Dead Man Tells His Own Tale (El Muerto Cuenta su Historia) (2016) [Fantasia International Film Festival 2017]

A man who can best be described as a misogynist cheating liar finds himself undead and bound to do the biddings a coven trying to raise their goddess to take over the world.

Written by Nicolás Britos and Fabián Forte with the latter directing as well, Dead Man Tells His Own Tale sets up its lead to be despicable and dislikable, doing so very successfully and keeping that up almost throughout the entirety of the film.  Then it attempts to make the public care for him and his undead plight, something that works a lot less given that he’s still an unlikable being and still is trying to do what he always has and wanted to without much care about how it affects the people around him.  The way they build him makes it very hard to care for him.  Most of the characters built are hard to care for as most are written in a way and into situations where they do things that make them less than likable.  This creates an atmosphere of negativity that evolves towards the ending here which makes sense, but does not make this viewer want to care.

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Small Gauge Trauma 2017 [Fantasia International Film Festival 2017]

Small Gauge Trauma is a programming block of shorts at the Fantasia Festival that sort of functions as a two hour anthology movie without a wraparound story. The shorts can be in any genre and are chosen by rough theme. In the 2017 edition’s case the theme was “Family” and while I know that this doesn’t sound overtly ominous, trust me when I say that it should.

Before I even start the review(s) I’m going to issue a mild to medium spoiler warning. Short films are, well… you know… short. So I have to talk about something and because the various runtimes are often under ten minutes I may mention stuff that happens towards the end. I promise I won’t ruin any twists and I will try not to describe every aspect of the plot and story, but I have to work with what I got.

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Five Essential Stephen King Movies, and Five You’re Better Off Avoiding

It’s a pretty interesting time to be a Stephen King fan, as 2017’s seen the emergence of King in almost all media. His works “It” and “The Dark Tower” are being adapted in to highly anticipated feature films, “The Mist” has been turned in to a series for better or for worse, and Scream Factory are re-releasing “Misery” on blu-ray later in the year for fanatics. With “The Dark Tower” coming to theaters very soon, I thought I’d ring in the occasion by highlighting five stellar Stephen King movies, and five you’re much better off avoiding.

What are some King adapted movies you think are worth watching, and what are some you think should be avoided? Let me know in the comments!

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Mayhem (2017) [Fantasia International Film Festival]

In a law office building with raising tensions and a myriad of issues, Derek Cho is wrongfully fired as a virus takes hold of the workers making them lose all inhibitions and moral barriers.  During the CDC imposed quarantine, Cho and a soon to be homeless homeowner climb up the floors to get justice.

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The Short Films of Izzy Lee [Fantasia International Film Festival 2017]

Izzy Lee is a talented short filmmaker who some of us cannot wait to see a feature film from.  Her shorts have been many and has one of them, For a Good Time Call…, played Fantasia International Film Festival this year paired with the feature Dead Man Tells His Own Tale.  As her work should, more like needs to, be seen by all horror fans, here is a rundown of some of her recent shorts.

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It Stains the Sand Red (2017)

Colin Minihan’s “It Stains the Sand Red” is a movie that only has about an hour’s worth of story for its premise. Don’t get me wrong, it’s a neat and interesting idea for a zombie movie, but one that runs out of steam by the time the second act is introduced. You can literally see the wheels falling off mid-way, and what should have been the end, feels a lot like a ton of filler that belongs to another movie altogether. As with all zombie movies from indie filmmakers, there are a ton of George Romero nods and winks, and they’re a mixed bag. Some of them are neat, like the opening of the film, which is an homage to the opening of “Night,” while some induce eye rolls a la the newspaper with the headline “The Dead Walk” dangling from a police vehicle.

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Better Watch Out (2017) [Fantasia International Film Festival 2017]

Chris Peckover’s “Better Watch Out” is absolutely nothing like I thought it’d be. That might be a criticism by some when the movie makes its way to VOD this year, but walking in to it blind, I was stunned to find something different but still rather entertaining. “Better Watch Out” just might end up being a Christmas classic somewhere down the road, as it’s a pitch black comedy, and unusual horror thriller that derives great pleasure in its sheer sadism. I’m not usually a fan of horror movies filled with such a mean streak, but “Better Watch Out” is shockingly clever, and very slick in how it builds up its villain slowly and makes the menace in the movie more and more terrifying.

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