The Bornless Ones (2017)

No matter what you think of “The Evil Dead,” every indie filmmaker wants to have their own version of the Sam Raimi classic. At this point you could compile a sub-genre out of movies involving cabin in the woods demon movies. There was even an actual remake, foreign wannabes like the charming “Wither,” and yes, even a movie called “Cabin in the Woods.” Director Alexander Babaev really wants us to know that he was inspired by “The Evil Dead” and even works hard to convince us we’re watching a successor–sans the tree rape, of course. “The Evil Dead” still maintains its glossy appeal and inherent terror, while “The Bornless Ones” is merely a fine attempt with some admirable ambition behind it. The cabin in the woods this time preys on the weakness of the characters, exploiting their fears and insecurities, allowing them to possess them.

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Fifteen Years Later, “Eight Legged Freaks” Deserves To Be Celebrated

Ellory Elkayem’s “Eight Legged Freaks” came out during a horrendous time. First it was a limited release, unleashed around the time another Spider oriented movie was breaking box office records, and it was released during a time where audiences were still bruised from 9/11 and weren’t too keen on welcoming horror comedies in to their lives quite yet. It’s a shame since “Eight Legged Freaks” is a pitch perfect horror comedy that celebrates everything from B movies, slasher movies, disaster movies, and the classic monster movies like “Them!” and “Mosquito.” Ellory Elkayem based a lot of “Eight Legged Freaks” on his short film “Larger Than Life,” which is very much in the spirit of what we see on the big screen. It is a black and white ode to the sixties monster movies with Elkayem conjuring up what’s so gross and icky about spiders. I originally saw “Larger than Life” on television in 2000 when it premiered on the short film television series “Exposure” on the Sci-Fi Channel here in America.

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Night of Something Strange (2016)

Jonathan Straiton’s “Night of Something Strange” seems to exist only to test the audience’s gag reflexes and nothing more. There is no story, no main character, the narrative is a mess, the pacing is uneven, the zombies that Straiton conceives are so poorly fleshed out, and in the end when Straiton throws out the script to deliver a non-ending, the joke falls flat. To prove how inept the movie is, after the prologue we enter in to the main narrative with character Christine delivering a heaping helping of exposition, narrating the set up for the movie as she writes in her journal. The latter portion of the movie reveals that, no, she’s by no means the central character and final girl. It’s just unfocused badly drawn out dreck that makes the movie such a chore to endure.

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Frankenstein The Real Story/The Real Wolfman (DVD)

Halloween has come early this year! Lionsgate has graced horror fans with a ton of really interesting documentaries from the History Channel and A&E Network in America. For folks that always wanted to know the “Real” story behind “Frankenstein” and “The Wolfman,” well this is where you can turn. Truth be told, the entire double disc DVD set garners an array of forty five minute documentaries, with the Frankenstein topic taking center stage. With all three documentaries clocking in at 178 minutes in length, it’s a treasure trove for individuals that love Frankenstein and Mary Shelly. Featured in the first disc is “In Search of the Real Frankenstein,” “Frankenstein,” and “It’s Alive! The True Story of Frankenstein.” Oddly enough while all three documentaries can sometimes become repetitive, they offer up a unique look at Frankenstein with different angles and approaches.

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B.C. Butcher (2016) [Blu-Ray]

Kansas Bowling’s “B.C. Butcher” is the indie success tale of 2016.

“BC Butcher” was made by Ms. Bowling when she was seventeen and she poured all of her resources in to making an hour long feature that paid tribute to the B movies of the sixties. Bowling has a clear cut love for drive-in trash like “Teenage Caveman” and “Eegah!” and delivers a schlocky indie film that also doubles as the first slasher film set during the caveman era. Filled with a lot of call backs to the sixties, and absolutely no attention to historical accuracy, Bowling has an obvious goal here, delivering a movie that’s more a practice in tongue in cheek, rather than straight up horror. You really can’t bash a film that features a supporting role by Kato Kaelin, and is narrated by Kadeem Hardison, too heavily.

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Elder Island (2017)

A filmmaking couple travels with a colleague to the titular island to investigate and document the local history.  Soon after their arrival, things start going sideways. Based on true events that happened on Beaver Island, MI, the film written by Fabricio Cerioni and Darrin James with the latter directing it, it tells the events in flashbacks and through the lead characters’ research.  Not being familiar with the event that inspired the filmmakers, it is hard to tell if they are well-portrayed, loosely-inspired, or just barely connected as many “based on true events” films are.  Nonetheless, the story follows the usual tropes of filmmakers investigating negative events for which they have little to no information.

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