One can’t deny that “The Passion of the Christ” was a bulldozer of endless publicity, and endless debate, and controversy, and uproar and anger and discussion, and feuds and so on and so on. Regardless of which blockbuster that was spawned on the American audience, “The Passion of the Christ” was a highly hyped and much publicized film, because it deals with religion. Religion takes brothers and sisters and family and divides them, it angers people, motivates them, inspires them, and causes them to commit heinous acts in the name of it. Thus explaining the Crusades, the search for the holy grail, and the war we are experiencing now. Religious wars. Religion, regardless of how you cut it is important, if an unnecessary and somewhat defunct part of the human condition that should be removed. Religious films aren’t just films, they expose a part of the human soul called religion, something many people live by and swear by. For better and for worse.
Tag Archives: Drama
American Wedding (2003)
I’m a fan of “American Pie”; I loved that movie, I thought it was very funny and the closest we’ll get to a classic comedy of the modern era, I mean what other movie featured such a hilarious sight as a guy having sex with a pie? Then there was “American Pie 2”, not exactly a creative title for a sequel, and all in all it was a mediocre film with a mediocre plot. There were minimal laughs, obvious jokes and puns, and nothing else to feature, then with a further saturation, there’s “American Wedding”.I was strictly against a third film in the “American” series, and now it’s clearly evident my instinct was right all along.
A Man Apart (2003)
Diesel stars as Sean Vetter a DEA agent who with his friend Demetrius Hicks are in the midst of taking down a brutal drug cartel led by Memo Lucera (Geno Silva); after busting him and taking down the crime ring that they’ve spent seven years investigating, Sean finally can take some off-time. Enter wife Stacy, the loving beautiful wife to the character of Sean. By now, if you haven’t seen the movie, you can guess what will happen next, and do I even have to tell you anything else besides the fact that she becomes a motivation for vengeance? Watch the trailer and you won’t even have to see the movie. Simply because the plot twist is predictable and formula.
Phone Booth (2003)
Master horror director Alfred Hitchcock had a theory that continues to apply to thrillers even today, he theorized that if you take a tense moment and stretch it out as long as possible you can keep the audience on the edge of their seat, biting their nails and sweating at the thought of an oncoming jolt, that if you stretch it long, it will have more of a lasting effect on the audience than if you hit them with one instant jolt which they will inevitably forget. Many of today’s horror and thrillers prefer to use the latter which, despite always getting a reaction, isn’t always effective, “Phone Booth” uses Hitchcock’s method in the most purest sense and gives a fond remembrance of the days when a thriller actually used its title “Thrill”, and what “Phone Booth” does is surely thrill in rare form.
Basic (2003)
Director John McTiernan, after directing the horrible “Rollerball” remake, displays a high energy thriller which is beautifully directed; there some great shots in the film and the right mood and tension but ultimately it’s all wasted beneath the muddled confusing story. Taking it’s lesson from the classic “Rashomon”, an infantry group witnesses a murder take place attempting to rescue some survivors that never returned from a mission; they soon learn there was a large incident that took place and attempt to discover what occurred. Finding no options they call in DEA agent Tom Hardy played by the energetic John Travolta to take the reigns and interrogate the survivors and unfoil what occured while assisted by the scruffy Lt. Julia Osborne who discover a plot involving sadistic Sgt. Nathan West and his soldiers who hate him with a passion, and soon find much more beneath what looks like murder and drug dealing within the troop.
Solaris (2003)
The film “Solaris” poses some interesting questions about life; How much of life is reality and how much is illusion? How much of life is illusion we’re not aware of, and illusion we prefer to endure for the sake of going on in life? When someone dies, how much of their memory that we store in our minds is real and how much is distorted by the way we preferred to see them as? And, finally, one of the truly provocative questions: Do we ever really know someone? Do we know their flaws and personality inside out or do we just create our own images of them.
The 25th Hour (2002)
“The 25th Hour” delves with the question of: If you only had one day left of freedom what would you do? Where would you go? Whom would you spend your last hours with. For Monty Brogan, it’s something he must face as he quickly looks out onto his seven year sentence in jail after being discovered by DEA agents for storing a kilo of drugs. But, as his last hour draws upon him he decides to tie up old wounds with his friends and family and discover who squealed on him to the DEA, what he inevitably discovers will shock him and make him question his life. From the opening scenes symbolic of New Yorkers and the events of 9/11 to the heart-wrenching finale, this thought provoking character study which dares to answer that question of what a man would do on his last days free. It’s also symbolic asking the audience watching, what would you do on your last day of freedom?