There’s been many ghost films over the past decades, and there’s not much original material or horror devices you can inject within the horror genre these days. Especially films that involve ghosts and spirits because it’s all been done to death. This film is no exception applying to that formula, but it does tend to use the tired clichés with much tenacity that I found it hard to dislike this. No matter how hard I tried, it was tough trying to label it awful, because it isn’t awful. It’s far from being scary, but it’s not dull either.
Tag Archives: G
Ginger Snaps (2000)
Brigitte (Emily Perkins) and Ginger (the gorgeous Katharine Isabelle) play two Goth sister outcasts in high school whom are obsessed with death and the morbid. One night while walking in the woods, Ginger is mauled by a large beast and is nearly killed, but when the beast is killed shortly after the mauling and Ginger heals, she begins to reveal some Lycanthropic traits in her behavior and body.
Glitter (2001)
I doubt even with another leading lady at the helm, “Glitter” could have risen above abysmal and become remotely watchable. It’s such a cliché and monotonous by the book tale of instant fame, that it barely deserved to be made in to a film. Writers Kate Lanier and John Wilder don’t give any new material or bring anything fresh to the table story-wise, yet simply dole out mindless cliché after cliché relentlessly. Mariah Carey’s woefully misguided “Glitter” is the story of Billie Frank and how as a young child she was left in an orphanage by her drug addicted mother. She and two other orphans form a friendship and a bond and Billie makes an oath that someday she’ll grow up and make it into a huge singing star.
The Glass House (2001)
Leelee Sobieski (Joyride, Eyes Wide Shut) plays Ruby, a problematic teen who often takes her parents for granted and has a bad relationship with her brother Rhett. But one night while attempting to sneak into her house, she discovers that her parents have died in a car crash. They then come under the guardianship of what seem like the perfect couple, the Glasses, their neighbors. But what seems to be a perfect life at first turns out to be more than Ruby bargained for. Leelee Sobieski hams it up as the misguided teen / heroine who discovers her new foster parents plot early within the movie.
The Gift (2000)
I am a big fan of “Evil Dead” and Sam Raimi once again displays his skill for horror and movie-making brilliance. Though “The Gift” is tonally uneven, it’s still worth a watch if only for the mood and inherent dread present. The movie’s scenery is comprised of a country setting, but the entire landscape of the trees and bayou is so grim and dark like a painting. The night scenes are the best, showing off the odd structure of the Dali-esque trees and scenery. When a young rich woman, Jessica (Katie Holmes) disappears, Annie Wilson (Cate Blanchett) the local town psychic reader must investigate the murder, but to the relentless harassment of an abusive man named Donnie Barksdale (Keanu Reeves) who is angry at her advice to his wife about Annie advising her to leave him.