatry of specters, dealing with random pranks and mean spirited play from the trio of uncles, all of whom take every chance to make the father and daughter miserable, while Kat finds a friend in Casper. Thankfully the portrayal of Casper is never cloying or abundant with cutesy dialogue. Casper as a character is lovable, and utterly adorable. He’s a being filled with optimism and love, but has also lived long enough to mutter nuggets of wisdom about death, the after life, and what it means to be alive.

And though originally many thought the addition of Casper’s uncles Stretch, Stinky, and Fatso to the fray would be a cheap grab for merchandise, the film actually sparks a great and logical argument for their presence. Ghosts are often thought as restless spirits that dwell in their past homes. Casper is a boy who died from a painful illness and died saddened and in terrible conditions, thus his state of misery keeps him perpetually stuck as a ghost. His uncles were three rotten and awful individuals who were so evil in their past life, they’re forever stuck as specters haunting their mansion because their evil prevents them from a peaceful slumber in the after life.

For a film made in 1995, “Casper” really does manage to re-invent the formula in many ways that are clever and very welcome. Rather than just animating Casper, he’s a very gelatinous translucent being who seems to be stuck between the after life and our life, thus he’s always faded but very eye catching. The trio of evil ghosts are almost always in a tint of green inadvertently creating this sense that they’re made from the same essence of Slimer from “Ghostbusters.” Christina Ricci is one of the finest child actors of the nineties, thus her role as Kat is empathetic and very heartbreaking, if derivative. Kat’s whole journey as the new girl in Maine plagued by bullies is very cliché as the main lure of the story is her relationship and bond with Casper, who offers her clarity in her darkest times.

What keeps “Casper” from being excellent is that though it’s touted to children, it tries to pass off a painfully ridiculous deus ex machina involving a machine and magic potion that could transform ghosts in to living beings once more, and never makes a really definitive bit of reasoning for even injecting it in to the story. Save for the final scene where Casper gets one of his biggest wishes, a fleeting and heartbreaking moment but one that really defies the film’s logic. Nevertheless, “Casper” is still an entertaining and adorable fantasy film that gives the character of Casper a hint of dignity and respect. It’s a shame this was followed up by endless piss poor direct to video sequels. In a decade that gave us “Flintstones” and “Richie Rich,” the cinematic adaptation of “Casper” is one of the very rare instances where they not only got it right, but improved on the original formula. Offering a sweet story, smart casting, and a sense of humor, “Casper” is still a nineties favorite that doesn’t get enough credit.

Creepshow 2 (1987)

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What with the resurgence of the anthology sub-genre in the eighties, and the release of the hit horror film “Creepshow” that managed to be a near flawless masterpiece, a sequel was not only inevitable, but a no brainer. Director Michael Gornick’s follow-up to “Creepshow” is admittedly a much more low tech and less enthusiastic outing for the series, but damn it, it sure is a lot of fun. Granted the film falls short of being excellent, but as a follow-up to the riveting and entertaining original, it’s a very strong and occasionally creepy sequel. It’s been one of my favorites since I was a kid, and though it’s shown its wear since 1987, it’s still a fun horror film. Lacking the star power and novelty of the first film, “Creepshow 2” slims down the story count and relies more on a bleak atmosphere.

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Creepshow (1982)

CreepShow

George A. Romero’s “Creepshow” is almost a spit in the face of everyone who decried comic books a sheer stain on humanity and the youth, blaming the colored pages for the evaporation of morality in the fifties and sixties. “Creepshow” is an absolute celebration of horror comics and a love letter to the EC generation who had their stories robbed by hack psychologists who blamed comic books for homosexuality, crime, murder, and drug use. “Creepshow” is a joint effort from many people just filled with talent that simply can not hold this entire film at times. An absolute orgy of laughs, scares, and thrills, “Creepshow” is one of the finest, if not the finest anthology horror film second only to “Black Sabbath.”

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Dark Times (2010)

darktimesDirectors Peter Horn and Jared Marshall’s short science fiction horror film is, as the kids say: The shit. “Dark Times” is a rollicking and creepy gore fest that takes every advantage to be unique and original. Foregoing any opening and closing credits, “Dark Times” takes every single advantage of every second to tell a fun story that is just so damn thrilling to behold. As seen through the eyes of a hapless man, a group of workers from the Blue Skies Nuclear Power plant flee from a horrible explosion that is sending them running in to the woods as radioactive debris rains from the skies taking down survivors.

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Caesar and Otto's Deadly Xmas (2012)

9003975As a follow-up to “Summer Camp Massacre,” Caesar and Otto’s latest adventure with psychopaths and horror icons isn’t quite as good. It definitely has its share of laughs and head scratching moments that have become standard with the comedy duo of Caesar and Otto, but the sad part of “Deadly X-Mas” is that it really loses steam in the final ten minutes. In either case, Caesar and Otto are able to come out looking great in the end as one of the few comedy duos with antics built on and around the horror film. They’ve confronted almost every situation imaginable, and still haven’t died.

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The Return of the Living Dead (1985)

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Director Dan O’Bannon’s 1985 zombie picture is about as pitch perfect a horror comedy you can get. The film itself re-imagines the walking dead and manages to deliver oodles of comedy and horror nuggets to its audience that has kept it alive and kicking since its initial release. What many thought was once an untouchable formula transformed the walking dead in to a beast anyone could tinker with, and allowed other writers and directors a chance at re-creating the modern zombie. Sadly, none have been quite as successful as Dan O’Bannon and the minds of “The Return of the Living Dead.”

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Girl vs. Monster (2012)

gvsmWhile many kids of the nineties will agree that DCOM’s simply aren’t as good or as innocent as they used to be, the talent has improved enormously. Most of the actors in the past DCOM’s (Disney Channel Original Movies) were always so blustery and stilted in their performances, in spite of the fact that Disney took more risks with their movies. These days, they’ve traded subtlety for talent. “Kickin’ It” is one of the few successful boy oriented shows Disney has launched. It’s a show about a group of kids who deal with growing up through the skill of martial arts, and one of its stars Olivia Holt has displayed a real charm and charisma that’s tough to keep contained.

In “Girl vs. Monster” she has a real magnetism and appeal that makes her the ideal choice for the role of a young girl about to come in to her own as a monster hunter in a legacy of master monster hunters in her family. “Girl vs. Monster” contains elements of “Supernatural,” and “Ghostbusters,” with a hint of “Hocus Pocus” and manages to be rather entertaining. Skyler Lewis is a bold and brave young girl who isn’t afraid of anything. She leaps on to a rafter to fix a Halloween banner and lands the fall with grace, and before leaving with her friends engages in a performance with a local band for the room. She’s the envy of many people, and we’re forced to believe somewhat of an outcast. Her parents are primarily mold specialists whom are incredibly over protective and refuse to let her attend the Halloween party thrown by musician Ryan, who begs Skyler to sing for the group when lead singer Myra is hurt in a hilarious accident. Refusing to let her go, Skyler’s odd parents leave her in the charge of her uncle, and lock her inside the house.

Determined to make it out, she shuts the power down to the house and accidentally frees the evil Deimata from the ghost chamber in their basement. On a mission to possess Skyler and feed on her fear, Diemata is intent on hunting Skyler down as Skyler comes to grips with the fact that she has to be a hero. Very much in the vein of “Halloweentown,” Skyler is a girl who loves Halloween whose over protective parents are suppressing her until a certain age where she can become a hero of some kind. In that regard it’s rather derivative. I also never understood why the parents would house a ghost chamber in their basement and make their power grid so functional and easily shut down by hand when their house is protected by a key pad. And what would Deimata accomplish by possessing Skyler? Was it a part of a master plan to destroy the legacy of monster hunters? Or was she trying to inflict revenge on Skyler’s parents? As with most DCOM’s, “Girl vs. Monster” is entertaining and very charming, but often very silly and doesn’t entirely make a lot of sense in the end.

But the primary reason to watch “Girl vs. Monster” is because it’s such an interesting concept worthy of a few follow-ups for the character of Skyler, and star Holt has a real enthusiasm and draw that’s tough to ignore. As with all DCOM’s, this new film is about a character coming of age, and ultimately she has to learn how to cope with fear and use it as a means of thriving in life rather than letting it control her. As the film progresses we learn that Skyler may not be too normal, while her two friends often paralyzed by their insecurities may be more in control around demonic beings. The trio of ghouls feast off of the insecurities of teenagers, and are basically just metaphors for anxiety, insecurity, and self-esteem. They’re manifestations of those flaws, and they feed on such horrors.

To defeat them they must ultimately face their fears, which means Skyler’s friend Sadie must confront her fear of public speaking, goofy Henry must battle a bullying scarecrow, and Skyler must perform her music for the party she’s attending. As with all modern DCOM’s, the cast is intended to do more than just act, so Olivia Holt pulls in double duty as a singer and actor and accomplishes some strong singing paired with some very catchy music for the film’s inevitable soundtrack. While it has bumps along the road, “Girl vs. Monster” has a clear message for its teen audience about confronting fears, while marketing on the growing popularity of talented star, Olivia Holt. It’s a very pleasing Halloween treat. With Disney trying to re-invent their Halloween tradition for a new audience and move away from the classic “Halloweentown,” the new “Girl vs. Monster” is a fun and exciting action comedy for the teens, but I doubt it’ll be as well received as the former more festive fantasy film. Olivia Holt has real potential, and I hope Disney banks on her more in the future.